2nd Fateless Flows Favorites

Aquarela do Brasil-A.Barroso (Solo Guitar performed by Mark Flores)

03 Alma Mater

Alexis Hk, Le Dernier Présent

From the new album "A Fender Rhodes Solo" by Jozef Dumoulin, to be released on BEE JAZZ, February 27th, 2014.

Jozef Dumoulin: Fender Rhodes

More info: www.beejazz.com/blog/artiste/jozef-dumoulin/

Jozef Dumoulin is on Facebook: on.fb.me/1eSmFrN

Label Contact : BEEJAZZ
contact@beejazz.com

Jozef Dumoulin - "A Fender Rhodes Solo" - The Entry Point

silvia perez cruz+Ravid Golg= Llama
www.myspace.com/silviaperez
silviaperezcruz.espacioblog.com

loca

The new album <a href="https://realworldrecords.com/release/632/tincian/">Tincian</a> is out 12th May 2014.

Pre order: <a href="http://smarturl.it/TincianiTunes">iTunes</a> / <a href="http://smarturl.it/TincianAMZ">Amazon</a> / <a href="http://www.roughtrade.com/albums/82575">Rough Trade</a>

Lliwia means Colours. It's a song written about childbirth. All the colours you can see when you close your eyes and the instant love that you feel for this soul that comes out. 

Tincian is 9Bach's second album. It's an atmospheric, emotional record that reflects their home environment of Gerlan, North Wales. As Lisa Jen explains, 'tincian can mean a lot of things, to move with a tinkling sound, to ring and make a clear sound. Depending on what area of Wales you are from, the meaning varies. It comes to life in dialogue when you use sentences like "I gave him such a talking to, he didn't know what had hit him...he was 'tincian'." It's almost like a cartoon image of someone's head being hit by a hammer'.

Buy on iTunes

9Bach - Lliwiau

where do i begin?

https://www.facebook.com/morningsmusic
https://www.facebook.com/morningsmusic
https://www.facebook.com/morningsmusic

http://mornings.bandcamp.com/
http://mornings.bandcamp.com/
http://mornings.bandcamp.com/

Bandcamp

Unkind

The DownBeat Blindfold Test is a listening test that challenges the featured artist to identify and discuss the music and musicians who perform on selected recordings. The artist is then asked to rate each tune using a 5-star system. No information is given to the artist prior to the test. 

The Monterey Jazz Festival has hosted live DownBeat Blindfold tests since 1996, and are moderated by Dan Ouellette. In 1997, for the 40th Annual Monterey Jazz Festival, bassist Charlie Haden was the blindfold artist.

Recorded in Dizzy's Den at the 40th Monterey Jazz Festival, at the Monterey County Fairgrounds in Monterey, California, September 21, 1997. Moderated by Dan Ouellette.

Photograph of Charlie Haden ©2002 Monterey Jazz Festival / Michael Piazza.

Charlie Haden: DownBeat Blindfold Test at MJF40 (1997)

Download

Prenatal Hunters (Floex Revision)

You noticed that void inside everything, didn´t you?

Void Notice EP : http://vonwegen.bandcamp.com/album/void-notice-ep

buy on bandcamp

Void Notice

from 'Nomad Frequencies' [CD|2xLP|DIGITAL]
Denovali Records · den237
available in September on all formats at [http://denovali.com/johnlemke]

An ardent moulder of sound, John Lemke began carving out a very unique music blend on his debut album 'People Do' (2013) and its follow up EP 'Walizka' (2014). Informed by his work as a sound designer & composer for documentary films and his natural inclination towards fusing rhythm with rich textures and emotive melodies, he set out on a musical path that had been long in the making and is ever evolving.

The quest for unusual, inspiring sound sources has always been at the heart of John's process, however the genesis of his second album 'Nomad Frequencies' was rooted in much more inadvertent circumstances. In the summer of 2014, forced to indefinitely evacuate his Glasgow flat and studio due to structural damage from one hour to the next, with nothing more than a laptop and a bag of clothes, John embarked on a six month odyssey of soul searching, couch surfing and spending an extended period of time in his old hometown of Berlin for the first time in years - it was to be an odyssey that would help ferment and distill the ideas of his second album on which work had just begun. 

A year of particular global turmoil and upheaval, combined with John's personal, albeit very minor, 'displacement', caused a lot of questioning, frustration and anger, which somehow found its way onto the new material: a more confrontational, at times aggressive sound, paired on the other hand with a yearning for harmony, balance and space. Other influences came less from the world of music, but rather in visual form, through the densely textural art of Anselm Kiefer and the political, yet poetic musings of film maker Adam Curtis.

Intent on refining his sound toward a more minimal, bolder style, John set out to limit his sonic palate to a handful of carefully chosen elements. At the centre of this new direction remains the muted piano already introduced on his debut, but in a much more purified and raw form. This organic base is adorned by the warm fuzzing and wavering of analogue synthesisers, tape echoes, meditative tuning forks, field recordings from John's 'exile' period and percussion based on his rigid approach to sampling, which started developing on 'Walizka'. The guiding principle of his orthodox style of recording and sampling is to only use home-made sounds by utilising his own field recordings, applying contact microphones or hydrophones to objects and instruments, running them through different kinds of speakers and re-recording the sounds to arrive at a 'lived in' quality, often misunderstood as plainly 'lo-fi'. Touches of viola and woodwinds parts (Kim Moore of WOLF and Andrew Baker respectively) provide melody fragments and subtle details throughout the journey.

With John's healthy disregard for genre boundaries, the array of influences on 'Nomad Frequencies' is vast, but never over-powering. From the meditative tuning fork that starts proceedings on 'Of Elsewhere', the dub echoes to the hints of minimalism, free jazz explosions to the Lynchian atmospherics, all elements serve nothing more than the album's narrative journey between friction and harmony, best appreciated in its entirety. A rhythmic backbone collides with rich ambience and melody, often infectious and jarring at the same time, forging a soulful whole which most likely only reveals its true self after multiple spins.

Nomad Frequencies

John Lemke - The Unwinding

Tindersticks - My Autumn's Done Come

My trio plays a cover of Jorge Morels masterpiece, "Dansa Brasiliera." This recording was made for educational purposes. It is not for sale anywhere, just a recording made for fun and to share with students. 

Chris McIntyre: Guitar
Chris Murphy: Drums
Glen Chester: Bass

Recorded live off the floor at "Pat's Palace"

Tracking Engineer: Mike Dipasquale
Mix: Chris McIntyre

Dansa Brasiliera

Francesco Chebat & Gianni Satta  Aria di Polvere

Inspired from Mich Èle 1 (Rene Aubry - Amnesie) Soundcloud

Rough Draft/low 

Rene Aubry - Amnesie (Digger Chilled) Tripped Draft 1*****low-fi

The Stratos Ensemble is a progressive jazz band, the brainchild of producer Dean De Benedictis. The Fateless Flows Collective was an organization that Dean once ran, but now is simply the brand canopy that represents many of his extended projects, such as collaborations with original FF members and related material. Dean has decided to merge both his Stratos Ensemble content and his general Fateless Flows content on this particular SC page. 

The company name was originally the name of an electronic music collective Dean ran from 2003-05. From 2007-11 there was a plan to relaunch Fateless Flows as a record label, but it fell through. What remains are video channels on Youtube and Vimeo, and this Soundcloud page. Dean keeps his art and content coming, so he still uses the FF brand to release anything he works on that he also maintains rights control of, be it solo efforts or collaborative. Dean also has a separate SC page for his solo material.

Fateless Flows main image by Michael Jantzen and Dean De Benedictis. 

Dean De Benedictis' website can be found here:
http://deandebenedictis.com/

(Michael Jantzen's website:
http://www.michaeljantzen.com/Welcome.html)

BEE JAZZ is an indie french label created in 2003, BEE JAZZ is #MagicMalik #NelsonVeras #GuillaumedeChassy #JeromeSabbagh #ManuCodjia #EdwinBerg #ONJ etc...

Jozef Dumoulin - "A Fender Rhodes Solo" - The Entry Point

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