SCAFFOLD27

@wallermusic returns with their first track in over a year. First debuted in our mix for Ware 2019 this track has taken its time to be released to the world, but finally it's here. 

Out now for Ware 2021

Waller - SCAFFOLD27

Taken from SBKT043: Prettybwoy - Tayutau
Release date: 17th September 2021

Prettybwoy’s debut is entitled Tayutau ( 揺蕩う), a traditional Japanese term often used in haiku and literature, meaning ‘waver’ - a state of indecisiveness, to lose determination or purpose, often temporarily, or to drift or sway to and fro. Made over the last two years whilst dealing with isolation, job loss, burnt hard-drives and almost losing the whole project, the album has seen several phases and degrees of anxiety, uncertainty, hope and frustration.

‘Too many things have changed since starting to make this album, and I think that is reflected in the production. The album can be split into three parts – tracks I made before the pandemic when things felt stable, tracks made during lockdown in isolation, and tracks made during the cautious and conflicted opening up and the lead up to the Olympics. There has been so much confusion and changes back and forth, but I want to have hope and try to keep focused, which at times hasn't been easy’

As well as drawing from external causes, 'Tayutau' also comes from a place of internal uncertainty.

'This is a trip in search of my new identity, or maybe to understand my current one. I am Japanese, living in Japan, but my music is only released by labels from other countries. I am a member of SVBKVLT (China), and also Polaar (France), but where or who am I in Japan?’

Tayutau is a 10 track album, featuring two vocal appearances from lIlI and a collaboration with Primula, and comes with artwork and video from Wang Jingxin. A separate EP of remixes will be released shortly after the album.

Cover Design: Wang Jingxin
Mastering: Raphael Valensi

Tayutau

Prettybwoy - Genetic Dance II

Rhythm Computer(Battle Mix)

TAR 152
@kurasaki

More from TAR at:
instagram.com/wearetar
twitter.com/wearetar
facebook.com/wearetar
@wearetar

Bioelectricity

Kurasaki - 'Intrusive Thoughts'

Baauer - Temple (feat. M.I.A. & G-Dragon) (Singeli Remix)

No. 03

Comoc - Sucka Dance Em

BuBBle Bubbbleee Gather round and pull up a clam to cuddle in, as today, we listen to a tale from Glitchgirl's hometown... The tale of the Cuelebre!

'Back in Asturias, Spain, the Cuelebre slides inside its ocean cave, wrapping it's thick scales around the Xana's who are its captives!

A giant serpent with the wings of a bat, the Cuelebre is not wicked, but it is hungry and soon must eat. Down through the rivers, to the village the Cuelebre slides, to eat cattle and maybe the odd peasant who strays too far.

The Cuelebre's spit turns into magical stones with healing properties which are very sort after. Often the villagers try to poison poor Cuelebre by feeding it bread full of pins, to take its magical stones! Eventually they succeed and the kill Cuelebre! Silly peasants! Lets us remember the magic of the Cuelebre when we ourselves slide into the river or pick a pearl from the sand to keep as our captive treasure, our Xana!'

At some point during the making of this album Glitchgirl realised, she was actually the Cuelebre!

BUT we cannot let the villagers Poison Glitchgirl as she is a treasure and makes Krazy Amazing Music ^^_^^ These 11 tracks will transport you to Her Brain!

From Amen Breaks to Gabber get ready to go Completely Glitchgirl: Welcome to CUELEBRE!!!!!!! Xoooxoxoxoxoxoxoxoxoxoxoxxoxx

Glitchgirl - SHELTER {BWFO 013}

cooperation with

https://soundcloud.com/i-am-dj-gregfries

follow us:

https://soundcloud.com/i-am-dj-gregfries

https://www.youtube.com/channel/UCodvrhaeCIa1wWPZiERP67w

https://www.tiktok.com/@the_tempo_torpedo

That I Play

THE Tempo Torpedo, DJ GREGFRIES - That I Play

https://band.link/burntheempire

Public Service Announcement:

Do. Not. Hyper-politicize. Every. Womxn*. Artist’s. Work.

After making her debut into the world of dark, deconstructed club music on Infinite Machine in late 2017, Ani Klang is releasing her latest hard-hitting, genre-blending EP on Russian label, Hyperboloid Records to round out a busy year of releases in 2020.

‘BURN THE EMPIRE’ is a powerful statement piece seeking to disprove the pervasive belief that womxn and queer people are primarily working and creating music to “empower others.”

After growing frustrated with commentators deeming every bold piece of womxn-made art as an “outspoken feminist act” and forcing political causes on female/non-binary compositions when none are intended, Klang has challenged this trend and created a piece of work that is emphatically not an “empowering anthem for womxn everywhere.”

Armed with frustration, pain, and a little irony, Klang has built her own empire on the outskirts of genre, and all who are open are invited. She is releasing this record with hopes to begin dismantling the notion that womxn’s music is only meant to serve as a political weapon to fight misogyny. There must be something more meaningful womxn have to say to each other besides ‘you can do it too.’

She began grappling with this idea several years ago, when she felt pressured by the underground club community to be “outspoken” to have her music heard. In a 2018 Instagram post, she explained her frustrations as follows:

“I feel like being ‘outspoken’ is almost a prerequisite for being a successful woman at anything these days.It’s not enough to just be an artist who happens to be female – you have to empower women somehow and put your political opinions at the forefront of your art to be considered ‘relevant’. To be completely honest, I find it frustrating as hell. […] I want women to feel empowered but there are so many other creative ways to do this than just talking about feminism. We should be allowed to just BE artists who make records about death, masturbation, chocolate cake, or whatever the hell we want!”

‘BURN THE EMPIRE’ journeys from 145-160 BPM and showcases punchy, fluttery, footwork-inspired kick patterns, layers of heavily manipulated industrial textures and ironically political self-recorded samples (i.e. feminist podcasts, orgasms, and ex-girlfriends crying and singing) bound together by a rave-friendly mentality. Featuring scorching remixes by formidable artists like A.Fruit, Daniel Ruane, and Pixelord, ‘BURN THE EMPIRE’ is an intense sonic excursion through the mind and body of a female artist, eager to set the underground club scene on fire.

With match in hand, Ani Klang urges listeners to fully understand the following before organizing a livid mob armed with extinguishers on her front lawn:

“I am not intending to belittle or invalidate any collective or artist whose primary premise and passion is to empower others. Rather, I am encouraging commentators and listeners to understand and appreciate our unique concepts and technological capabilities before lazily assuming our artistic motivations.

It’s time we Burn the Empire of exhausted empowerment and construct our own domain, fortified by authenticity, legitimacy and resiliency. We’re are not examples, we are exasperated, and we’re gonna burn shit.”

* ‘womxn’ inclusively refers to any female-bodied or non-binary individual, queer or an otherwise unique human who deviates from standard cisgender identities.

Burn the Empire

DIGITAL / CASSETTE

ANI KLANG - THE PROBLEM = (A.FRUIT REMIX)

After self-releasing a 2 track single in 2020, Barcelona based producer SLTR starts off the year with a four track EP on Aizkora. 

More: https://ins-rt.net/audio/sltr-sw-3

No. 03

bench

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