THY LAST REMINDERS

Ever since I heard Pink Floyd's "Money" that song hook has been embed in my brain. Money is a constant chip on my shoulder as an indie musician but the passion and love of music makes it all worthwhile. What can I say like the Pusher Man said -  I mean bank manager said: "In God We Trust The Rest Pay Cash".


l’Argent - Money $ Money $ Money

Le dépanneur du coin veut plus te faire crédit
le dépanneur du coin veut plus te faire crédit
il dit “des bons comptes font des bons amis”.

Compagnie de téléphone veut te déconnecté
compagnie de téléphone veut te déconnecté
y disent ça fait des mois  t’es a pas payé.

l’Argent - maudite argent
l’argent - maudite argent
money-money-money-money
money-money-money-money
money-money-money-money
maudite argent.

Y’a ben du monde qui disent  l’argent fait tourner les roues
y’a ben du monde  qui disent l’argent fait tourner les roues
demande toé pas bonhomme pourquoi que je cruise les blues.

l’Argent - maudite argent
l’argent - maudite argent
money-money-money-money
money-money-money-money
money-money-money-money
maudite argent.
“In God We Trust - The Rest Pay Cash”

L'Argent (Money Money Money)

l'Argent -  Money $ Money $ Money

‘Part Of Your World’ is a song written by lyricist Howard Ashman and composer Alan Menken for Disney's animated feature film 'The Little Mermaid' (1989).

I’m deeply grateful to the great 'L'Orchestra Cinématique', a London based collective known for their incredibly epic covers and original pieces, for allowing me to make my own vocal version of their stunningly beautiful orchestral reimagining of this song.  

You can listen to more of their magnificent work here: @lorchestracinematique-music

Thank you so much for your listening. Hope you will enjoy this humble rendition of mine. 

The music video is available via the following link: https://www.youtube.com/watch?v=yS2DKVPaEfI&list=RDyS2DKVPaEfI&start_radio=1

Part Of Your World — The Little Mermaid (Cinematic Version) │Vocal cover by Anastasiya Ihnatovich

touching waters

bonzohunter

Cast of Characters:
Cgmaness – @hiddenhands-760647700 – Chris – acoustic guitar, synth, and composition
Mistermark-- @user-432503709 -- Mark –- vocals, lyrics, mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four string fretless Warwick bass
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
J.J. Terrell– @j-j-terrell – piano, B3 organ voice, synth sax, and JJ's angels (voice synth), Lucky Man style synth
TexMex Shaman– @texmex-shaman –Stephen– master and production
This song started as a project that was begun on his guitar and synth, then shelved by our master songwriter, Chris. He always gives us magic to work with, and as soon as he shared this one with the rest of Eclectic Collective, we all jumped on it.
Mark heard his part first, and set about writing some great lyrics to sing with his solid, inimitable voice. His lyrics are about a hypothetical future where we've turned to technology in search of human connection, only to realize that it has only isolated us more, and that we really already had that connection to begin with. The narration is from a future perspective, like all this has already happened, and its speaking to us from the future, almost like a warning.
The rhythm section was still absent, though, but not for long. Ken added his groovy, perfectly in the vibe drums to it next. Josh, of course followed soon after, now that he had drums to work with, by adding his fretless four string bass to the song. Now that it was sounding like a well rounded piece, Tez came through with some thrilling guitar solos that you hear throughout. JJ first added some piano, B3, and sax to the song, then later completed it with his psychedelic synth and divine voice synth that provides the "choir" you hear in there.
Now that it was all in the bag, Mark spent considerable time and effort mixing it, then turned it over to our resident pro Stephen for the mastering.
This is one of our favorite songs we've ever done, and it reminds us all of both Pink Floyd and King Crimson. This is a great example of what the team is able to do with a really solid, yet open musical seed, provided by a master composer. We hope you enjoy listening to it as much as we enjoyed making it.
Original lyrics by Mistermark:
The wind by the seashore, the wash of the waves
the sand on your skin and the glance that you gave
the sounds of the carnival we left it all behind
there were words left unsaid at the back of your mind
how could I have been so blind?
It was so long ago now it’s just you and me
it seems I've forgotten the way you like your tea
the house becomes quiet as the guests head for home
the garden’s been gathered and the kids are all grown
on their own
“The robots will help” they said “it’s better this way”
“there’s no need to work and there’s more time to play”
our leaders assured us we’d never go poor
and nobody questions the truth anymore
but what did we do it all for?
Our science sustains us like fine works of art
but are we closer together or farther apart?
we’re each on an island alone on the sea
the ocean between us expands rapidly
is this where we wanted to be?
It was so long ago now it’s just you and me
it seems we’ve forgotten the way it used to be
machines tried to help us but something went wrong
the future we wanted was here all along
The wind by the seashore, the wash of the waves
the sand on your skin and the glance that you gave
the sounds of the carnival we left it all behind
there were words left unsaid…





Faded Fortunes (Eclectic Collective)

This is the 12th in the Scalar series--the genius of Jo Richter thruout again finds it's voice here--These works are slowly migrating to a stonerjazz/bandcamp album, more for the practical reason of time constraints on my part and of course a way to present them in a chronilogical order and all in one place(it will eventually dissappear from my page completely)--Jo has also made a playlist where you can hear them in order in case you want to pop some popcorn and a beer or some other relaxing beverages and snacks and hear the whole thing in order soundcloud.com/sonic-textures/sets/scalar-fields in either or all scenerios, we hope you enjoy our poetry and music-- jeff g
lyrics: jo richter and jeff gardiner
everything sound - yes, everything! - and premix : jeff gardiner
image, eventual modulation and mix: jo richter

sitting ducks and circling eagles
do not a whole existence make
he told me as I listened listless
tired drained by his insistence
that I would have to be alert
to push past the break
and be clear enough
to find my hands in dreams
and speak in fluent Nirwanese
in Dada-lekt the verses back
from me to him
that he had taught me while I was not aware

and not-I sat without an ear
in the round of ember eyes still glistening
for both are made of themselves
each other and of fear
but the duck will have to feather up and fly
and the eagle will go hungry as it passes by
this he told me cunning, sly
on this I will rely
not now but when
time runs dry.....

scalar fields pt 12: glitchy glyphs-with Sonic Structures and Silent Stretches

Just moving previous posts!! Steve Vervaet on vocals( Steve’s Planet). Josh on bass and composition ( Entheogenic Psychonaught).. Stephen on guitar ( Tex Mex Shaman) Tez( Llanpsych), on guitar,JJ Terrell on keyboards …Yours truly, K2.. on drums and percussion! Hope you dig it.. it’s from July, 2023!!! Yes!

Second Floor-Eclectic Collective

Written by James Geer

Cruising on my couch
Gazing through the sky
Floating in my home
By the by and by

Television’s on
A flick from 39
Called tell your children
It’s All about crime

Jimmy got stoned today
Ran over Mr Krebs 
Jimmy got stoned today
Ran over Mr Krebs 

Asked jack for a smoke
Jack said you bet
Jack offered him
A special cigarette

48 miles per hour
Screeching thru the town
Didn’t mind the pedestrians 
Knocked the old man down

Mary lied to the cops
So Jimmy got away
Mary lied to the cops
So Jimmy got away

Mr Krebs

Sleep

Skin In The Game

Dazed

here is the track peace dogs..its an anti war song that i wrote while traveling around malta and its islands ..i also made a video here is the link for your viewing enjoyment https://youtu.be/TYUsAlCKoeE

jim manser-youtube

The Peace Dogs [with video]

This is the last one of 44 songs I wrote with my mom’s Spanish guitar in my university years, songs I’ve been arranging and posting to SC for the last 6 years (I’ve skipped 4 of them which will become a conceptual album soon).

I’m so glad to have https://soundcloud.com/janinelevinson’s help on polishing the English texts and lending her vocal and painting arts to such an important song for me.

Also must credit https://soundcloud.com/user-498459842 for kindly and freely mastering the track.
 
CANCIÓN TRISTE CUANDO ESTOY SOLO (SAD SONG WHEN I’M ALONE)

Canción triste cuando estoy solo, para que sepas que yo nunca me iré.
Canción triste por todo lo que amo, último recuerdo de lo que pudo ser.

Sad song when I'm alone, so that you know I will never be gone.
Sad songs for all I love, are the last reminders of my ancient glow.

Do you think that someone somewhere else would ever care that I was here?
Do you think a future living man will give a damn for you and me?
Who could he be?

¿Piensas que a alguien a quien no conocí le importará si estuve aquí,
o no estuve yo?
¿Piensas que alguien que viva después se acordará de ti o de mí?
¿Quién podrá ser?

Canción triste…

¿Piensas que una nueva vida de amor nos bastará para creer,
para sentir?
¿Acaso te importa lo que piense la gente de mis intereses para morir por mí,
para morir por mí?

Do you think another life of love will be enough for us to see,
for us to feel?
Do you care what people really think about my pride, and will you die,
will you die with me?

Sad song…

ER44FI11 1997-2018

Canción triste cuando estoy solo (ft. Janine Levinson)

From our latest Album decipher. 

Www.facebook.com/shadowpainterband
Www.twitter.com/shadowpainter1
Shadowpainter.bandcamp.com
Decipher https://www.amazon.de/dp/B07CNJ94K2/ref=cm_sw_r_cp_apa_i_czV3Bb9DZV3JD

InsistRiseAgain

The feeling of doing DMT is as though one had been struck by noetic lightning. The ordinary world is almost instantaneously replaced, not only with a hallucination, but a hallucination whose alien character is its utter alienness. Nothing in this world can prepare one for the impressions that fill your mind when you enter the DMT sensorium.
 
~ Terence McKenna

Already Yesterday

Written by:  Hoagy Carmichael and Jane Brown Thompson

Vocals - Irina
Piano - Eric Dartel - @ericdartel

Artwork by Georgy Kurasov - http://www.kurasov.com

I Get Along Without You Very Well - Irina & Eric

(Don't follow me here, best on my main page ;)

Belial Pelegrim is an electronic musician and producer known for crafting dark, cinematic, and experimental music. His work blends elements of ambient, glitch, IDM, and neoclassical styles, often creating immersive soundscapes that evoke a sense of mystery and introspection. Pelegrim's compositions are characterized by their rich textures and atmospheric depth. He frequently explores themes of surrealism, metaphysics, and the ethereal, drawing listeners into complex auditory experiences. Pelegrim's music often incorporates a hybrid of organic and electronic sounds, pushing the boundaries of conventional genres.​

Already Yesterday

Belial Pelegrim

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**FREM

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