The Imajinary, Nameless Everybody In The World

LYRICS
Grace of a swan forever
Faces unknown, I'll piece them together
In my mind, I'm always looking down
It seems time

To taste the light and watch all of us now
You take a knife and open up this town
I didn’t know you’d seen another face that I didn’t show
And still you looked misplaced

Eyes of ghost remember
We tore it in hope to keep it together
In my mind, I always look around
To find time in every other sound
Take it or leave, this place is a river
It's up to to my knees and pulling me quicker
In my mind, how hard that I’ve tried to conceal her

To taste the light and watch all of us now
You take a knife and open up this town
I didn’t know you’d seen another face that I didn’t show
And still you looked misplaced and left behind

You’ve been running in place all night

We cut it down to the fucking bone
We never thought, but we should’ve known
What others saw, but I can’t see
It was supposed to me

Taste the Light

Taste The Light

knife

Waiting For The Light

Livewire is the first single from Contrast's debut album

watch the video for livewire at https://youtu.be/FUobsxVd82I 

Produced by Contrast, Mixed and Engineered by Stu Mackenzie, Mastered by Joe Carra

Backing vocals -Steph Wilson



LIVEWIRE

3rd single from B Boys debut LP "Dada" out June 16th, 2017 on Captured Tracks.

Pre-Order Physical: www.omnianmusicgroup.com/products/dada

Pre-Order Digital: hyperurl.co/qu375b

Dada

B Boys // Discipline (Official Single)

'Haze' EP out now on Bandcamp
https://dayzzzed.bandcamp.com/album/haze

Additional vocals by Tinieka Page
Drums by Fergus Kuhar
Mastered by Casey Hartnett

Artwork by Tinieka Page

How Far From Home

from the album 'la-di-da recordings' available 8/20

dreamscape 'separate sense'

* We do not own the copyright in this music. If you like what you hear, please support the artists! *

This takes place on land stolen from the Wurundjeri and Boon Wurrung People of the Kulin Nation. MIE acknowledges the Wurundjeri and Boon Wurrung People as the rightful owners of the land we live on, and pays respect to their elders, past, present, and emerging. Sovereignty has never been ceded.

This fortnight we will tune our ears towards the sounds of Indigenous Australia between 1970-1999. The music you will hear crosses from punk to folk, instrumental to rock, to snippets of synth and whispers of reggae. Some of the tunes are examples of traditional instrumentation and songs of the Dreamtime , while others are more indicative of the post-punk and rock scene that bloomed in 1980s Australia within the political movements surrounding the Barunga Statement. 

Most of all, we pay our deepest respect to each artist here and the strength and talent shown to create music with such a crossing of emotion, talent, political uprising, rebellion, resistance, and deep, heartfelt expression. 

Alan Maralung / New Song, Part 1 
Yothu Yindi / Treaty 
Waak Waak Jungi / Djambaku 
Geoffrey Gurrumul Yunupingu / Djarimirri 
Pigram Brothers / Going Back Home
Waak Waak Jungi / White Cockatoo
No Fixed Address / We Have Survived 
Archie Roach / Jamu Dremaing 
Letterstick Band / Yi-Rranna 
Pigram Brothers / Moonlight
Alan Dargin / Fantastic Planet 
Pigram Brothers / Poinciana Sword Fight 
The Wilcannia Mob / Down River 
Ruby Hunter / Ngarrindjeri Woman
Tiddas / Inanay 
Riley Lee / Wild Honey Dreaming 
Jimmy Little / Yorta Yorta Man 

Artwork: Wild Honey Dreaming, 1993, Riley Lee and Matthew Doyle 
Mix compiled by Xan Coppinger
musicinexile.com.au
hi@musicinexile.com.au

Music in Exile Presents #7: Sounds from Indigenous Australia 1981 - 2006

Listen to the first single from our forthcoming LP "The Garden of Inescapable Pleasure" on Shelflife Records.

Preorder here: https://lavenderblush.bandcamp.com/

LP release late November 2020.

Music in Exile Presents #7: Sounds from Indigenous Australia 1981 - 2006

bedroom suck records

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