Macarena Rosmanich, a Chilean composer based in Germany, is one of the most active international voices of a growing scene of Latin American female composers. Although her career has developed mainly in Europe, her eagerness to motivate future female composers in her country of origin, makes her have permanent contact with the contemporary Chilean scene. 
The concept of intertextuality is at the center of her work. Each piece is linked to other pieces, through elements that are then developed in a new context, generating a universe that interacts and evolves internally. This universe is not isolated, but also discusses or is inspired by narrative literature, poetry, art, as well as social and political events.  All this works as an engine that triggers a flow of sound relationships that give rise to her work. 
"The close relationship between compositional work and literature, has led me to conceive spaces that complement each other and merge into a unity through music. My approach seeks to provide the poetic form with a new temporal dimension, a sort of collaboration between sound and word that transcends conventional boundaries. In essence, my purpose is to blur the boundaries of pre-existing form and structure in a work, rearranging them in such a way as to configure a new work, thus redefining the essence of the original. This process not only involves a stylistic transformation, but also seeks to open up new routes of interpretation, allowing the musical composition to dialogue in a unique way with the poetry and, in turn, establish a richer and more dynamic connection with time."
Her work ranges from chamber and vocal music to works for orchestra and musical theatre. She has worked with numerous international soloists, orchestras and ensembles, such as Musikfabrik, Kommas, Via Nova, Mosaik, Recherche, Multilatérale, United Instruments of Lucilin, KNM Berlin, Vertixe Sonora, L'ART POUR L'ART, Reflexion K, Broken Frames Syndicate, among others. 
Her works have been performed in Latin America, Germany, France, Italy, England, Spain and Luxembourg. 
She studied at the University of Chile where she graduated with distinction and continued her postgraduate studies with composer José María Sánchez Verdú at the Robert Schumann Musikhochschule in Düsseldorf and later a master's degree in composition at the University of Freiburg with Johannes Schöllhorn.
Macarena Rosmanich lives and works in Cologne, Germany.

https://rosmanich.com/

Contact: macarosmanich@gmail.com

Upcoming concerts:


13.05.2024//K.A.M.I.K.A.Z.E.//B-L duo//Classical:NEXT Berlin//Berlin (DE)
15.03.2024//Paradise (or how I'll get there from a door on the third floor//Joshua Hyde//Salle d'orchestra HEAR//Strasbourg (FR)

Archive:
11.01.2024//All by myself solo set// Francisco Uberto // Maison de l'Argentine (FR)
25.11.2023//K.A.M.I.K.A.Z.E.//B-L duo//HCMF music festival//Huddersfield (UK)
11.11.2023//P.A.R.A.D.I.S.E.// Li Li-Chin//C-lab Taiwan, Taipei (TW)
26.10.2023//Elettrificare il rosa//ensemble Next//Cité International des Arts, Paris (FR)
18.09.2023//A pink elephant in a room//Griseldal Giannini//Festival Atemporánea//Buenos Aires (ARG)
27.06.2023//All my neurons have clits//Lovemusic//Unerhorte Musik//Berlin (DE)
26.06.2023//All my neurons have clits//lovemusic//Kunstraum Walchetrum//Zurich (CH)
06.04.2023//Paradise (or how I'll get there from a door on the third floor//Joshua Hyde//Peniche l'Antipode//Paris (FR)
27.01.2023//Blooming Fluorescence//Rubhunne//Essen (DE)
15.11.2022//Blooming Fluorescence//Maison de l'Argentine//Paris (FR)
26.04.2022//Guess what freedom smells like//The Interstring Project//Gare du Nord//Basel (CH)
14.04.2022//Guess what freedom smells like//The Interstring Project//Maison de l'Argentine//Paris (FR)

Francisco Uberto (b.1988) shapes his musical ideas with intuition from within the digital side of sound. In his music he manages expectations in the most imaginative ways possible, like a cold war of emotions. The horizon of his realizations extend from solo pieces to orchestral works with and without the use of electronics.

He received training in composition in Argentina (UNC), and France (CNSMD Paris, and IRCAM), and was supported by several prestigious foundations from Europe, and Argentina since 2012. 

His music has been vibrating with renowned international ensembles since his arrival in Europe. Resident composer at Casa de Velázquez, Ibermúsicas, and Cité des Arts, Francisco, today is composer in residence at Couvent des Récollets in Paris.

Kontrabassist mit einem Schwerpunkt auf Kammer- und zeitgenössischer Musik

Double Bass Player with an emphasis on chamber- and contemporary music

If you wanna know more about the most recent new music, i do time to time a mixtape with the music i love!

malaussena.julien@gmail.com
https://soundcloud.com/julien-malaussena

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