Don’t know why this song makes me deel sad anytime i listen to it but i love the song. Its amazing

Yo this intro is asmr to the max. Crunchy bliss texture and then the vocals are the freakin voice of an angel. Bravo this song is (insert positive adjective)

Thank you for sharing your beautiful song.

Don't know why, song brings me back to some of my most held onto memories... Needed that(:

Love this song!!! Fits perfect with The 100 aswell

why the fuck do you make it so more people that LOVE this song can't listen to all of it just so you can get some money

????????

I Can Feel A Hot One

This song was sparked by a childhood memory. A memory from so long ago, that it’s brittle, fragmented. My dad took me out exploring in the woods and fields one day when I was maybe five or six. We ended up following a sandy track, spotting various animals and plants as we walked. From this memory the lyrics sprung and the song evolved.

All rights reserved. © Ali George 2025.

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Walt Grace's Submarine Test, January 1967 (Album Version)

Ben Howard returns with his 4th album, Collections From The Whiteout, produced alongside Aaron Dessner (The National). The foreboding darkness that coated Ben’s second record I Forget Where We Were and thinly veiled its follow up Noonday Dream, isn’t so evident on Collections. These are songs written from headlines scanned, or news stories scrolled past, providing inspiration for a selection of vivid narrative snapshots – the death of amateur sailor Donald Crowhurst (Crowhurst’s Meme); Russian fraudster Anna Sorokin (Sorry Kid); the man who stole and crashed a plane in Seattle (The Strange Last Flight Of Richard Russell); and the dismembered body a friend of his father found in a suitcase floating along the Thames (Finders Keepers). Alongside them, the personal anecdotes from the same scattered period living between Paris, Devon and Spain. Yussef Dayes features, as does Kate Stables (This Is The Kit), James Krivchenia (Big Thief), Kyle Keegan (Hiss Golden Messenger), and Dessner. Thomas Bartlett, St. Vincent’s go-to pianist, and Rob Moose, a long-standing arranger of strings for Bon Iver, are also present. Long-term guitarist to Ben’s band, Mickey Smith (A Blaze of Feather), remains a reassuring constant. It’s a sonic adventure that continues this nagging suggestion that Ben is one of the UK’s most inventive and naturally talented songwriters. CFTW is his latest opus, and arguably his most fully realised to date.

Promise

BenHowardOfficial

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