Infinite Unclassified by BRITify.com

From "VESTA" by Azu Tiwaline.
Released on  @I.O.T Records   
- 16. June 2022 - 

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///////    https://fanlink.to/vesta    ///////


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///////////////      CREDITS      ///////////////
"Deep Theko" by Azu Tiwaline
VESTA (EP) 
Mastered by Dominique "Dume" Poutet
Ⓟ & © CYLID 4 I.O.T Records 2022
[IOT82]

Stream / Buy

Deep Theko - VESTA (EP)

Endless Reworks

Screaming Silence (Dictaphone Rework)

KATELYN CLARK & MITCH RENAUD, Ouroboros, LP
Hallow Ground
Vinyl / digital, catalogue nr. HG2406
Ltd. vinyl / digital
Release date: 04.04.2025

On Katelyn Clark and Mitch Renaud's »Ouroboros,« astronomical and astrological phenomena, concepts and symbols such as the Great Year or the Eternal Return serve as the starting points for sonic explorations and experimentations. Focusing on a uniquely tempered range of frequencies, from low-end drone rumbles to airy pipe swirls, the duo develops a minimalist and highly evocative sonic universe on their debut album for Hallow Ground.

Working as composers, improvisers and curators in Canada's vibrant experimental and early music scenes, Clark and Renaud began developing »Ouroboros« through extensive improvisation with a reduced setup. Clark, who has worked extensively with historical keyboards since her studies in Amsterdam and Siena, played a small pipe organ modeled after a 14th-century instrument while Renaud brought a modular synthesizer and his interest in feedback systems to the collaboration. Later, the duo further refined their artistic dialog and the sonic interactions of the two instruments through the shared space of a two day recording session in Vancouver. Subtle crackling, acoustic beating and other (psycho-)acoustic effects in five pieces document this encounter, giving the music a profound physicality while hinting at the bodily presence of the two collaborators.

Just as the cyclicality of natural phenomena or the repetition of planetary movements is both a scientific fact and of the cultural imaginary, the sound worlds of »Ouroboros« are fundamentally rooted in time and space while transgressing the idea of a »here and now« through their conceptual links to geological and planetary time. The interplay of portative organ and modular synthesizer, which merge fluidly and in ever-changing ways, leads to a kind of circularity, a timelessness, a no-time. At the same time, the movements and subtle changes undermine the idea of repetition in the negative sense. After all, the Eternal Return, as Gilles Deleuze writes in regard to Nietzsche, is not the return of the same but a repetition of repetition. The only constant is change, the production of new intensities, of new forms of life – and of new frequencies.

Credits:
Music by Katelyn Clark and Mitch Renaud
Recorded and mixed by Aaron Klassen at Monarch Studios in Vancouver
Mastered by Stephan Mathieu (Schwebung Mastering)
Artwork by Laurin Huber

Ouroboros

Katelyn Clark & Mitch Renaud - Ouroboros (HG2406)

The Double Life Of A Seahorse

150madnosense_2

ZAKLADKI - Blackhole Clock Trigger
https://band.link/zakladkiblackhole

ZAKLADKI is a resident of #INTERNETGHETTO, and the driving force behind the TRAKTRAIN music label. Over the course of a decade, he has honed his sound to perfection: from melancholic ambient music that you can drown in, to crushing drill-n-bass that breaks narratives.

His tracks are like full-length audio films: ZAKLADKI makes distant space stations and concrete back alleys of the metropolis sound equally easy. He has proven this time and again in powerful live shows with visuals by Dzhezus, StandBy, and AT.VIS, as well as collaborations with Adidas Originals, CODERED, and Resonance Moscow.

Sound design of the “oh my god, what was that” level and absolute uncompromisingness are his calling cards. Welcome to the lab.

Links:
ZAKLADKI
https://soundcloud.com/zakladki
https://www.instagram.com/zkldk
https://linktr.ee/zakladki
Fuselab
https://soundcloud.com/fuselab
https://fuselab.bandcamp.com
https://www.instagram.com/fuselabrecords

Blackhole Clock Trigger

bandcamp

ZAKLADKI - Present Perfect

Two periwinkles munching on a seaweed stipe. Their varying tempos and soft crunch created an entrancing rhythm. 

Extract from a 20m recording by Julie Brook's tidal sculpture Tide Line along the Fife coastline, created as part of the national coastal arts festival Beach of Dreams. 

Species: Common Periwinkle (Littorina littorea)
Location: Cellardyke, Fife, Scotland.
Date and time: 16 May 2025 at 14:52
Habitat: Coastal
Gear: Sound Devices 744T, Aquarian Audio H2Ds

Periwinkles Duet

SenSen - Deshechos De Mi Obsoleto

+++ on nature , contemplation , and the one

Ghoul

These fascinating recordings of the Touareg nomads and Sub-Saharan Africans in the Hoggar Mountains, in the Algerian Sahara, is available for Flac and MP3 download on my blog:
https://music-republic-world-traditional.blogspot.com/2025/11/algeria-rythmes-et-chants-du-sahara.html

Meg Ryan Eyez (Albini Suspension Mix)

BenFrost

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