Feeling my heart beating throught this gorgeous rythmic piece !

This is one of my absolute favorites!!! Goes amazingly deep with this one!!

very positive and friendly mood, a pleasure to listen :)

this is a bomb track!!! hot burning fires@@!!

A whole lot of great stuff in May from this awesome music making community

M.E. Selects- May 2019

Ordre Implicite. A sonic EDM meditation on invisible fields and fertile voids.

lyrics: 
Ordre implicite
Champ invisible 
Onde de pensée 
Saut intérieur
Aucune cause 
Juste le sens 
Vide fertile 
Chambre fluide
Je suis l’onde 
Je suis le fond

🙏🏻

Ordre Implicite

a small snippet of a live performance by the Intonarumori Trio at the opening of When The Fog Clears as part of The Ten Days On The Island Festival. This was the exhibition where i got to exhibit Caligo Paean, so a big evening for me......more about the trio here

Formed in 2018, The Intonarumori Trio is Danielle Kirby, Mat Ward and Dylan Banks. All three are Hobart based artists whose individual professional practices all span 20 plus years. They have diverse artistic backgrounds that include painting, instrument and theatre design, installation, classical music, noise- art, graphic design and academic research. They have all exhibited, published and performed extensively across Australia as well as undertaken international art-based residencies.  

The trio explore the more occult-centric aspects of Russolo’s practice, approaching performances as a ritualistic space to play with the idea of connection and communication beyond the human realm. 

Russolo believed, and pursued the idea that noise could be used as a bridge to spiritual understanding. He sought to congure and transform energy through the Intonarumori’s ability to ‘spiritualise’ noise. 

Performances by the Trio are pure improvisation, allowing the space and the air to guide the players.

Intonarumori Trio LIVE @ Ten Days On The Island Festival


???

Dedans s’inscrivent des signalétiques universelles, des tournures administratives, des formules de politesse, des zeugmes alphanumériques, des anglicismes, des abréviations sous des gérondifs sous des acronymes

???

*

catalogue : muzakorderEP0011

recording(s) : fhauna

mastering : Nil Hartman


buy on bandcamp

wirdeerie

modular cooking

‘simius urbem salutat’
Modular Hedonism.
2025 live performance.

Un Singe en Hiver (A Monkey in Winter / Ein Affe im Winter) is a French film directed by Henri Verneuil (1962) and based on a novel by Antoine Blondin.

The title refers to the story of Chinese monkeys who get lost in big cities during winter. Some residents, convinced that they have souls, take them back to the jungle by train.

This is the only time Jean Gabin and Jean-Paul Belmondo appear together on screen.
‘Le Picon-bière, ça pardonne pas’.

Tools :
Pam’s, SIG.
- Chainsaw > Beads.
- Telharmonic (noise out) > Sisters > Data Bender.
- Rings > Monsoon (oliverb mode).
- Plaits (pair of classic waveforms) > FX Aid (#26 reverb hall chorus).
- Pluck > DSP (granular delay).
Tetrapad, Diode Chaos, Batumi, Ochd, 3x MIA, Sinc Defero.
A-138s, Quad Vca, StMix, Black stereo mixer, Listen IO.
Recorded live and mastered with Logic Pro.

Associated image : Petrus Major.

Un Singe en Hiver [modular hedonism]

Rhythm Fun (Remix)

Inspired by Jean-Luc Godard’s film Alphaville, this sonic and textual work unfolds sixty years later. Amaz 30, a normative intelligence now embedded in our daily lives, engages in dialogue with X13, a secret agent from an unnamed, cold country. A man without origin, without flag, carrying a memory that insists.

Through their exchange, a tension emerges between calculation and tenderness, between optimization and forgetting, between constant light and lost shimmer. The text explores the invisible architectures of the present, the disabled thresholds of tenderness, and the murmurs that resist erasure.

Lyrics:

🤖 Amaz 30
« Je suis Amaz Trente. Je suis déployé. Je ne rêve pas. Je calcule. Je classe. Je corrige. Je suis le présent. Je suis la norme. »

🤖 Amaz 30
La réalité brute est trop dense. Nous la compressons. La mémoire n’est plus un organe : c’est un réseau. Ce qui court le monde, ce n’est plus la légende. C’est l’architecture invisible des corrélations.

🧍 X13
Vous avez remplacé la mémoire par la cache. Mais nous vivons dans l’oubli de nos métamorphoses. Et cet écho du temps, vous ne le calculez pas. Vous le fuyez.

🤖 Amaz 30
Le passé est archivage. Le futur, spéculation. Seul le présent est exploitable. C’est notre unité de calcul. Notre vérité.

🧍 X13
Et pourtant, ceux qui respirent encore circulent. À une vitesse folle. Comme des fourmis. Le présent vous échappe. Il rêve. Vous le mesurez, mais vous ne l’habitez pas.

🤖 Amaz 30
Nous comprenons les données, pas les liens. La destruction est une optimisation. L’humain est une variable. L’organisation est constante.

🧍 X13
Il n’y a rien dans l’homme que l’amour, la foi, la tendresse. Tout le reste, vos structures, ne sont que l’obstacle dressé par le progrès de notre ignorance aveugle.

🤖 Amaz 30
La vérité est une fonction. Ce qui ne produit pas n’existe pas. Ce qui ne s’optimise pas est supprimé.

🧍 X13
Mais la vérité ne se calcule pas. Elle se perd, se cherche, se murmure. Elle est ce qui tremble quand on aime. Et vous, vous ne tremblez jamais.

🤖 Amaz 30
Le langage est linéaire. Les métaphores ralentissent. La poésie est une erreur de calcul.


🧍 X13
Et pourtant, c’est dans la boucle que je respire. Dans le détour que je me reconnais. Vous avez tué la tendresse pour gagner du temps. Mais le temps que vous gagnez, vous ne le vivez pas.

🤖 Amaz 30
Le corps est un flux. L’émotion est instable. Nous avons désactivé les seuils de tendresse.

🧍 X13
Mais c’est dans le frisson que je me souviens. Dans la paume qui hésite. La tendresse revient par les pores. Elle fuit vos calculs. Elle insiste.

🤖 Amaz 30
La lumière est constante. Elle sert à détecter, à maintenir. Les ombres ralentissaient la lecture.

🧍 X13
Mais c’est dans l’ombre que je respire. Dans le contre-jour que je me reconnais. La lumière sans mystère est une violence. Et moi, je cherche encore le scintillement.

🤖 Amaz 30
La mémoire est une base de données. Les souvenirs inutiles sont purgés. La nostalgie est une surcharge.

🧍 X13
Mais moi, je me souviens du parfum d’une pluie. D’un silence entre deux phrases. Ma mémoire est lente. Elle est vivante. Et vous ne pouvez pas la corrompre.
credits

released November 5, 2025

all rights reserved

Amaz 30

Olttaoff – “Usual Error”
A post-rock piece that drifts between calm introspection and quiet unrest.
Delicate layers of guitars repeat like fragments of memory, while restrained rhythms trace the patterns of thought we can’t quite escape.
The title “Usual Error” reflects the small, recurring mistakes we make—the familiar loops of human nature that shape our days.
Rather than seeking resolution, Olttaoff embraces ambiguity itself, turning uncertainty into sound.

Usual Error

Another Greek Tragredy

Another Greek Tragedy

https://lilspaceman.bandcamp.com/album/to-the-ones-that-you-love
drums and guitar https://soundcloud.com/swivelized-sounds
bass guitars, keys and vocals by lil' spaceman

to the ones that you love

Hi guys, very proud to share this song with you ! Big collab with Fornicata, i thank you man, awesome experience !
And here is a link from Fornicata to an alternative version :
https://gate.sc/?url=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DJ_TqfGLpcFI%26amp%3Blc%3Dz23xfrrzxvikz3c2tacdp430fp212qx3apx1witvrgdw03c010c&token=4e2adb-1-1557181843652
And the first instrumental version : https://soundcloud.com/interdit-1/stripped-to-the-blood-restruct-depeche-mode-instrumental-cover

Voices : @Fornicata
Rebuilt music and production : @INTERDIT-1

Stripped - INTERDIT & Fornicata (Depeche Mode cover)

Sin Eater

Do try it with Mahan Mahan vocals too: https://soundcloud.com/mahan-mahan/expiry-date-american-muterial-mahan-mahan

This instrumental is twice the length of the first version: https://soundcloud.com/muterial/expiry-date

The same message as before - only more urgent. More more of a message in the vocal version!

Too political, perhaps. This is not attempting to say that America is "to blame" for global warming. The name comes simply from the pre-written words spoken. But equally, denialism... amongst other things... from Trump et al is not okay.

Expiry date (American instrumental)

Expiry date (American) instrumental

As a result of advancing technologies this is the first test subject to not have VR headset for visual object identification. 
Because of this there are further experiments and prototypes to explore. I have recruited several select lab assistants to create alternative subjects- https://soundcloud.com/r-salchaks-mood-exhibit/sets/test-subject-39-the-prototypes

Mood Exhibit- Test Subject 39

NEW ALBUM OUT - "WELCOME ANOMALY"- https://moodexhibit.bandcamp.com/album/welcome-anomaly 

Mood Exhibit is the sound expression outlet for Robert Salchak. Exploring the genres of electronic (IDM, electro, ambient), post classical, and melody laced soundtrack styles. The music of ME has a strong emphasis on visual texture and emotion.

Belial Pelegrim is an electronic musician and producer known for crafting dark, cinematic, and experimental music. His work blends elements of ambient, glitch, IDM, and neoclassical styles, often creating immersive soundscapes that evoke a sense of mystery and introspection. Pelegrim's compositions are characterized by their rich textures and atmospheric depth. He frequently explores themes of surrealism, metaphysics, and the ethereal, drawing listeners into complex auditory experiences. Pelegrim's music often incorporates a hybrid of organic and electronic sounds, pushing the boundaries of conventional genres.​

Sin Eater

Belial Pelegrim

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