Still my favorite after all these years! Love you.

pfunk2

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Parliament-Funkadelic - Maggot Brain (full Album)

HERE IT IS! After months of silence, W.S.F.B. Collective are ready to come out to the world, bringing you a medley of Parliament/ Funkadelic's Standing on the Verge of Getting It On and Flashlight. Recorded with little means and little time, but with tons of psychedelic love. Special thanks to Stu Cooney, Hora Bolz, Alessio Garavello and Ed Randall from Rogue Studios for letting us start our little adventure. Stay funky and come check us out on the 25th of May at Proud Camden, where we will play a tribute set to the mighty George Clinton and his P-Funk crew. Peace, suckers!

Parliament Funkadelic Medley

A 3 Treasures cover, featuring Jennifer Black and Rachel Cox.

https://soundcloud.com/3treasures

So Many Ways

New track from forthcoming collaborative album by Deerhoof and Dal Niente.  Pre-order and read more here:  https://dalnientedeerhoof.bandcamp.com/

Coming April 29, 2016 on New Amsterdam Records.

Movement 6 from meltDown Upshot, composed by Marcos Balter.

Press inquiries:  jill@newamrecords.com

New Amsterdam Records is excited to announce the new collaborative album from Deerhoof ("the best band in the world” - Pitchfork) and Chicago-based 22-piece contemporary music group Dal Niente (“a model of what contemporary music needs" - The Chicago Tribune), Balter / Saunier, which will be released on April 29. The album features works by Brazilian-born composer Marcos Balter and arrangements by Deerhoof drummer Greg Saunier of his band’s songs. The album will be celebrated at ensemble Dal Niente’s 10th Anniversary Party in Chicago on April 30 at Dal Niente's Studio & 3rd Floor Commons at 4045 N Rockwell, which will include the Chicago premiere of Saunier’s piece on the album, “Deerhoof Chamber Variations.” 

Deerhoof and Dal Niente first crossed paths in 2012 when they shared a bill at Chicago’s Millennium Park. The two groups bonded instantly over their shared sensibilities and began a long-term collaboration, performing together when possible and inspiring each other along the way. Balter / Saunier is a culmination of these explorations, an intricate intermingling of styles that captures each group at its most adventurous and encapsulates what it means to create, perform and listen to music in 2016. 

Despite the scope and scale of the collaboration (with more than 30 people involved), the recording process was a remarkably DIY effort. Balter / Saunier is self-produced, mixed and edited; composers session-produced their pieces; and engineer Dan Nichols cleverly turned a busy downtown ballroom into a treated recording environment. Everyone spent a lot of time listening – to the music and each other – and it shows: the final product is the very definition of a meeting of the minds, a perfect distillation of several (highly developed) artistic voices. 

Balter / Saunier consists of two longer works, one each by Balter and Saunier, with one shorter piece by Balter between the two. The album opens with Balter’s seven-part piece “meltDown Upshot”, a magnetic mix of heady beats, catchy pop, absorbing postminimalism, angular melodies and fireworks of free jazz written specifically for the two groups’ collaboration. Next is “Pois que nada que dure, ou que durando,” a poem by Fernando Pessoa that translates to "For that nothing lasts, or that lasting” in English, a dissonance-tinged work that plays like a sonic realization of Dalí’s “Persistence of Memory.” The album closes with Saunier's “Deerhoof Chamber Variations”, a work for Dal Niente that uses Deerhoof's catalogue as source material. Rather than simply re-arranging Deerhoof songs by rote, Saunier flexes his compositional background to create a meditation on the group’s discography. Familiar melodies – set amongst grand, expansive arrangements – drift in and out of view as if from a refracted memory.

Dal Niente & Deerhoof - meltDown Upshot: 6. Cherubim (Marcos Balter)

From the forthcoming album 'The Coral Casino' on Living Music.

John Dieterich & Jeremy Barnes began ’The Coral Casino’ as an attempt to understand one another. They met one day and the next they were in a blank room with unfamiliar instruments in their hands and zero expectations, each agreeing to do his utmost to ignore the other. Yes, their first forays into musical collaboration began with the stipulation that each had to improvise in a rhythmic manner while not listening to what the other was doing. This idiosyncratic process proved to be the unlikely genesis of songs like “Special Questions,” “Sandwild,” and “The Frost Pocket.” Their shared love of melody and pop provided the anchor for wild performances and deep, rich textures, laying the groundwork for many more moods: the euphoric “Out & About;” the stirring tribute to the satellite Philae (“Philae lands on comet 67p_churyumov-gerasimenko”), the first satellite to land on a comet, and so on.

Expansive, unafraid of complexity yet wide-eyed with elation, their sound embodies risk that genuinely rewards. While flirtations with danger and darkness occasionally appear, in the end everything becomes a laughing pile on the floor. An optimistic homage to a possible future, ‘The Coral Casino’ is both childish and sophisticated, seemingly tossed off yet at the same time exhibiting a depth that reveals itself on each subsequent listen; an exploration of friendship and the pure joy of ecstatic communication.

Take a trip to ‘The Coral Casino’: the perfect destination, where everything is topsy-turvy, no one is in control and yet all are mysteriously spirited to their beds before dawn.

do that stuff (parliament funkadelic)

beaux bros.

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