Really majestic soundscapes that are accented by grand uses of melody and with rhythmic sequences that adds such a great intensity and energetic vibe to the piece. And the ebb and flow within the build of the composition provides a really dynamic & spirited feel to it all !! So good.

Love the variations between each of these pieces, and yet there is always a thematic glue holding them all together.

You have such a great imagination; and an exceptional talent for bringing it to life through these soundscapes. :)

a nice dollop of hope in this chapter, great melodic suspense too

Nuanced mood and very interesting atmosphere you've built into this one!

The best balance between static and dynamic! It's really Amazing Man！Wizard！

welcome to BP's casting couch. quite the different kind of penetration, so to say! no shit man, i truly believe, that since i started listening to your stuff, my IQ went up 20 points!

LET UNCONSCIOUS LOVE FLOW

PatMonomachine

The "timpani roll" at the end shouldn't really be there, nor should the second one...but I'll leave it as it is for now. Makes it special! 😄😅

Denn schnell und spurlos geht des Mimen Kunst,
Die wunderbare, an dem Sinn vorüber,
Wenn das Gebild des Meißels, der Gesang
Des Dichters nach Jahrtausenden noch leben.

For quickly and without a trace goes the mime art,
The wonderful, passes the sense,
If the image of the chisel, the song of the poet
The poet's song still live after millennia.

ᶠᴿᴵᴱᴰᴿᴵᶜᴴ ᵛᴼᴺ ˢᶜᴴᴵᴸᴸᴱᴿ (1759 - 1805), ᴶᴼᴴᴬᴺᴺ ᶜᴴᴿᴵˢᵀᴼᴾᴴ ᶠᴿᴵᴱᴰᴿᴵᶜᴴ ˢᶜᴴᴵᴸᴸᴱᴿ, ᴬᴮ 1802 ᵛᴼᴺ ˢᶜᴴᴵᴸᴸᴱᴿ, ᴰᴱᵁᵀˢᶜᴴᴱᴿ ᴬᴿᶻᵀ, ᴰᴵᶜᴴᵀᴱᴿ, ᴾᴴᴵᴸᴼˢᴼᴾᴴ ᵁᴺᴰ ᴴᴵˢᵀᴼᴿᴵᴷᴱᴿ; ᴳᴵᴸᵀ ᴬᴸˢ ᴱᴵᴺᴱᴿ ᴰᴱᴿ ᴮᴱᴰᴱᵁᵀᴱᴺᴰˢᵀᴱᴺ ᴰᴱᵁᵀˢᶜᴴˢᴾᴿᴬᶜᴴᴵᴳᴱᴺ ᴰᴿᴬᴹᴬᵀᴵᴷᴱᴿ ᵁᴺᴰ ᴸᵞᴿᴵᴷᴱᴿ ᵟᵁᴱᴸᴸᴱ: ˢᶜᴴᴵᴸᴸᴱᴿ, ᵂᴬᴸᴸᴱᴺˢᵀᴱᴵᴺ (ᵀᴿᴵᴸᴼᴳᴵᴱ), ᴱᴺᵀˢᵀᴬᴺᴰᴱᴺ 1796-1799; ᴱᴿˢᵀᴰᴿᵁᶜᴷ 1800. ᴾᴿᴼᴸᴼᴳ. ᴳᴱˢᴾᴿᴼᶜᴴᴱᴺ ᴮᴱᴵ ᵂᴵᴱᴰᴱᴿᴱᴿöᶠᶠᴺᵁᴺᴳ ᴰᴱᴿ ˢᶜᴴᴬᵁᴮüᴴᴺᴱ ᴵᴺ ᵂᴱᴵᴹᴬᴿ ᴵᴹ ᴼᴷᵀᴼᴮᴱᴿ 1798

ALLESTIMENTO

P¶1n6ü1N∞

RnB demo featuring Hamish Low on lead vocal

Songwriter - Steve Low

HONEY TAP feat Hamish

Image: close up of a painting by William Blake.

Job 31:12 - for it is a fire that consumes to destruction (Abaddon) -

Abaddon, Apollyon, Abaton, Muriel, Angel of the Bottomless Pit, Angel of the Abyss, Angel of the Pit, the Despoiler, the Destroyer, Lord of Sheol, Master of Locusts

Ode to Abaddon

A new jazz original entitled I Should Have.  I'm joined by the fine Sam Mendez on both tenor and soprano saxes and talented Jon Lock on bass:

https://soundcloud.com/santi-caballero
https://soundcloud.com/jon-lock-5

https://soundcloud.com/jamie-rhind/sets/swinging-with-santi-caballero

Thanks as always for your generous time listening, for your comments and for your shares.  Reached #8 on the charts in the Hot & New section of Jazz and Blues

I Should Have - Sam Mendez / Jon Lock / Jamie Rhind

Special Cecilia's acapella The Bright Side produced by Llanpsych.
Listen to Cecila's vocal track here
https://soundcloud.com/user-883466627/the-bright-side-vocals-special-cecilia?si=692444c99ec74cd38880b7f71347e6f9&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Many thanks to lillirallia for Another Moment Fender Rhodes loop
and rafhype for King Push Drums loop - both off Looperman

The Bright Side - Feat. SPECIAL CECILIA

Insensible Labor

Part 66 of 266
Chapters released every weekend. All TAFFETA tracks are created within seven days.

I use a complete hybrid of organic & electronic sounds within the scope of the Taffeta project. Nothing is out of the question and no limits are set on how things may evolve one way or another.

If you want to hear everything that has come before:
The TAFFETA Albums are available for free on Bandcamp.
Released in 15 part/chapter increments:s

TAFFETA Volume 4 releases exclusively on Bandcamp Dec 31st!

TAFFETA Volume 1:
belialpelegrim.bandcamp.com/album/taffeta-vol-1

TAFFETA Volume 2:
belialpelegrim.bandcamp.com/album/taffeta-vol-2

TAFFETA Volume 3:
belialpelegrim.bandcamp.com/album/taffeta-vol-3

The TAFFETA Playlist is always kept up to date:
soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-musical

TAFFETA | Part 66

another lunatic ride with my friend https://soundcloud.com/cosmic-ratzzz
Ratzzz - all that jazz // Jörg - flute
.... it wasn't that easy to find out, what the guy is telling in that fine sample:  "it's like a spirited horse, you can handle it with tight reins ..." be it a galloping swing or a mutating virus, you have to keep up :-)

lunatics 63 / like a spirited horse / Cosmic Ratzzz & joerxworx

music by Robin
Vocals are a poem by Kyli Santiago

i do sense the world laughing at me

i do sense the world is laughing at me

I had a dream, and I wrote this song not to forget it. 

Technical highlights: hand played bass, slightly odd riff on chorus (15/2) & some extra psychedelia.

Pic & sounds taken with my phone during a recent experience which could help me understand the dream, maybe…

Letra  /  Lyrics:

NÍMOR (No sé dónde estoy)  /  NÍMOR (I don’t know where I am)

Entré en la sala sin hacer ruido,  /  I entered the room making no noise,
los pocos que vi eran desconocidos,  /  the few ones I saw were strangers,
busqué una cama que estuviera libre y dormí.  /  I looked for a spare bed and slept.

Al día siguiente no encontré mi sitio,   /  The following day I didn’t find my place,
todo estaba lleno de desconocidos,  /  the whole room was full of strangers,
me di la vuelta para salir y te vi.  /  I turned around to leave and I saw you.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …

La cama de al lado estaba vacía,  /  The bed at your side was empty,
y me preguntaste si la quería,  /  and you asked if I wanted it,
la quise y pronto nos hicimos amigos,  /  I did and soon we became friends,
desconocidos.  /  strangers.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …
Nímor, no sé qué pasa…  /  Nímor, I don’t know what’s going on...
Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...

Te pregunté “¿cómo se llama este sitio?”  /  I asked you "what’s the name of this place?"
y me contestaste que estaba contigo,  /  and you answered that I was with you,
y sin darme cuenta te quise mucho y dormí.  /  and unconsciously I loved you so and slept.

Ahora del sueño ya me he despertado,  /  Now from the dream I’ve already woken,
tu nombre lamento no haber preguntado,  /  your name I regret not having asked,
te llamaré como el sitio en que te conocí.  /  I’ll call you like the place where I met you.

Nímor (…)  /  Nímor (…)

ER27HC06 ©1995 ®2015

Honorable broadcast (34:47 - 40.00): http://jeffhickmott.podomatic.com/entry/2015-09-18T05_02_20-07_00

Nota para el oyente español: ninguna influencia de Chiquito de la Calzada en el título; lo pongo tal como lo soñé y punto.

NÍMOR (No sé dónde estoy)

Step into the World.wav_soundcloud

música motivacional para hacer ejercicio

And re a song

AMBIENT SOUNDSCPES INSPIRED BY THE WRITINGS OF FRANK HERBERT AND HIS DUNE UNIVERSE

SPICE - MELANGE

Many times when I compose I come up with a lot of ideas and when I try to sing I realize that I need to simplify. Usually when I am done I delete the original draft, but in this case I liked all the organ pieces I came up with and decided to hang on to the draft. A simplified version of this eventually became the song "Easy For You" with Davy Vance. This is a sort of B3-ish organ fest that I really like - hopefully some of you out there feel the same way.

Easy For You - Organ Obsession

Easy For You | Organ Party

(Don't follow me here, best on my main page ;)

Belial Pelegrim is an electronic musician and producer known for crafting dark, cinematic, and experimental music. His work blends elements of ambient, glitch, IDM, and neoclassical styles, often creating immersive soundscapes that evoke a sense of mystery and introspection. Pelegrim's compositions are characterized by their rich textures and atmospheric depth. He frequently explores themes of surrealism, metaphysics, and the ethereal, drawing listeners into complex auditory experiences. Pelegrim's music often incorporates a hybrid of organic and electronic sounds, pushing the boundaries of conventional genres.​

TAFFETA | Part 66

Belial Pelegrim

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