Sinister and suggestive - great combination.

Wow, this is an intense track. Beautifully done!

La pieza es vibrante y a la vez  suavemente ondulatoria. Chrisimo! Felices pascuas

classical strings and glitchy beat work together so well. Great textures

I'm thinking werewolf spaceships landing in the desert and then they find some peyote, but that's just me.

Performance Notes and Information

“Double Sonata No. 2” was completed in September, 2021 in Fairview, TX. 

The work is in one movement. Performance time is about 15 minutes. 

Mastered by eMastered.com. Click eMastered.com/profile/robtjbrooks to access the composer's library on eMastered.com

If you or your organization is interested in premiering this work please contact the composer. To view or order printed music please go to www.creativespiritonline.com/product/pi…brillante/.

Printed and electronic copies of the score and clarinet part are available from www.CreativeSpiritOnline.com,   Just click on the "View/Purchase" link above.

Performance notes:
•	Tempo, expression, and dynamic markings should be strictly observed.
•	Required pedaling is marked in the score but additional pedaling may be applied as needed.
•	There is no key signature. Accidentals apply to the end of the measure or to the note tied over the measure, and only to notes of the same pitch class, in the same octave.
•	Hairpin pairs (e.g.: <>, >< ) indicate a temporary volume change of one dynamic level
•	Passages marked fff and ppp indicate playing as loudly and as quietly as possible, respectively.

Contact information: 
Email: robtjbrooks@yahoo.com, 
Web: www.soundcloud.com/robert-john-brooks
Web: www.CreativeSpiritOnline.com

View/Purchase Score

Double Sonata No. 2 for Bb Clarinet and Piano (mastered by eMastered.com)

Four guitars on a deliciously depressive and sleep deprived winter's day. Neither entirely composed nor completely improvised, it is more a finger painting.

For Ray.

january

Sinister Moonglow

Funking Duck: That anxiety when you have to make several different complaints in a short time

Miles Away

A Drop Of Wisdom, A Sea Of Gold

All music: Feddo Westra & Peter Hofland

Artwork: Omi Kim

FranceFusion

TranceFusion

Available to purchase from Bandcamp: https://marcdauncey.bandcamp.com/album/llwyn-cysegredig-sacred-grove

Lle mae'r lleuad yn cwrdd â'r môr ("Where the moon meets the sea")

Humanoid

JTS rendition of Cure for Pain. Song from the second studio album by alternative east coast rock band Morphine, released through Rykodisc in September 1993. Morphine and frontman Mark Sandman were made famous when their music was included in the movie Spanking the Monkey, a 1994 American sick comedy film written and directed by David O. Russell. It was filmed in Pawling, New York, worth finding and how I first heard them. Tracks from Cure for Pain are used throughout the film, including "In Spite of Me" which plays over the end credits

Morphine was one of the best live bands to see in the 90s, especially at the Showbox in Seattle, saw them twice a few years apart, last in 1997, show live audio recording￼: https://youtu.be/tyAeM5qEXPo

Mark Sandman (b. September 24, 1952 – d. July 3, 1999) was an American singer, songwriter, musical instrument inventor, multi-instrumentalist and comic writer. Sandman possessed a distinctively smooth baritone voice and a mysterious demeanour. He was an indie rock icon in the Boston/Cambridge music scene and best known for Morphine. Sandman was also a member of the blues-rock band Treat Her Right and founder of Hi-n-Dry

On July 3, 1999, he suffered a heart attack on-stage during a concert in Italy and died instantly

He was highly regarded by legendary bass players for his unique "slow and murky" style, with Les Claypool, Mike Watt, and Josh Homme all citing Sandman as an influence. Bass was my first instrument and his playing style changed how I think of what a bassline is. Sanman was also responsible for he 2-string bass of Chris Ballew of the Seattle Supersonic super band TPOTU$A

Sandman was born to a Jewish American family in Newton, MA. He graduated from the University of MA and then worked a variety of blue-collar jobs, including construction, taxi driving, and commercial fishing. Sandman once noted he would often earn considerable overtime pay, which allowed him to take leave of work and travel outside of New England to places such as rural Colorado—the setting for a number of Treat Her Right and Morphine songs penned by Sandman, including "Thursday," "The Jury," and "I Think She Likes Me”

Two tragic events affected Sandman's life and would later influence his music: he was robbed and stabbed in the chest during a robbery in his cab, and his two brothers died. These events would later be recounted in the Treat Her Right song "No Reason." His mother, Guitelle Sandman, later self-published Four Minus Three: A Mother's Story, a book about the loss of her three sons

Fans have speculated that many of Sandman's songs were autobiographical, which to this day remains unconfirmed. Sandman was secretive and served as spokesman for Morphine, he avoided answering questions about his personal life or his professional experiences outside of the music business. Sandman was particularly secretive about his age, becoming angry with any reporter who expressed an interest in revealing it publicly, perhaps because he was 10 to 20 years older than most of his indie-rock contemporaries

Along with Morphine (formed in 1989) Sandman was a member of the legendary band Treat Her Right,  he also formed the bands Sandman, Candy Bar, and the Hypnosonics, and The Treat Her Orange Supergroup with The Presidents of the U$A frontman Chris Ballew and the Pale Brothers. He also performed with the Boston jazz band Either/Orchestra

His instruments were altered and built himself. In Morphine, he played a 2-string slide bass electric guitar tuned to a fifth, and sometimes a unitar (named after the one-stringed instrument in American blues tradition), and a three-string slide bass with one bass and two unison strings tuned an octave higher (usually to A). He sometimes paired bass strings with one or two guitar strings, creating the "basitar" "tri-tar" and "guitbass." His alternative stringing and tuning innovations continue to inspire the next generation of rock, jazz, and blues

For Mark: https://youtu.be/Fgh-mF6xM64

JTS

Cure for Pain

Cure For Pain

B-Ume Blossom Groove

BELIAL PELEGRIM is an electronic musician and producer whose work covers a blend of dark, sometimes cinematic music with an experimental sensibility, created with the help of electricity and dark matter. 

My new album, SOMETHING THAT WAS NEVER THERE is now out on Arcanum Records:
https://belialpelegrim.bandcamp.com/album/something-that-was-never-there

If you're into unsettling cinematic soundtrack work, my new album with Callisto's Ghost, available in limited digipack CD or digital formats:
https://belialpelegrim.bandcamp.com/album/the-imperishable-splendor-of-the-sunfish

Also please check out the Belial Pelegrim/Beefus B project, @cabal-akademik

BP singles and albums can be found on Bandcamp, i-tunes, Spotify, Amazon, Pandora, and other web-based retail distributors.

Sinister Moonglow

Belial Pelegrim

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