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He is back, bigger...stronger...better!
Tweaked and played live by Yakh.

100% LIVE

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@dina-rocaille
https://www.facebook.com/DinaRocaille/

THE 1NCAST | #57 | Yakh

Renart - Les Instruments De Musique (B)

Trentemoller at his peak...all techno no crossover stuff

Trentemoller - Live @ La Noche Escabrosa - 1.22.2006 rare

My remix of '00:26' by Ólafur Arnalds & Nils Frahm is now available on 
https://erasedtapes.bandcamp.com/album/erased-tapes-collection-viii
Taken from the album 'Trance Frendz' · www.arnaldsfrahm.com

Ryan Davis on Facebook: www.facebook.com/ryandavissound/
Ryan Davis on Instagram: www.instagram.com/ryandavismusic/
Booking under booking@ryandavis.de

Commencing the 10th anniversary celebrations with a free compilation entitled Erased Tapes Collection VIII, Erased Tapes also welcomes the iconic Penguin Cafe to the roster amongst tracks from new signing Daniel Brandt (of Brandt Brauer Frick) and Peter Broderick’s duo project Allred & Broderick. It also includes recent compositions by Rival Consoles, A Winged Victory For The Sullen, Ben Lukas Boysen, Douglas Dare and Immix Ensemble & Vessel, as well as a previously unreleased soundcloud.com/ryan-davis remix of Erased Tapes stalwarts Ólafur Arnalds & Nils Frahm which was recently favoured by Aphex Twin and an exclusive edit of Woodkid & Nils Frahm’s score for JR’s Ellis, with spoken words by Robert De Niro.

The Story before: 

When i heard the Album Trance Frendz of Olafur Arnalds & Nils Frahm for the first time, i directly felt a connection to the song they both started together at 00:26. The fine textures of the synths and the subtle evolution in this one-taker brought up the idea of having a version i can play in the late nights on the dance floor but which also would work perfectly for listening in your comfort zone. 

The drums and way of how the remix should flow came naturally and as i had the song standing i layered the original stems here and there to have the track playing in some kind of canon. As i was very happy with my personal version i sent it out to https://soundcloud.com/olafur-arnalds, https://soundcloud.com/erasedtapes & the rest of the participants of this project. Gladly Olafur picked up my remix and forwarded the song to the label which lead to having this unofficial version approved to share with you out there. I hope you like it and thanks to Erased Tapes and all involved for the support :)

More

Ólafur Arnalds & Nils Frahm - 00:26 (Ryan Davis Rethink)

Pratique from HUMBLEBOX EP (2017)
~~~
Llinks:
EP preview: https://soundcloud.com/vraag_music/preview-ep
Bandcamp: goo.gl/4mpQr4
If you want this EP at 7' vinyl: 
Qrates: goo.gl/CtXFk4
~~~
Vraag — HUMBLEBOX EP (Official Video): goo.gl/RjqgHs

Vraag — Pratique

big pleasure to present to you of one the mine most favourite artists, the guy behind Rock To The Beat Records - Marc-Etienne Guibert aka Markus Gibb.

Catch him this weekend in Lithuania playing alongside https://soundcloud.com/manfredas and https://soundcloud.com/roedeers.

LINKS:
https://soundcloud.com/markusgibb
https://soundcloud.com/rocktothebeatrecords

Karklė 2017 Live Music Beach:
https://www.residentadvisor.net/event.aspx?974445

44,100Hz Social Club

44,100Hz Social Club #61 - Markus Gibb

Nicolas Jaar - Folie à Deux (Max (Italy) Rework)

In  just  a  year  of  existence,  Chloé’s  Lumière  Noire  has  brought  emerging  artists  and  promising  newcomers  together  –  and  this  first  compilation  of  13  brand  new  tracks  expands  the  roster,  exposing  the  label’s  eclectic  vision  in  full  daylight.  When  Chloé  talks  about  her  label,  she  puts  forward  the  fundamental  values  that  informed  her  own  musical  journey,  her  trust  in  her  own  musical  taste  –  and,  of  course,  the  predominance  of  human  relationships:  “I  followed  my  bliss  and  only  commissioned  tracks  from  artists  that  I  respect  and  whose  music  I  love.  That  to  me  is  Lumière  Noire’s  musical  palette.”With  this  13-track,  unmixed  compilation,  Chloé  makes  a  case  for  a  label  aesthetic  that  is  based  in  open-mindedness.  Familiar,  elemental  Lumière  Noire  artists  are  represented,  as  are  new  faces,  producing  a  kind  of  group  photo  presaging  what’s  next  for  the  fledgling  label.  Lyon’s  Markus  Gibb  leads  the  track  listing  with  Kuru  with  a  deep  chiaroscuro  matching  the  label’s  ethos,  followed  by  other  mainstays  Il  Est  Vilaine’s  Farenheit  451,  which  evokes  Ray  Bradbury’s  retro-dystopic  angst  with  the  band’s  usual  electro-pop  elegance.  Sutja  Gutierrez,  who  released  in  debut  EP,  The  Legend  of  Time  on  Lumière  Noire  in  April,  pursues  his  electro-Shamanism  with  the  ceremonial  Allodoxaphobia,  while  Iñigo  Vontier  (whose  EP  Aluxes  came  out  on  the  label  in  late  2017)  brings  his  Contra  project  online  with  track  Taurus,  a  further  development  in  voodoo  house.  Elsewhere,  Suuns  lead  singer  Ben  Shemie,  who  lent  his  fascinating  art-rock  croon  to  Recall,  a  single  from  Chloé’s  Endless  Revisions  LP,  contributes  A  Million  Kinds,  a  synthy,  psych-pop  debut  that  is  as  brilliant  as  it  is  surprising.  On  to  the  freshman  class:  Dutch  producer  Drvg  Cvltvre  (who  gets  personal  kudos  from  Chloé  with  each  new  12”)  brings  the  uncompromising  dark  electro  of  his  hypnotic  and  claustrophobic  Last  Rites.  Jonathan  Fitoussi’s  airy,  minimalistic  Cercles  Polaires  brings  the  respite  of  his  recent  Versatile  Espaces  Timbrés  LP  (a  collaboration  with  Clemens  Hourrières):  “I  met  him  at  Xavier  Veilhan’s  Studio  Venezia  at  the  Venice  Biennale.  He’s  a  great  guy,  and  his  universe  is  unique,”  says  Chloé.  Benedikt  Frey’s  deep  techno  track  Iaon,  is  on  par  with  his  smash  2017  album,  Artificial,  out  on  ESP  Institute.    First-timers  are  also  part  of  the  recruits:  Bajram  Bili  with  the  ten  cerebral  minutes  of  Restart,  Théo  Muller  with  the  ultra-deep  Douce  Transe,  and  Lumi,  a  Basque  band  that  fuses  electronic  sounds  with  acoustic  instruments,  brings  the  compilation  to  a  close  with  a  track  commissioned  by  Chloé,  who  met  them  at  a  festival.  These  audacious  choices  are  anchored  down  with  the  likes  of  Permanent  Vacation  pioneer  Lauer’s  hooky,  80s-infused  Pythor  (“Just  like  him,  I  was  a  resident  of  the  Robert  Johnson,  and  he  was  a  guest  of  mine  at  one  of  my  Lumière  Noire  nights  at  the  Rex.  He  is  one  of  these  people  whose  music  I  highly  appreciate);  Aergeworc  &  Franck  Agrario,  half  of  English  duo  Swayzak  David  Brown’s  project,  weaves  an  ethno*  mood  into  Grace’s  techno.  Bringing  together  different  generations,  genres,  and  styles?  That  may  not  necessarily  be  Chloé’s  MO.  She  invokes  a  more  arbitrary,  personal  logic:  “I  like  to  mix  of-the-moment  tracks  and  more  timeless  one,  but  the  rule  is  above  all  ‘do  I  love  this  or  not?’.  That  was  my  ethos  when  I  started  Lumière  Noire.”  In  that  way,  the  label  is  definitely  in  keeping  with  its  time...

VARIOUS ARTISTS LUMIERE NOIRE

Markus Gibb - Kuru

Time To Be A Stone

Break out the headphones and sit back as Max Cooper goes deep with a magical DJ set, recorded live at Robot Heart, Copy Bus Party, NYC 2012

Time To Be A Stone

Invisible