Name: Amalia Rodriguez - Fadista Louco (Behrooz Moosavi Remix) by Behrooz Moosavi in Others
Duration: 2 min 17 s
Description: It's my first remixing experience. It's a song from a Portuguese Fado singer. Hope You Enjoy it!

this is like iranian Tree Trapped Tigger music style

Wow...! haven't heard the original one but this is just great. ;)

@bitmarx: thanks a lot hormoz... really miss those days, not even one second in that godforsaken place, but the long conversations I mean...  :D ... i'd be really happy to see you again man!!!!

bring it! - increase you plays/download fav check out http://cloud-promotion.com

Others

شجریان - آهنگ وفا (Shajarian)

Andrew Sherwell -  The Book of Trinkets (Album Preview)
CD/Digital

Limited to 50 copies, handmade sleeves and wallets, hand numbered...
Only 1 copy left!! 

https://shimmeringmoodsrecords.bandcamp.com/album/the-book-of-trinkets

This is an awkward album. Some of this awkwardness is unconscious and unplanned, the by-product of lo-fi techniques and studio ineptitude. Some is planned and conscious, the product of searching for rifts, of searching for “the symbols of the divine that show up in the trash stratum” (Philip K. Dick). Through awkwardness and juxtapositions, glimpses of something else can be seen, a something that is lost in the polished, the tuned, the smooth. Partly because I believe ‘better’ works often come with their own inbuilt responses, by engaging with them they engender a set reaction, so there is simply no room nor stimulus for the listener/reader/viewer’s own interpretation and thoughts. The art has become artifice – merely propaganda or pornography. 

By embracing the rifts, the imperfect, the awkward, and the juxtaposition, we turn our backs on works that are apparently perfect reflections, as comforting and numbing as they are, of a reality that doesn’t really exist anyway. To push further, alongside art, we need other, obsolete modes of thinking, approaches that, well, capitalism has forced out. We need more magic, more religion. Through art, magic, religion, we can push back, think for ourselves and finally see the radical mystery, the Other, the divine behind everything, and that makes life, and by extension, us anything but irrelevant. 

All that from some static and too much reverb. 

Andrew

Releases October 8, 2021 

Music & Artwork - Andrew Sherwell 
Mastering - Stephan Mathieu 
Shimmering Moods Records 2021 
SHM 175

Andrew Sherwell - The Book of Trinkets (Album Preview)

Lamouni Li Gharou Meni - Les Orientales

Samantha Castrillón (DJ/Productora) es la encargada de darle vida al proyecto “ImTheWoods” que nació años atrás pero que tomó forma a mediados del 2019. Su música se caracteriza principalmente por sonidos y ambientes que inducen a la quietud, contemplación y experimentación con sintetizadores, pedales, loops de voz y cintas.

Aire Libre 21 - Samantha Castrillón

Lad Vore Hænders Nøgne Træ Få Blomst Og Blade

Second full length album Onomatopoeia, released via Shimmering Moods, limited edition CD and digital.

Mastering by Viktor Eidhagen at Rumsklang.

Tracklist:

1. Intonate
2. Shimmering Outskirt
3. Karmical
4. The Space In Between Gets Filled With Debris
5. In Repose
6. Mercurial Passage
7. Pulsar Navigation
8. Micropattern
9. An Interpolated Memoir
10. Shell

Vagantpoesi - Onomatopoeia [Shimmering Moods 2022]

In the blue heavens
Scattered from dust - an ancient blow

Uninvited flames of the altar
Run over the wings
Of the butterfly spool

Meter by meter, loose
Landed on the hands of tower

The sky limits no air
Illusions of ear and throat.

An eternal liminality amidst of the fading blaze - sunset speaks so much of  light. Adorned by the dust-covered sundial, a candle being blown out since the crack of dawn. First, the hour hand and the minute hand - chime rods clang without touch. To remember: the core of arousal. The body / as foliage / as traverses too ceaseless to bring up the rear.

‘Butterfly Tongues More Ancient Than Flowers’ is the grandeur revival of early electronic era in the personal and subtle twists of a rethought perception of time. For the same reason, the matter simply drifts through it—not itself, but its own persistence. Copenhagen based artist - øjeRum maintained the reminiscence of rending impulses and rhythmic formations at the turn of provoking co-existing worlds, laid bare in the sempiternal totality.

Butterfly Tongues More Ancient Than Flowers

øjeRum - Recurring Dream of Coiled Organisms in the Sky

Alessio Natalizia is Not Waving. Tune in for his monthly hour of fucked-up left techno, post-punk, no-wavey tunes.

https://www.nts.live/shows/not-waving/episodes/not-waving-27th-october-2022

Not Waving 271022

Release date: 3rd February 2023
Format: Cassette, Digital

mahorka.bandcamp.com
https://mahorka.org

"Esaminazioni Cosmiche" was written and composed between January and February 2021 during a period of introspection, about the world I lived in (and still live in) all through an external, cosmic gaze.
This album is dedicated to the Italian ambient minimalist movement of the seventies and eighties..

Music by Andrea Porcu
Artwork by Angel Draganov

previews. Music For Sleep - Esaminazioni Cosmiche | Mahorka

Glåsbird’s travelogue of sound advances further, with this seventh edition in the series heading to warmer, more exotic climes. The A Sonic Expedition series is this anonymous artist’s armchair exploration of the world around us and it has to date put down roots in Greenland, Svalbard, Norway, Novaya Zemlya, Siberia and the Himalayas. With this latest excursion, the snowy, treacherous peaks of Everest are traded for the tropically vast Pacific Ocean.

As fans of the artist will already be aware, Glåsbird researches each geographic location with great intrigue and fascination, scouring Google Earth satellite imagery, watching documentaries, reviewing vintage maps and reading articles about its history and culture. Whilst the enormity of this ocean was obvious from looking at the globe, what became apparent was the scale of diversity across the thousands of islands in the region, whether it be the landscapes, culture or even the rare species of bird. Studying history revealed some dark tales, of challenging sea voyages, crocodiles and even cannibalism. As always, it also gave the artist opportunity to make new discoveries, such as how atolls are formed from ancient volcanoes and theories on how the Moai of Easter Island were moved across the landscape.

Glåsbird felt that their now signature modern classical style needed to change for this record, as these ambient portraits of the Pacific offer surely the most adventurous sound to date from this artist. Percussive rhythms were carved out of cheap percussion instruments, exotic polyrhythms glisten alongside sounds of rolling ocean waves and the thriving nature scenes. Sun bleached tape decays atop warm, ebbing bass and synth tones.

In Pacifica, Glåsbird traces a set route from one island to the next, marked by each track on the album. It begins with a view of La Perouse Pinnacle from inside the French Frigate Shoals. This pillar of rock has been known to cause shipwrecks and general confusion amongst seafarers who’d mistaken it for a ship when seen from distance. The journey continues many miles of sea south, to the triangular shaped Kingman Reef before heading off to explore the lake in the middle of Washington Island, also known as Teraina. The journey heads a long way across the ocean in an easterly direction, to the Galápagos Islands and then onto the remote Easter Island, home of the Moai stones. The next leg of the journey returns in a westerly direction, arriving at Mangareva which is the main part of the Gambier Islands. The French Polynesian paradise island of Bora Bora follows, before a stop at the small wooded island of Tafahi in Tonga. Inyeug, the most northerly island of Vanuatu is the next destination, famed for Queen Elizabeth II’s visit back in 1974. The tempo of the percussive loops notches up a little, as the next track represents the Solomon Islands and then this tour ends on the island of Yap, with echoes of Yapese rituals and lapping ocean waves closing the final piece which is called Rumung.

Credits:
Written and produced by Glåsbird
Mastered by James Edward Armstrong
Art and design by Andrew Heath

Cover photography by Garth Rogers in 1969, licensed under the
Creative Commons Attribution-Share Alike 4.0 International
license.

pacifica

wlr131 Glåsbird - Pacifica

Soon on Slow Tone Collages: 

Pallette - Thank You

https://slowtonecollages.bandcamp.com

Pallette - Reprise I (Slow Tone Collages )

https://roelfuncken.bandcamp.com/album/vespertine

released January 20, 2023
Written and Produced by Roel Funcken and Cor Bolten
Mastered by Exm
Vinyl release 20th of january 2023 on Riddim Records

Thornapple by Legiac

It's my first remixing experience. It's a song from a Portuguese Fado singer. Hope You Enjoy it!

Amalia Rodriguez - Fadista Louco (Behrooz Moosavi Remix)

Music Producer born in Tehran, based in Berlin
Curator at @tcs-berlin
Curator at Borderless Berlin

Amalia Rodriguez - Fadista Louco (Behrooz Moosavi Remix)

Behrooz Moosavi

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