FAURÉ: REQUIEM • FOLK SONGS OF BARTÓK, FAURÉ, DEBUSSY & STRAVINSKIY
(BRANDEIS UNIVERSITY CHORUS & CHAMBER CHOIR PERFORMANCE – MARCH 9, 2014)

Conducted by Prof. JAMES D. OLESEN, B.A., D.M.A., musical director
Pianist: Prof. LESLIE AMPER, B.M., M.M.*

THE BRANDEIS UNIVERSITY CHAMBER CHOIR:

BÉLA VIKTOR JÁNOS BARTÓK (1881 – 1945)
1. Song of Loneliness
2. Choosing a Girl
3. The Songbird’s Promise

GABRIEL URBAIN FAURÉ (1845 – 1924)
Poet: Anonymous
4. Le ruisseau – TAMAR FORMAN-GEJROT, soprano

ACHILLE-CLAUDE DEBUSSY (1862 – 1918)
Poet: Louis Philippe, comte de Ségur (1753 – 1830)
5. Salut printemps – ADINA SHAPIRO, soprano

IGOR’ FYODOROVICH STRAVINSKIY (1882 – 1971): Four Russian Peasant Songs
6. On Saint’s Days in Chigisakh – VICTORIA DIECK, soprano
7. Oysyen
8. The Pike
9. Master Portly – VICTORIA DIECK, soprano

THE BRANDEIS UNIVERSITY CHORUS:

FAURÉ: Requiem in D-minor, Op. 48 (1893 Version)
10. I. Introït & Kyrie eleison
11. II. Offertoire & Hostias – CHARLES MADISON, baritone
12. III. Sanctus
13. IV. Pie Iesu – TABITHA ROHRER, soprano
14. V. Agnus Dei
15. VI. Libera me – JASON TENG, baritone
16. VII. In paradisum

* Tracks 4, 5, and 10 – 16.

Performed live at the Recital Hall of the Slosberg Music Center at Brandeis University, Sunday, March 9, 2014. Recorded by Sam Chussid (@sam-chussid). Remastered by Craig Robertson (@everythingwillpass). Additional enhancement and editing of Fauré Requiem by Ben Poser (@benjamin-poser).

Fauré: Requiem in D-minor, Op. 48 (1893 Version) – VII. In paradisum

BRANDEIS ENSEMBLE SHOWCASE (OCTOBER 26, 2014)

Featuring:

The Brandeis University

EARLY MUSIC GROUP
Prof. Sarah Mead, B.A., M.A., director

CHAMBER CHOIR
Prof. Sarah Mead, B.A., M.A., director

WIND ENSEMBLE
Prof. Thomas A. Souza, B.M., M.M., conductor

JAZZ ENSEMBLE
Prof. Bob Nieske, B.M., M.M., director
Guest Musician: Prof. Neal Hampton, B.M., M.M., piano

CHAMBER ORCHESTRA
Prof. Neal Hampton, B.M., M.M., conductor

UNIVERSITY CHORUS
Prof. Neal Louis Hampton, B.M., M.M., conductor
Seunghee Lee, B.M., M.M., Ph.D., piano


BRANDEIS EARLY MUSIC GROUP

JOHANNES ECCARD (1553 – 1611)
1. Der Hellig Geist von Himmel kam – Hallelujah (à 4)

JACQUET DE MANTUA (1483 – 1559)
2. Alleluia resurrexit Dominus (1538)

ECCARD
3. Der Hellig Geist von Himmel kam – Hallelujah (à 6)


BRANDEIS CHAMBER CHOIR:

WILLIAM BOYCE (1711 – 1779)
4. Alleluia (Canon)

RANDALL THOMPSON (1899 – 1984)
5. Alleluia (1940)

ANONYMOUS • Arrangement: Alice Parker (1925 –)
6. Hark I hear the harps eternal


BRANDEIS WIND ENSEMBLE:

MANUEL M. CANITO (? –)
7. The Bicentennial of America March (1976)

HIROSE HAYATO (1974 –): Norman Rockwell Suite (2005)
8. II. Shuffleton’s Barbershop / III. Christmas Homecoming


BRANDEIS JAZZ ENSEMBLE:

BILLY STRAYHORN (1915 – 1967)
9. Take the “A” Train (1939)

EDVARD HAGERUP GRIEG (1843 – 1907) • Arrangement: Strayhorn
10. Peer Gynt Suite, Op. 23 (1867), Act IV – 5. Anitra’s Dance


BRANDEIS CHAMBER ORCHESTRA:

JEAN SIBELIUS (1865 – 1957)
11. Andante Festivo (1938)

JOHANN SEBASTIAN BACH (1685 – 1750):
Concerto in D-minor for Two Violins & Orchestra, BWV. 1043 (1717 – 1723)
12. I. (Vivace)


BRANDEIS UNIVERSITY CHORUS:

FRANZ JOSEPH HAYDN (1732 – 1809):
Missa in augustiis (“Lord Nelson Mass”), Hob. XXII:11 (1798)
13. V. Credo in unum Deum
14. VI. Et incarnatus est – ADINA SHAPIRO (soprano), TAMAR FORMAN-GEJROT (alto), CHARLES MADISON (tenor), STEVEN HOFFMAN (bass)

15. VII. Et resurrexit – ELENA GLEN, soprano

Performed live at the Recital Hall of the Slosberg Music Center at Brandeis University, Sunday, October 26, 2014. Remastered by Ben Poser (@benjamin-poser).

De Mantua: Alleluia resurrexit Dominus (1538)

Eccard: Der Heilig Geist von Himmel kam – Hallelujah (à 4)

BRANDEIS ENSEMBLE SHOWCASE (OCTOBER 26, 2014)

Featuring:

The Brandeis University

EARLY MUSIC GROUP
Prof. Sarah Mead, B.A., M.A., director

CHAMBER CHOIR
Prof. Sarah Mead, B.A., M.A., director

WIND ENSEMBLE
Prof. Thomas A. Souza, B.M., M.M., conductor

JAZZ ENSEMBLE
Prof. Bob Nieske, B.M., M.M., director
Guest Musician: Prof. Neal Hampton, B.M., M.M., piano

CHAMBER ORCHESTRA
Prof. Neal Hampton, B.M., M.M., conductor

UNIVERSITY CHORUS
Prof. Neal Louis Hampton, B.M., M.M., conductor
Seunghee Lee, B.M., M.M., Ph.D., piano


BRANDEIS EARLY MUSIC GROUP

JOHANNES ECCARD (1553 – 1611)
1. Der Hellig Geist von Himmel kam – Hallelujah (à 4) – KIANA JANE KHOZEIN (alto), DANIEL WERL (tenor), SCOTT KLUGER (baritone)

JACQUET DE MANTUA (1483 – 1559)
2. Alleluia resurrexit Dominus (1538)

ECCARD
3. Der Hellig Geist von Himmel kam – Hallelujah (à 6) – KIANA JANE KHOZEIN (alto), DANIEL WERL (tenor), SCOTT KLUGER (baritone)


BRANDEIS CHAMBER CHOIR:

WILLIAM BOYCE (1711 – 1779)
4. Alleluia (Canon)

RANDALL THOMPSON (1899 – 1984)
5. Alleluia (1940)

ANONYMOUS • Arrangement: Alice Parker (1925 –)
6. Hark I hear the harps eternal


BRANDEIS WIND ENSEMBLE:

MANUEL M. CANITO (? –)
7. The Bicentennial of America March (1976)

HIROSE HAYATO (1974 –): Norman Rockwell Suite (2005)
8. II. Shuffleton’s Barbershop / III. Christmas Homecoming


BRANDEIS JAZZ ENSEMBLE:

BILLY STRAYHORN (1915 – 1967)
9. Take the “A” Train (1939)

EDVARD HAGERUP GRIEG (1843 – 1907) • Arrangement: Strayhorn
10. Peer Gynt Suite, Op. 23 (1867), Act IV – 5. Anitra’s Dance


BRANDEIS CHAMBER ORCHESTRA:

JEAN SIBELIUS (1865 – 1957)
11. Andante Festivo (1938)

JOHANN SEBASTIAN BACH (1685 – 1750):
Concerto in D-minor for Two Violins & Orchestra, BWV. 1043 (1717 – 1723)
12. I. (Vivace)


BRANDEIS UNIVERSITY CHORUS:

FRANZ JOSEPH HAYDN (1732 – 1809):
Missa in augustiis (“Lord Nelson Mass”), Hob. XXII:11 (1798)
13. V. Credo in unum Deum
14. VI. Et incarnatus est – ADINA SHAPIRO (soprano), TAMAR FORMAN-GEJROT (alto), CHARLES MADISON (tenor), STEPHEN HOFFMAN (bass)

15. VII. Et resurrexit – ELENA GLEN, soprano

Performed live at the Recital Hall of the Slosberg Music Center at Brandeis University, Sunday, October 26, 2014. Remastered by Ben Poser (@benjamin-poser).

Grieg: Peer Gynt Suite, Op. 23 (1867), Act IV – 5. Anitra’s Dance

Sibelius: Andante Festivo (1938)

Bach: Concerto in D-minor for Two Violins & Orchestra, BWV. 1043 (1717 – 1723) – I. (Vivace)

Haydn: Missa in angustiis (“Lord Nelson Mass”), Hob. XXII:11 (1798) – V. Credo in unum Deum

Haydn: Missa in angustiis (“Lord Nelson Mass”), Hob. XXII:11 (1798) – VI. Et incarnatus est / Crucifixus

HAYDN: LORD NELSON MASS (BRANDEIS UNIVERSITY CHORUS PERFORMANCE – NOVEMBER 16, 2014)

Featuring the BRANDEIS UNIVERSITY CHORUS & STUDENT ORCHESTRA

Conducted by Prof. NEAL LOUIS HAMPTON, B.M., M.M.
Guest Musician: DAESIK CHA, organ

FRANZ JOSEPH HAYDN (1732 – 1809):
Missa in augustiis (“Lord Nelson Mass”), Hob. XXII:11 (1798)

1. I. Kyrie eleison – ARIELLA STEIN (soprano), MARIAH JONES (soprano), ELANA KENNEDY (alto), CHARLES MADISON (tenor), STEPHEN HOFFMAN (bass)

2. II. Gloria in excelsis Deo – EMMA REBECCA MAIER (soprano), TAMAR FORMAN-GEJROT (alto), MATTHEW CHERNICK (tenor), BEN POSER (bass)

3. III. Qui tollis – JASON TENG (bass), MOLLY WINER (soprano)

4. IV. Quoniam tu solus Sanctus – MOLLY WINER (soprano), TAMAR FORMAN-GEJROT (alto), MATTHEW CHERNICK (tenor), BEN POSER (bass)

5. V. Credo in unum Deum
6. VI. Et incarnatus est / Crucifixus – ADINA SHAPIRO (soprano), SARAH LIPITZ (alto), CHARLES MADISON (tenor), STEVEN HOFFMAN (bass)

7. VII. Et resurrexit – ABBEY SCHULTZ, soprano
8. VIII. Sanctus
9. IX. Benedictus – ELENA GLEN (soprano), TAMAR FORMAN-GEJROT (alto), CHARLES MADISON (tenor), SAMUEL MOORE (bass)

10. X. Agnus Dei – ELENA GLEN (soprano), TAMAR FORMAN-GEJROT (alto), CHARLES MADISON (tenor), SAMUEL MOORE (bass)

11. XI. Dona nobis pacem

Performed live at the Recital Hall of the Slosberg Music Center at Brandeis University, Sunday, November 16, 2014. Remastered by Ben Poser (@benjamin-poser). Technical advisor Craig Robertson (https://soundcloud.com/craig-robertson-12).

Haydn: Missa in angustiis (“Lord Nelson Mass”), Hob. XXII:11 (1798) – I. Kyrie eleison

HAYDN: LORD NELSON MASS (BRANDEIS UNIVERSITY CHORUS PERFORMANCE – NOVEMBER 16, 2014)

Featuring the BRANDEIS UNIVERSITY CHORUS & STUDENT ORCHESTRA

Conducted by Prof. NEAL LOUIS HAMPTON, B.M., M.M.
Guest Musician: DAESIK CHA, organ

FRANZ JOSEPH HAYDN (1732 – 1809):
Missa in augustiis (“Lord Nelson Mass”), Hob. XXII:11 (1798)

1. I. Kyrie eleison – ARIELLA STEIN (soprano), MARIAH JONES (soprano), ELANA KENNEDY (alto), CHARLES MADISON (tenor), STEPHEN HOFFMAN (bass)

2. II. Gloria in excelsis Deo – EMMA REBECCA MAIER (soprano), TAMAR FORMAN-GEJROT (alto), MATTHEW CHERNICK (tenor), BEN POSER (bass)

3. III. Qui tollis – JASON TENG (bass), MOLLY WINER (soprano)

4. IV. Quoniam tu solus Sanctus – MOLLY WINER (soprano), TAMAR FORMAN-GEJROT (alto), MATTHEW CHERNICK (tenor), BEN POSER (bass)

5. V. Credo in unum Deum
6. VI. Et incarnatus est / Crucifixus – ADINA SHAPIRO (soprano), SARAH LIPITZ (alto), CHARLES MADISON (tenor), STEPHEN HOFFMAN (bass)

7. VII. Et resurrexit – ABBEY SCHULTZ, soprano
8. VIII. Sanctus
9. IX. Benedictus – ELENA GLEN (soprano), TAMAR FORMAN-GEJROT (alto), CHARLES MADISON (tenor), SAMUEL MOORE (bass)

10. X. Agnus Dei – ELENA GLEN (soprano), TAMAR FORMAN-GEJROT (alto), CHARLES MADISON (tenor), SAMUEL MOORE (bass)

11. XI. Dona nobis pacem

Performed live at the Recital Hall of the Slosberg Music Center at Brandeis University, Sunday, November 16, 2014. Remastered by Ben Poser (@benjamin-poser). Technical advisor Craig Robertson (https://soundcloud.com/craig-robertson-12).

Haydn: Missa in angustiis (“Lord Nelson Mass”), Hob. XXII:11 (1798) – II. Gloria in excelsis Deo

Haydn: Missa in angustiis (“Lord Nelson Mass”), Hob. XXII:11 (1798) – III. Qui tollis

Haydn: Missa in angustiis (“Lord Nelson Mass”), Hob. XXII:11 (1798) – IV. Quoniam tu solus Sanctus

Haydn: Missa in angustiis (“Lord Nelson Mass”), Hob. XXII:11 (1798) – VII. Et resurrexit

Haydn: Missa in angustiis (“Lord Nelson Mass”), Hob. XXII:11 (1798) – VIII. Sanctus

Haydn: Missa in angustiis (“Lord Nelson Mass”), Hob. XXII:11 (1798) – IX. Benedictus

Haydn: Missa in angustiis (“Lord Nelson Mass”), Hob. XXII:11 (1798) – X. Agnus Dei

Haydn: Missa in angustiis (“Lord Nelson Mass”), Hob. XXII:11 (1798) – XI. Dona nobis pacem

BERNSTEIN: CHICHESTER PSALMS & MEDITATIONS FROM “MASS” • COPLAND: OLD AMERICAN SONGS & “STOMP YOUR FOOT” (BRANDEIS UNIVERSITY CHORUS PERFORMANCE – APRIL 19, 2015)

Featuring the BRANDEIS UNIVERSITY CHORUS
Conducted by Prof. NEAL LOUIS HAMPTON, B.M., M.M.

AARON COPLAND (1900 – 1990)
Arranged for Chorus by Irving Gifford Fine (1914 – 1962): Old American Songs

1. The Boatman’s Dance – JASON TENG, baritone
2. Long Time Ago
3. Simple Gifts
4. I Bought Me a Cat – STEPHANIE MERINOFF (soprano), MATTHEW CHERNICK (tenor)

SEUNGHEE LEE, piano


LEONARD BERNSTEIN (1918 – 1990):
Meditations from “MASS: A Theatre Piece for Singers, Players & Dancers” (1971)
5. XII. Meditation No. 1 (Lento assia, sostenuto)
6. XVII. Meditation No. 2 (Andante sostenuto)

SEUNGHEE LEE, piano
JACOB MacKAY, cello


Chichester Psalms (1965)
7. I. First Movement: Psalm 108:2 & Psalm 100 (Maestoso ma energico) – ELENA GLEN (soprano), TAMAR FORMAN-GEJROT (alto), CHARLES MADISON (tenor), JONAH HIRST (bass)

8. I. First Movement: Psalms 23 & 2:1 – 4 (Andante con moto, ma tranquillo) – SARAH STEIKER, treble voice

9. III. Third Movement: Psalms 131 & 133:1 (Sostenuto molto, lento possibile) – ARIELLA STEIN (soprano), MORISSA PEPOSE (alto), CHARLES MADISON (tenor), JONAH HIRST (bass)

ALEXANDER LANE, organ
DEBORAH FELD-FABISIEWICZ, harp
JONATHAN HESS, percussion


COPLAND
Libretto: Horace Everett (1927 – 2001)
10. Stomp Your Foot (from “The Tender Land) [1952 – 1954] – JONAH HIRST, bass

SEUNGHEE LEE & NATSUKO YAMAGATO, piano

Performed live at the Recital Hall of the Slosberg Music Center at Brandeis University, Sunday, April 19, 2015. Remastered by Ben Poser (@benjamin-poser). Technical advisor Craig Robertson (@craig-robertson-12).

Bernstein: MASS (1971) – XII. Meditation No. 1 (Lento assia, sostenuto)

Copland: Old American Songs – I Bought Me a Cat

Copland: Old American Songs – Simple Gifts

Copland: Old American Songs – Long Time Ago

Copland: Old American Songs – The Boatmen’s Song

SPRING CHAMBER MUSIC CONCERT (BRANDEIS MUSIC DEPARTMENT PERFORMANCE – APRIL 28, 2015)

Featuring:
THE CHAMBER MUSIC STUDENTS OF
PROFESSORS JOSHUA GORDON & EVAN HIRSCH

ROBERT ALEXANDER SCHUMANN (1810 – 1856):
Fantasiestücke for Clarinet & Piano, Op. 73 (1849)
1. I. Zart und mit Ausdruck
2. II. Lebhart, leicht

MILTON SHAPIRO, clarinet
ANDREW LARSON, piano


SCHUMANN: Piano Trio No. 3 in G-minor, Op. 110 (1851)
3. I. Bewegt, doch nicht zu rasch

ALVA STUX, violin
SAMUEL MOORE, cello
ADELE HUÁNG, piano


FRANZ PETER SCHUBERT (1797 – 1828)
Poem: Heinrich Friedrich Ludwig Rellstab (1799 – 1860)
4. Auf dem Strom, Op. 119, D. 943 (1828)

ELENA GLEN, soprano
LEAH SHAPIRO, French horn
CECILE AFABLE, piano


PAUL HINDEMITH (1895 – 1963): Sonata for Violin & Piano, Op. 11, No. 4 (1919)
5. I. Fantasie
6. II. Thema mit Variationen
7. III. Finale (mit Variationen)

DAVID CHERNACK, viola
NATSUKO YAMAGATO, piano

Performed live at the Recital Hall of the Slosberg Music Center at Brandeis University, Tuesday, April 28, 2015. Remastered by Ben Poser (@benjamin-poser).

Hindemith: Sonata for Viola & Piano, Op. 11, No. 4 (1919) – III. Finale (mit Variationen)

Hindemith: Sonata for Viola & Piano, Op. 11, No. 4 (1919) – II. Thema mit Variationen

Hindemith: Sonata for Viola & Piano, Op. 11, No. 4 (1919) – I. Fantasie

Schubert: Auf dem Strom, Op. 119, D. 943 (1828)

Schumann: Piano Trio No. 3 in G-minor, Op. 110 (1851) – I. Bewegt, doch nicht zu rasch

Schumann: Fantasiestücke for Clarinet & Piano, Op. 73 (1849) – II. Lebhaft, leicht

Schumann: Fantasiestücke for Clarinet & Piano, Op. 73 (1849) – I. Zart und mit Ausdruck

Benjamin Poser

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