Depuis mars 2021, l’artiste plasticienne Claire Ducène a initié la rencontre de 19 chercheurs et artistes plasticiens dont le sujet de recherche porte sur la fiction dans l’archive. Leur projet intitulé « Reflexion’s Group about Fiction in Archive » se veut hybride, collaboratif et rassemble une diversité de pratiques, d’âges et de territoires. Dans ce second podcast, les membres du groupe présentent leur méthodologie ainsi que le travail collaboratif de trois de ses membres. 

https://thinktankfictivearchives.wordpress.com/

Membres du groupe : Philippe Beck (BE), Elise Billiard Pisani (FR) & Margerita Pulè (MT), Giordano Bruno do Nascimento (DE & BR), Balthazar Bumberg (FR), Juan Cárdenas (CO), Alexis Choplain & Noëlie Plé (BE), Céline Cuvelier (BE), Claire Ducène (BE), Patrick Gaïaudo (FR), Cecilia Hurtado (MEX), Irene Loureiro, (PT), Christine Mackey (IRL), Carol Muller (FR), Stéphanie Roland (BE), Agata Skupniewicz (PO), Sam Vanoverschelde (BE), Julian Walker (UK). _______________________________________________________ 

[ À PROPOS ]

𝗖𝗹𝗮𝗶𝗿𝗲 𝗗𝘂𝗰𝗲̀𝗻𝗲 est plasticienne et professeur de français. Les livres, les souvenirs, les archives et l’écriture sont les thématiques principales de son travail. www.claireducene.be

Philippe Black (pseudonym for Philippe Beck) is a photographer, author and historian. The history of East Belgium is one of his main subjects. www.blackphilippe.com

Irene Loureiro (PT), visual artist. Her artistic practice, center the use of archive images as conceptual dimension and as migrant matter, as well explores drawing tasks and exhibition displays as a strategy of configuring the creative process itself.

Sam Vanoverschelde (05/05/73) is a director and visual artist that kicked off in the VJ and live AV scene with the Visual Kitchen collective and took part in producing the Cimatics festival. He later teamed up with director Davis Freeman making devious political and documentary theatre. http://samvanoverschelde.be/

Paroles d'artiste #5 : REFLEXION’S GROUP ABOUT FICTION IN ARCHIVE #2

Nok AIR  2.

ruins, rubble or any form of debris II  // for chamber ensemble

12 world premières of the selected composers at the 7th International Young Composers Academy in Ticino, performed by the acclaimed Neuevocalsolisten Stuttgart and Musikfabrik at concerts in the Onsernone Valley (Loco and Comologno, June 30 and July 1st 2023).

TUTORS
Oscar Bianchi (director and professor) - www.oscarbianchi.com
Clara Iannotta (professor) - www.claraiannotta.com
Lisa Streich (professor) - www.lisastreich.se

David Carrillo (Colombia, Switzerland - 1992): ParallaxGasp

Lautaro Figueroa Balcarce (Argentina, Switzerland - 1995): Data Corrupter

Bernat Pont Anglada (Spain, Switzerland - 1998): La Sagrada Família

Entertainment

Fill Your Brains - EP Out Now
http://smarturl.it/fillyourbrains

<3 the track on HypeM 
goo.gl/qZDRB6

Fill Your Brains Video
https://youtu.be/eGlChz5hIBg

FADER premiere
http://www.thefader.com/2015/06/15/harrison-brome-fill-your-brains-video

FILL YOUR BRAINS (Lyrics) 
Out in the stars again
Lost in your mind 
You got the bends 
Your time was spent 
Wasting away 
Tasting the days 
Of cold comet chemicals 
You embraced 

Oooh 

Out in the stars again 
Your heart burns to black 
You're going to fall in a broken parallel 
You fill your brains 
To kill your pain 
Popping pills in a dusty mind state 
Out in the stars again
Lost in your mind 
You got the bends 
Your time was spent 
Wasting away 
Tasting the days 
Of cold comet chemicals 
You embraced 

http://harrisonbrome.com
https://facebook.com/hvrrisonbrome
https://twitter.com/HarrisonBrome
https://instagram.com/harrisonbrome

Fill Your Brains

Live recording of Klangforum Wien with Ilan Volkov at Helmut List Halle, Graz, 15 February 2019.

http://chrisswithinbank.net/2018/12/this-line-comes-from-the-past/

this line comes from the past (Klangforum Wien & Ilan Volkov)

< This work intends to be a theoretical, noisy and testimonial journey of used sonic tools as viral devices on the latest feminist demonstrations in Argentina. A soundscape that combines riot sounds, protest songs, testimonial voices, and theoretical texts; all connected by noises and spread through echoes.<        Cecilia Castro

El contagio feminista – curated by @Annaraimondo
Produced for the listeners of: 01 Radiokunst - Kunstradio 
Ph: Pussymantra


_____________________________
ABSTRACT

I have worked in Buenos Aires on three occasions over the last two years and experienced each time its street feminism. The word « feminism » seems to infiltrate daily conversations from coffee shops to taxis, from supermarkets to elevators. One day, while walking down the street, I saw a public workers notice about women safety: “Workers won’t whistle nor harass women in the street”. For the first time I thought of feminism as a form of social contagion. This contagion could be called « Marea Verde » (Green Tide), in reference to the feminist claims for legal abortion voiced by the massive demonstrations taking place in Argentina today. Since the start of the campaign in 2017, the feminist movement has adopted a distinctive symbol: a green handkerchief. Beyond the demonstrations, it is worn today as a token of our own feminism, as a call to solidarity. This plural feminism permeates the streets, conversations, dreams, hopes, and political agendas, compelling us to confront sexist violence in all of its forms. In spite of the ongoing process of deep cultural and social transformation, Argentina still has not legalized abortion yet and according to 2019 police and judicial reports, a woman dies of feminicide each 36 hours.

Today, the feminist movement in Argentina is called Ni una menos (Not one less). It emerged in its current form in 2015 and soon spread across several Latin American countries and internationally. Regular demonstrations are held to protest against acts of femicide and promote debates on topics such as gender roles, sexual harassment, gender pay gap, sexual objectification, legality of abortion, sex workers' rights, and transgender rights. Since then, Ni Una Menos has grown into a powerful international women’s movement that describes itself as « a collective cry against gender violence » (1)

The mouvement Ni una menos generates a time-space in which to listen and produce listening. The feminist production of listening in Buenos Aires promotes the identification of common claims without sacrificing the value of multiplicity and possible dissent, it claims the right to « agree to disagree »(2). It generates many possibilities and questions, « involving the openness of being this or that, beyond the cognitive security» (3). It became an epistemological storm, a transgression which has made visible and audible the limits of the patriarchal’s limits (4). To me, this active form of listening has turned feminism into a public contagion. Now, if this contagion has the color of a green tide, I wonder if we can focus on its sonic dimension and possibly activate a meta-listening of the radical transformation, embodied by the plurality of feminisms in Buenos Aires. To this end, I have invited a group of Argentinian sound artists to interpret the idea of feminism as a social contagion.

(1) http://niunamenos.org.ar/category/manifiestos/
(2) Bickford, Susan, 1966, Listening, conflict, and Citizenship. The dissonance of democracy, New York: Cornell University, p.4
(3) Corradi, Fiumara, Gemma, 1996,The other side of language. A philosophy of language, New York: Routledge, pp 32-33
(4) Foucault, Michel, 1977, Language, counter-memory, practice. Selected essayes and interviews by Michel Foucault, edited by Donald F. Bouchard, New York: Cornell University press

Anna Raimondo

Vocal Technologies:  The Viral Nature Of The Green Tide (Podcast Kunstradio)

Electronica B • Minor Crush

for Microtonals Accordions ©Xamp
Electric Guitar, Amplified Harpsichord, 
Piano, 3 Percussions, 3 doublebass,
& Wind Ensemble (with NO electronics)

For my beloved friends <3
Tribute to Mark Fell

Conducted by Julien Leroy
With Duo Xamp (F.Vicens & J.-E.Sotty)
R.Reber (Guit.), P.Hattat-Colin (Pno.),C.-U.Kim(Clav.),
& Musicians from the CNSMDP Orchestra
Live Recording by Jean Marc Lyzwa 18th September 2020
Paris CNSMDP
Edit & Mix Samir Amarouch
Master Charles D. Wajnberg

ruins, rubble or any form of debris II // for chamber ensemble

beltrán gonzalez

Related tracks