llegue aqui por luisito comunica rey palomo

www.facebook.com/izemsounds
twitter.com/iZemSounds

"I was always a big fan of the 70's Fania records but I could never dance to that music properly. I know I'm not alone here. I lived in Latin countries for years, got some friends to help me overcome my motor coordination issues, watched dozens of youtube tutorials but it didn't help. The best I could do while hearing those records was to nod my head like it was another hip-hop tune. So after having wasted numerous flirting opportunities with Latin girls over the past decade I decided to transpose Celia Cruz's music into some more familiar rhythm patterns. I tried to keep the craziness and the passionate feel while adding some of my own head-nodding (and discreet hips shaking) music culture. Made in Dublin Tropical, North side of the Liffey, while experiencing an incredibly mild winter."

(Picture - Ica Chevalier)
(Mastered in Lisbon by Mr Bird)


iZem - Celia (Tribute to Celia Cruz)

Agua No Tiene Enemigo

Samurai - RyderOfficial x Steve Lewis

SALE OF THE TRACK: BANDCAMP DJ NEBER 
https://hionteinenrihma.bandcamp.com/track/the-latin-mouse-dj-neber

Los Invasores - El Raton (sample)

The Latin Mouse (Dj Neber)

Upon return from a recent trip to the deepest of crates in Colombia, Cut Chemist and Beats of All-Nations sought out to remix a unique set of dusty records, each different from the last, with an equally diverse list of producers. Going Back to Cali: Cut Chemist’s Colombian Crates Remixed is MORE THAN CUMBIA, its a reflection on a tropical culture rich in spirit, creativity and passion strung together with field recordings found along the way. These records were bought in Cali, Colombia during Patronio Alvarez Festival last year, hence the name. 

Our trip begins with folklore Colombiano favorites Los Corraleros de Majagual over a crunchy boom-bap by Co. Fee from Los Angeles’ beat collective, My Hollow Drum. Dance Kill Move (Stockholm, Sweden) adds some serious low end to Los Jovenes de Hierro’s classic charanga, “Ritmo Sabroso.” Ubiquity recording artist, currently residing in Colobmia, Bosq and Yukicito of La Junta (Los Angeles) contribute absolute party starters, while El Dusty’s “Mi Chola” give Los Teen Agers a taste Corpus Christi, TX. Atropolis (Queens) pays homage with a heavy stripped down edit of Julio y su Combo’s “Lamento Cumbiambero” and Los Chicos Altos (Barcelona) add in some rub-a-dub flavor on Los Hermanos Tuiran’s “Lluvia.” In addition we explore national treasures and the lesser known, new styles of chirimía, porro, pachanga, salsa and cumbia as interpreted by Sumohair (Los Angeles), Gabe Real (Pomona CA) and Greece duo SUPERSAN (aka Panama Cardoon & Mister Centro).  Promo Only.

credits:
released June 21, 2017 

Brought to you by: A STABLE SOUND & BEATS OF ALL-NATIONS 

Arrangement & Field Recordings: Cut Chemist 

Project Coordination: Mike Styles 

Cover Design: Joseph Moreno

Going Back to Cali:  Cut Chemist's Colombian Crates Remixed

FREE D/L

Los Chicos Altos - Lluvia

Upon return from a recent trip to the deepest of crates in Colombia, Cut Chemist and Beats of All-Nations sought out to remix a unique set of dusty records, each different from the last, with an equally diverse list of producers. Going Back to Cali: Cut Chemist’s Colombian Crates Remixed is MORE THAN CUMBIA, its a reflection on a tropical culture rich in spirit, creativity and passion strung together with field recordings found along the way. These records were bought in Cali, Colombia during Patronio Alvarez Festival last year, hence the name. 

Our trip begins with folklore Colombiano favorites Los Corraleros de Majagual over a crunchy boom-bap by Co. Fee from Los Angeles’ beat collective, My Hollow Drum. Dance Kill Move (Stockholm, Sweden) adds some serious low end to Los Jovenes de Hierro’s classic charanga, “Ritmo Sabroso.” Ubiquity recording artist, currently residing in Colobmia, Bosq and Yukicito of La Junta (Los Angeles) contribute absolute party starters, while El Dusty’s “Mi Chola” give Los Teen Agers a taste Corpus Christi, TX. Atropolis (Queens) pays homage with a heavy stripped down edit of Julio y su Combo’s “Lamento Cumbiambero” and Los Chicos Altos (Barcelona) add in some rub-a-dub flavor on Los Hermanos Tuiran’s “Lluvia.” In addition we explore national treasures and the lesser known, new styles of chirimía, porro, pachanga, salsa and cumbia as interpreted by Sumohair (Los Angeles), Gabe Real (Pomona CA) and Greece duo SUPERSAN (aka Panama Cardoon & Mister Kentro).  Promo Only.

credits
released June 21, 2017 

Brought to you by: A STABLE SOUND & BEATS OF ALL-NATIONS 

Arrangement & Field Recordings: Cut Chemist 

Project Coordination: Mike Styles 

Cover Design: Joseph Moreno

Gabe Real - Tolu

Upon return from a recent trip to the deepest of crates in Colombia, Cut Chemist and Beats of All-Nations sought out to remix a unique set of dusty records, each different from the last, with an equally diverse list of producers. Going Back to Cali: Cut Chemist’s Colombian Crates Remixed is MORE THAN CUMBIA, its a reflection on a tropical culture rich in spirit, creativity and passion strung together with field recordings found along the way. These records were bought in Cali, Colombia during Patronio Alvarez Festival last year, hence the name. 

Our trip begins with folklore Colombiano favorites Los Corraleros de Majagual over a crunchy boom-bap by Co. Fee from Los Angeles’ beat collective, My Hollow Drum. Dance Kill Move (Stockholm, Sweden) adds some serious low end to Los Jovenes de Hierro’s classic charanga, “Ritmo Sabroso.” Ubiquity recording artist, currently residing in Colobmia, Bosq and Yukicito of La Junta (Los Angeles) contribute absolute party starters, while El Dusty’s “Mi Chola” give Los Teen Agers a taste Corpus Christi, TX. Atropolis (Queens) pays homage with a heavy stripped down edit of Julio y su Combo’s “Lamento Cumbiambero” and Los Chicos Altos (Barcelona) add in some rub-a-dub flavor on Los Hermanos Tuiran’s “Lluvia.” In addition we explore national treasures and the lesser known, new styles of chirimía, porro, pachanga, salsa and cumbia as interpreted by Sumohair (Los Angeles), Gabe Real (Pomona CA) and Greece duo SUPERSAN (aka Panama Cardoon & Mister Kentro).

credits
released June 21, 2017 

Brought to you by: A STABLE SOUND & BEATS OF ALL-NATIONS 

Arrangement & Field Recordings: Cut Chemist 

Project Coordination: Mike Styles 

Cover Design: Joseph Moreno

Promo Only.

Free D/L

Yukicito - Anacaona

Tio José (Vocales: Nidia Gongora)

A Cumbia take on the Hiphop classic, released on a Serato vs Tru Thoughts 12".

Reminisce Over You

With “A Muhive”, new-born Elis Records starts 2020 with a new collaboration and exploration off the beaten track. A third release signed by Mozambican singer Milton Gulli and French producer iZem mixing afrobeat and Portuguese hip-hop.

Producer, singer and DJ, Milton Gulli has always given great importance to cultural and sound syncretisms. From Mozambican descent, he grew up between Portugal, Saudi Arabia and Madeira island, he sought to bridge the gap separating the two musical worlds that have influenced him growing up. This new release is a perfect example of that: with lyrics rapped in Portuguese, and an instrumental that samples the London Afrobeat Orchestra, the resulting sound is a futuristic hybrid between Nigerian afrobeat and lusophone hip-hop.

In ‘A Muhive’ (‘The Thief’), Milton accuses the injustice that corruption causes to every segment of the population, from the madala (a middle-aged woman) to the criança (the child), and, by speaking in second person, he shows that the scourge not only concerns the authorities but the society as a whole. The energetic rhythm of the song reinforces the idea that it is nonetheless not an option to give up just yet, and that if the efforts we put in cheating were put at use in a more honest attitude, everyone would benefit from it.

Out on all digital platforms January 27th 2020.

iZem & Milton Gulli - A Muhive (Elis Records - 2020)

All-star Colombian ensemble Ondatrópica return with a new single featuring a cover of Fela Kuti's 1971 classic 'Chop 'n' Quench' and two remixes.  'Chop 'n' Quench' was recorded during the original recording process at Colombia’s famed Discos Fuentes studio early last year.  

A project originally conceived by Will ‘Quantic’ Holland and Mario Galeano (Frente Cumbiero) the self-titled album went onto be released via Soundway Records to critical acclaim. Preserving the vibrant sound of the past and taking it to new heights with modern approaches to production, arrangement and composition, Ondatrópica topped many end of year lists in 2012.

New York based Adam Partridge, also known as Atropolis, remixes 'El Caimán y el Gallinazo' a track originally written by Climaco Sarmiento, the father of Ondatrópica's legendary saxophone player Michi Sarmiento. French producer DJ iZem’s remix of 'Tiene Sabor, Tiene Sazón' was chosen by the band from over 50 entries to a recent remix competition. 

Speaking of DJ iZem's remix Will Holland said, "This was definitely the best and most innovative remix we heard. He went out on a good style that progresses throughout."  
 
Ondatrópica are currently on tour throughout Europe.

Buy on iTunes

Ondatrópica - Chop 'n' Quench

Beats of All-Nations is an organization committed to the preservation of cultural relevance through music, arts and the international community.

Yukicito - Anacaona

Beats of All-Nations

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