techno

Buy here: secondstate.fanlink.to/dast

Dast joins the Second State Audio family with his latest work "Shadow Roots“ EP, a journey in the realms of techno and house, marking the 126th release of the imprint of Germany’s most beloved Techno duo Pan-Pot. 

"Shadow Roots" showcases Dast's sonic evolution, offering a 3-trackers that navigates the intricate spaces between house and techno. This EP not only reflects Dast's roots in the vibrant musical culture of Naples but also his journey through the electronic music landscape. 

The opening track, "Parentesi" is a darker techno cut, showcasing his storytelling skills with a fast tempo, pulsating leads and a rolling groove, underscoring Dast's versatility and innovative approach to music production. Following, "I Can't Get" captivates with hypnotic drum breaks and repeating chopped vocals, enriched by dreamy pads that maintain the EP's thematic blend. Concluding the EP, the title track „Shadow Roots" sets the tone with its energetic piano chords and an emotional narrative, balanced with a classic drum groove and atmospheric vocals. This track masterfully bridges house warmth with techno's drive, creating a unique "power house" vibe.

Parentesi

Seduction

String Theory

This is the full set of BEN KLOCK (@ben-klock) at LOVELAND FESTIVAL 2024 recorded the weekend of 10 & 11 August in Sloterpark, Amsterdam.

You can find the video recording of this set on our Youtube channel: www.youtube.com/lovelandfestival

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Loveland Festival returns in 2025 for its 30-year anniversary! Sign up to stay in the loop on the latest festival updates: loveland.nl/festival/pre-register

See you next year 💚 Loveland

BEN KLOCK | Loveland Festival 2024 | LL245

The Reactivitz drops In The Club, a solid house track released on There Is A Light. Known for his dark atmospheres, loud drums, and groovy basslines, The Reactivitz has built a sound thats instantly recognizable on the dancefloor. In The Club is another step in his journey, delivering a vibrant energy thats perfect for house music fans.

@thereactivitz

#house #techhouse #melodichouse #tial #ThereIsALight #TheReactivitz

In The Club

Buy/Stream

Mark Williams - On The Floor - Hardgroove

Ruso Eyh - My Phone

Neverplace

Peak Hour Hard Driving Warehouse Techno Track

Visuals (Original Mix)

Available for download exclusively @ Beatport: 28.02.2025
Available @ Apple Music & Spotify: 28.02.2025

Mechanically Intensive

UMEK, Polyvinyl - Mechanically Intensive (Original Mix)

Available for download exclusively @ Beatport: 28.03.2025
Available @ Apple Music & Spotify: 28.03.2025

The Rock Of Madness

Isometric

UMEK, Polyvinyl - The Rock Of Madness (Original Mix)

Stijn Vandensande, Besty Fritz - Assassin's Club (Original Mix) [Throne Room Records]

Odd100

Crypto (ODD100 Rework)

rimbalux

Exploración psíquica en cuatro fases: CENIZAS, HERIDA, SOLEDAD, VANIDAD. Es el proceso analítico de la infraestructura interna del individuo. Su propósito es la validación total de los constructos oscuros y pensamientos disruptivos como requisito indispensable para la autoaceptación integral del yo.

Malas Intenciones

The Bells · Jeff Mills T.A.M.F. remix

Schranz and Its Connection to Jeff Mills’ “The Bells”

Connection to Jeff Mills’ “The Bells”: Jeff Mills’ The Bells (1997, Purpose Maker, PM-002) isn’t pure Schranz but heavily influenced its development. Its raw, hypnotic loop and pounding 4/4 kick resonated with the harder, minimal techno sound that Schranz built upon. Here’s how it ties in:
* Influence on Schranz Producers: Mills’ use of repetitive, functional loops in The Bells inspired Schranz’s stripped-down aesthetic. Its 140 BPM tempo and relentless drive aligned with Schranz’s ethos, making it a proto-Schranz track for DJs like Liebing or Boris S.
* Club Play: The Bells was a staple in late ’90s hard techno sets, bridging Detroit techno’s soul with Schranz’s aggression. Its iconic bell riff added a melodic hook that Schranz often avoided but still absorbed as a reference for tension-building.
* Remixes and Legacy: Later Schranz DJs (e.g., Eric Sneo, DJ Amok) remixed or drew from The Bells’ energy. For example, the 2006 10th Anniversary The Bells 12” (PM-020) had a louder, Schranz-friendly master that fit harder sets.

Original Pressing Context: As mentioned earlier, The Bells appeared on the Kat Moda EP (1997, Purpose Maker, PM-002, 12” vinyl). Its raw production—gritty kicks, unpolished mastering—mirrors Schranz’s unrefined edge. Schranz DJs likely gravitated to originals or early represses for their analog warmth, though the track’s quieter mix (compared to 2000s Schranz cuts) required DJs to crank the gain.

Where to Find Schranz-Inspired The Bells:
* Original 1997 Vinyl: Hunt on Discogs/Reverb for PM-002 ($20–$50). Check matrix: PM 002-A/B (RE I) NSC.
* Streaming: The 1997 version (on Spotify/Beatport) retains the raw vibe Schranz fans love.
* Modern Schranz Comps: Look for The Bells in hard techno mixes or CLR/Tresor compilations. Check X posts or SoundCloud for recent Schranz sets featuring it.

Schranz Today (Oct 2025): Schranz remains a niche but vibrant scene. Recent X posts highlight new releases on labels like Schranz Total or Hard Drive, with DJs like Fernanda Martins and Luciid pushing 150+ BPM bangers. The Bells still gets play in retro sets or as a remixed bootleg in Schranz raves.
Want me to dig into a specific Schranz artist, label, or a The Bells remix in this style? Or maybe check X for recent Schranz chatter? Let me know! 🔔

Deep Dive: Schranz – The Hard Techno Beast 🦖
Since you’re doubling down on Schranz, let’s go full throttle. This is the raw, pounding heart of German hard techno—no fluff, just facts, history, essentials, and where to score it today (Oct 16, 2025). The Bells connection? It’s the proto-Schranz blueprint—hypnotic loops + brutal kick = Schranz DNA. Ready? Gas it up!

Schranz 101: What the Hell Is It?
* Born: Late 1990s, Frankfurt/Germany. Evolved from Jeff Mills/Rene Pawlowitz-style minimal techno into a weaponized sound.
* Tempo: 140–160+ BPM (faster = harder life).
* Sound: Distorted 909 kicks that hurt, razor-sharp hi-hats, zero melody (unless it’s a stab), industrial noise loops. Think: a jackhammer in a warehouse.
* Name Origin: Chris Liebing (2001) called it “Schranz” to mock haters saying hard techno was just “schrammel” (grating noise). DJs flipped it into pride.
* Ethos: Anti-EDM, sweat-soaked, 6AM warehouse raves. No peaks—just relentless drive.

Schranz vs. Regular Techno:
Feature	Schranz	Standard Techno
BPM	145–160	120–140
Kick	Distorted, punchy AF	Clean, groovy
Melodies	Minimal/none	Hooks & synth

Vibe	Dark, aggressive	Hypnotic, soulful
Clubs	Berghain, Tresor	Fabric, Output
Timeline: Schranz Evolution
Year	Milestone	Key Track/Artist
1997	The Bells drops (Mills). Proto-Schranz loop energy.	Jeff Mills – The Bells
1999	Frankfurt explosion. Liebing coins term.	Chris Liebing – American Madness


SCHRANZ ON! 🦖🔔 Drop the needle—let’s destroy some speakers.

Recording 16-10-25, 11.19.55 am

Techno Cat

Tom Wilson - Techno Cat (Alan Henderson & Crosby - Dance Like Your Dad Short Mix)

Ritzi Lee - Lost Demos EP - out now: https://fanlink.tv/SYMDIGI046

Ben Sims 'Transmission One (Final Take) out now on Neighbourhood https://neighbourhood-ldn.bandcamp.com/album/hood010b-the-hive-volume-3

Bookings: jeroen@sourceartists.net
Bookings (Americas): nicole@muisca.la
Links/News: https://linktr.ee/bensimsofficial

Mark Williams - On The Floor - Hardgroove

ben sims

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