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It Should Be US Andy Stott

Azure

Freefall

Endless Reworks

Screaming Silence (Dictaphone Rework)

Confield

VI Scose Poise

Lust 1

Sex With Sun Ra (Part Two - Sigillaricia)

"This album is an amalgamation of works about my desire to explore places with my camera, in search of a voice of reason and personal reflection. People enjoy travelling to escape from the realities of life and to enjoy the vastness of earth, people also enjoy travelling to see the wonders of the earth and see the beauties of it, be it walking in the forest or strolling by the coast of the sea. I enjoy travelling as it is a way for me to not think about the shackles of society and have a conversation with myself.

Travel Bag - to the middle of nowhere! is an homage to my mother and grandmother, who inspired me with their passion for exploration."

- Ryouko

Artwork by Erli Grünzweil
Written & Produced by Ronn Tan Hsien Han
Mixed & Mastering by Ioannis Nafpliotis

Special thanks to Mother [Melissa Teo Chong Hia] and Grandma ‘婆婆’ [Chua Chye Hoon 蔡彩雲]

Buy / Stream

Ryouko - bye. (till we meet again)

https://www.ninaprotocol.com/releases/med-log

med LOG

NE27 Ulwhednar - Om syndernas förlåtelse

Recorded by Ulwhednar in Sofia 2013 - 2015

Buy: http://northernelectronics.bandcamp.com

Ulwhednar - Om syndernas förlåtelse 3

Variations of Static

All That You Love Will Be Eviscerated

Meg Ryan Eyez (Albini Suspension Mix)

No. 4

christina vantzou 'some limited and waning memory'

Following on from a pair of Extended Players released in 2011 ("Passed Me By" / "We Stay Together") Andy Stott returns to Modern Love with 'Luxury Problems', an 8 track album of new material recorded over the last 12 months. Five of the tracks on the album feature the voice of Alison Skidmore, Andy's onetime Piano teacher whom he hadnt seen since he was a teenager back in 1996. There was no grand gesture in mind, it just sort of happened - but after almost a year of studio work the result is really quite unlike anything you'll have heard from him before. 'Numb' opens the album with Alison's voice; layered and looped but essentially left bare and exposed, tumbling into a dense shuffle, sort of somewhere between Theo Parrish and Sade, but more f*cked. 'Lost and Found' follows and deploys a growling rave bassline and a disturbed vocal, the beat assembling itself around a squashed Linndrum like a submerged Prince/Cameo production, haunted and impenetrable, but full of funk. 'Sleepless' started life as an African drum edit that sooner or later succumbed to Stott's intense rhythmic shifts. It's a sound that's been imitated countless times since the release of 'Passed Me By', here re-tooled and re-built for its next evolutionary phase. 'Hatch The Plan' ends the first half of the album with some heavily treated location recordings and a low end grind that probably doesnt quite prepare you for the vocal arrangements that follow - it's just a beautifuly inverted pop song. The second half opens with 'Expecting', the most recognisably 'Stott' moment on the album: a wrecked, deliriously knocked-out 4/4 shuffle deployed at halfspeed; those heavy kickdrums sucking in everything around them. 'Luxury Problems' is next and offers up the album's most quietly euphoric and open 5 minutes; conventional arrangements and drumloops disrupted by sharp disco bursts that mess with what you know: it's straight and beautiful and unbalanced and damaged, somehow all at once. "Up the box" switches up the narrative and goes somewhere else entirely, an extended intro that seems to build continuously for 3 minutes before breaking off into a slowed-down Amen edit, creating a kind of narcotic Jungle variant that fragments everything and ends just at the point you think it's going to go off, before "Leaving" finishes the album with an almost unbareably beautiful arrangement of voice and synth and a final key-change that takes you from joyful to forlorn in an instant.

Meg Ryan Eyez (Albini Suspension Mix)

BenFrost

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