help

here it is.

free download here: http://www.mediafire.com/listen/6544f95vq60815i/parappa_goes_hard_af_full.mp3 

Parappa Goes Hard AF (Full Version)

Big thanks to Michael Moffitt as usual for being a cool dude, recording/producing this for me, and playing the cajon on this track. Check him out: https://soundcloud.com/my-name-is-michael

You can buy it here: jakebardin.bandcamp.com/

Facebook: www.facebook.com/jakebardinmusic/
Twitter: twitter.com/jakebardin

All Your Friends

Iron - EP

Iron (Mystery Jets Remix)

track 2

I'm in love with you
more than summer and afternoons

pictures in the same place
whats it like when you come home to remember
picture of the same place
I thought I left safe but I came back dismembered

I don't know where I belong anymore
I don't know what's going on
where I come from
where I belong

I'm in love with you
more than summer and afternoons
I belong to you

where is all the dancing 
maybe later theres no snow in december
same food on the same plates
its hard to come back never thought to remember
i dont know where i belong anymore
i dont know whats going on
where i come from
where i belong

APPARITIONS

in luv with u

High levels of coonery w/ @datnigguhx

link to my twitter - https://twitter.com/TheOddwin

Coughing my lungs out [Oddwin + jvst x.]

When we look across the fields, through the cold air sinking beneath the darkening sky, what do we see? Do we realise the limit of our own perception? Do we perceive the limit of our own collective experience? Do we truly see at all? Or are we simply a collection of wild animals, kept in a crude self-imposed captivity, nothing more than an absurd exhibition?

Stream: https://open.spotify.com/album/1lcb17wAaLdhcefvaIvZgS?si=8SsWbucQRQaVujHjgaeP8A

Follow Shurk:

https://www.instagram.com/shurkpics/
https://open.spotify.com/artist/0NDgB30D7P2gt1qCS2qfIx
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Menagerie

Spotify

Shurk - Menagerie

Super Saiyan

Shurk - Super Saiyan

Wooly

Shurk - Wooly

Post Pop 4

Shurk - Post Pop 4

Prolific developer Jonatan Söderström and graphic artist Dennis Wedin have announced their newest game collaboration Hotline Miami will be released under their new joint label Dennaton Games and published by shady game cartel Devolver Digital.

Music by:

Sun Araw
http://www.sunaraw.com/

M.O.O.N.
http://www.musicofthemoon.com/

Jasper Byrne
http://www.superflatgames.com/

El Huervo
http://elhuervo.bandcamp.com/

Scattle
https://www.facebook.com/scattlemusic

Perturbator
http://perturbator.bandcamp.com/

Eirik Suhrke
http://strotch.net/

CoConuts:
http://www.myspace.com/coconutsnoise

Elliott Berlin
Coming Soon

Step into the neon-soaked underground of 1980s Miami as bizarre messages on your answering machine seem to be urging you to commit terrible acts of violence -- but will you obey? Hotline Miami overflows with raw brutality and skull crushing close combat as you find yourself outgunned and using your wits to choreograph your way through impossible situations. An unmistakable visual style, a driving soundtrack, and a surreal plot that will have you question your own thirst for blood. Bash and blast through over 20 multiscreen levels with 35 unique weapons and collect 25 game-altering masks in one of the darkest and most unusual independent games on the scene.

The hotline itself can be reached at +1 786 519 3708 or @HotlineMiami. Leave a message.

http://www.HotlineMiami.com/
http://www.Dennaton.com/
http://www.DevolverDigital.com/

M.O.O.N. - Paris

The man watched, sitting quietly this morning while the black hands on the small black clock there in the room ticked on and on. These black hands counted the black numbers slowly at first, but they span ever quick as time wore sleepily on. Ever quicker they span and ever quieter they ticked… 
In the beginning the ticking noise had been loud. It was fussy and obtrusive like a spoiled child, but free as the wind squeezing through the cracks in the drafty walls. But as the day wore on the sound seemed to become more restrained, tied down in its own little box of self-affirming noise. The change second by second was imperceptible to the naked ear, but over the course of the hours it became meeker, more formal and more unimposing. Still the seconds raced by, again and again, until all the seconds and all the ticks seemed to melt into one. 
The man sat there in the late evening, collecting the dust of the world, unblinking as he watched the clock. Maybe he should do something? But no, that would require him to change, and he was tired, so tired. As it became night, the black numbers and the black clock faded gradually into obscurity. He could no longer see, and he was panicked. The ticking noise blurred into one, quieter and quieter and faster and faster until he looked back and in his dusty mind he suddenly realised he could not remember how it had been that beautiful morning. Eventually, after sitting all day, the clock struck midnight. A crow croaked outside the window, and the wind, which had been blowing forcefully all day, stopped squeezing through the cracks. All became still; the man blinked.

----

Follow Shurk:
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Black Numbers

Shurk - Black Numbers

Vails - Beaster

Written and Produced by Xavier de Rosnay and Gaspard Augé
Remixed by Mike Levy
℗ 2013 Ed Banger Records / Because Music

help

Benjamin Carr-Jones