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The Resistance

Open Door

Motor City Madness

Motor City Madness (Underground Resistance Remix)

Makam - Girls Night

Liberty, Oh!

The now well established and widely respected Will & Ink label hits release number eight with a debut collaborative effort from Yaleesa Hall and Malin Genie. They serve up three tracks having both released individually on this label before now, and while Yaleesa Hall is still someone we know very little about, Malin Genie is the producer who co-runs the Oscillate label, is based in Amsterdam and Paris and works with Lazare Hoche and Samuel Andre Madsen as Mandar. 

'First Lucas' is a tough, abstract kicker with industrial sound design and weird synths the only accompaniment to a monstrous, earth moving kick drum. Truly hypnotic and all consuming it is followed by a brief bit of dark interlude music before 'Second Lucas' pairs ghoulish sounds with well swung wood block hits and watery pads. It is a forceful groove full of occult atmosphere and lastly 'Third Lucas' is again about solid kick drums and freaky sound design. Here squelchy synths and frazzled lines all dart about as hunched kicks stomp out a macho groove below. This is perfect warehouse music once again from the Will & Ink label. 

Yaleesa Hall X Malin - Third Lucas (WNK008)

girl scout wax

Killer set of tracks by the Burden Brothers! Classic 430 West compilation from 1995.... ''Detroit Techno City''! Originally spread over 2 samplers it contained some of their best work - all featured here. The original releases also contained tracks from Alien FM (Aux 88) and Unknown Force, however, the rights to these tracks have now gone back to the original artists.

A1 Octave One - Eniac

B1 - Monte

70007

700007A

Out now digitally: http://lnk.to/jameswelshPH99

Phantasy approaches it’s landmark hundredth-single release with another impactful single from one of the label’s key artists, James Welsh. Regularly played by producers from Midland to Charlotte De Witte, Welsh’s masterfully dense take on techno and electronica reaches new complexities on ‘Pan’, without ever-sacrificing his singular industrial groove.

The title track is a tunneling electroid roller layered informed by complex conversations seemingly taking place between man, machine, ghostly human speech and a veritable wind tunnel of noise. Perhaps Welsh’s finest connection yet between the blissful and the ruthless, ‘Pan’ demands submission.

On ‘Sink’, Welsh builds yet another perfectly-executed club weapon around an imaginative spoken-word sample, loosening up the tension of it’s more severe partner with a lucid and rhythmic trail of wide-eyed electro.

Pan/Sink

Sink

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girl scout wax

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