Y'All In Meltdown - Lazarus, Vol. 1

Y'All Under Surveillance (DJ Nappa Remix)

Meltdown ('18 Edit)

Natsukashii - Lazarus, Vol. 2

That All U Got ? ('18 Edit)

Hell's Gain (feat. Scheer)

Smoke Filled Rooms ('18 Edit)

Meltdown (Mr Krash Slaughta Massive Meltdown Remix)

Resistance is Futile ('18 Edit)

Smoke Filled Rooms / Skitzophonetic

Skitzophonetic ('18 Edit)

Timebomb ('18 Edit)

Hip Hop ('18 Edit)

Smoke Filled Rooms ('18 Edit instrumental)

Y'All Under Surveillance (G-Sharp Remix)

Meltdown (Gripper Remix)

What D'Ya Need

What D'Ya Need (Mr Krash Slaughta H.A.R.D. Remix)

Krash Slaughta vs. B.I.M. - '18 Showdown

Resistance Is Futile II (Krash Slaughta Remix)

Venom (Krash Slaughta Re-Strung Remix)

That All U Got? (Krash Slaughta Grip the Mic Remix)

That All U Got? (Krash Slaughta Grip the Mix Remix Instrumental)

Hip hop group whose original vinyl and CD releases in the pre-digital era of printed press and analogue radio enjoyed extensive international coverage, airplay and club support including BBC, Choice, Billboard, Blues & Soul, DJ Magazine and many more.  Their vinyl & CD releases are now available to order direct from New Dawn Records' website (https://newdawnrecs.com/physical-releases/).

Their reputation for hard hitting uncompromising rhymes addressing a range of social and cultural issues “brilliantly recreating the insane urban crush (DJ Mag)” often travelled where others feared to tread.

They connected with various renowned producers on remix duties including G-Sharp, Phi Life Cypher's DJ Nappa, Unsung Heroes, Gripper and on several occasions with legendary turntablist and DMC finalist Krash Slaughta

Left to their own devices, they became labelled as "one of hip hop's most imaginative groups (B&S)" as represented in the new EP "Natsukashii".

Through tight eclectic beats with at times filmic themes, journeys are taken to the dark underbelly of inner city drug squalor in “Smoke Filled Rooms”, industry machinations are firmly in the target sites of “That All U Got?” while the clandestine methods of persuasion employed by broadcast and social media platforms are called out in “Venom”.

The booming “Skitzophentic” provides the backdrop for a tirade against generic conformity while the mood is switched in “Hip Hop”, a funked up, sample laden ode to the culture.

The final credits roll with “Resistance is Futile”, a metaphorical vision of mayhem instigated by primitive landlords set to hand over the keys.

They walk different paths to today’s well beaten roads. Take the red pill & enjoy the ride.

Belles in Monica

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