Metroid



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Norfair

Metroid Prime 1 Phendrana Drifts

Super Metroid X Metroid Prime 2 | It's Goin Down 2 | Raisi K.

37 - Gandrayda Battle - Metroid Prime 3 Corruption OST

There's a new remastered version of this track available here:
https://www.youtube.com/watch?v=t9-yGOZfuIs

My own interpretation of the Metroid Prime 2: Echoes - Vs. Quadraxis-theme.

I contributed with this on Harmony of a Hunter: 101% Run, a non-profit tribute album to the video game series Metroid’s twenty fifth anniversary.

Artist: Samuel Lidström
Originally composed by: Kenji Yamamoto

Sanctuary Sentinel - Harmony of a Hunter : 101% Run

Selected works from 2012-2015, remixed and remastered. This album is a tribute to the video game music that has moved and inspired me. 

To all my listeners, friends, and family. I could not continue producing music without your support. I wholeheartedly thank you.

Thank you to the game composers:
Revo, Jake "Virt" Kaufman, Manami Matsumae, Takashi Kumegawa, Yoshio Hirai, Masashi Kageyama, Mahito Yokota, Toru Minegishi, Yasuaki Iwata, Koji Kondo,Hiroshi Kawaguchi, Minako Hamano, Kozue Ishikawa, David Wise, Eveline Fischer, Robin Beanland, Manaka Kataoka, Atsuko Asahi, Fumito Tamayama,Yoko Suzuki, Shigenori Masuko, Brad Buxer, Cirocco Jones, Michael Jackson, Sachio Ogawa, Tatsuyuki Maeda, Tomonori Sawada, Jun Senoue,Miyoko Takaoka, Masanori Hikichi, Shinobu Tanaka, Kenta Nagata, Mario Gonzalez & Javier Perez, Nu Romantic Productions (Mark Steven Miller and Jason Scher), Ryo Nagamatsu, Yasunori Shiono, Hirokazu Ando, Jun Ishikawa, Yasunori Mitsuda, Masato Nakamura, Naofumi Hataya, Masafumi Ogata, Spencer Nilsen, David J. Young, Mark "Sterling" Crew, Keiichi Suzuki, Hirokazu Tanaka, Kinuyo Yamashita, Koji Kondo, Shota Kageyama, Minako Adachi, Hitomi Sato, Junichi Masuda, Kenji Yamamoto, Minako Hamano, and Nobuo Uematsu

Special thanks to Brad the GameChops Intern

Download - http://music.djcutman.com/album/volume-iii

Free Download

Red Soil Redux (Super Metroid)

10 - Ashes to Ashes - zircon - Harmony of a Hunter

15 - MQ2 - Stemage & Chunkstyle - Harmony of a Hunter

05 - Hostile Shadows - Mozzaratti - Harmony of a Hunter

09 - Path of Ruin - Darkesword - Harmony of a Hunter

An orchestration of the Metroid music Kraid's Lair. This one really stood out to me as an awesome track for the middle part. As with my last Metroid piece, there's also little synthy bits to it to give it a retro touch.

Thanks for all the comments, likes & subscribers on my channel so far! Feel free to check it out for more of my music, including game remixes and original pieces.

Used:
FL Studio 10, Kontakt 4, Cinesamples CineBrass, CineOrch, CineSnare & Drums of War, Spitfire Albion, Percussion, Great British Brass, British Woodwinds & Harp, Audiobro LA Scoring Strings, Tonehammer Requiem, Project SAM True Strike, Native Instruments Alicia's Keys, Private Orchestral libraries

Metroid - Kraid's Lair Orchestra

DOWNLOAD ► https://loudr.fm/release/chozo-legacy/vMy6x
Chozo Legacy is a progressive house journey through the sounds made famous by Nintendo’s hit game Super Metroid. Considered by some to be the greatest video game ever made, Super Metroid set a new standard for exploration and adventure games in its time.
Download Chozo Legacy
Chozo Legacy’s producer, bLiNd, has been making electronic music for nearly two decades. His original Super Metroid remix, Jade Catacombs, appeared on the game music website OverClocked Remix in 2008. To this day, it is considered the prime example of video game trance music. Chozo Legacy‘s single, Kindred, features award-winning singer Jillian Aversa, who has appeared on major game franchises including Halo, God of War, Soul Calibur, and Civilization.
Musically, Chozo Legacy focuses on extended mixes of deep house, future, breaks, and trance. The steady rhythms and hypnotic grooves are reminiscent of classic house and techno, harkening back to the era the game was released. The album really shines when played in its entirety, progressing from track to track, as one might advance through the world of Super Metroid.

Chozo Legacy  succeeds at what so many concept albums set out to do, creating a convincing narrative. Each track is themed around a different environment from the game, reflecting its atmosphere and soundscape. The tenth track, Aran, has a finality to it much like an ending credits sequence. Just as a classic game can be replayed countless times, Chozo Legacy is endlessly loopable, the end transitioning seamlessly into the beginning. The album clocks in at an epic 64 minutes.
Album Credits
Produced by bLiNd
Mastered by Dj CUTMAN and bLiNd
“Kindred” features vocals by Jillian Aversa, with additional produced by Zircon
Artwork by Tom-Ivar Arntzen
Executive Producer Chris Davidson
Download Chozo Legacy
Download Chozo Legacy on Loudr ► https://loudr.fm/release/chozo-legacy/vMy6x


Ninth Circle Of Hell

Jade Catacombs

Game: Metroid Prime 
Title: Underwater Frigate
Platform: GC
Year: 2003

Metroid Prime Soundtrack   Underwater Frigate

An orchestrated version of the Brinstar theme from the original Metroid game. It's quite brassy and does differ in rhythm from the original, but you should hopefully recognise it.

Used:
FL Studio 10, Kontakt 5, Cinesamples CineBrass, CineBrass Pro, HollyWoodwinds, CineSnare & CineCrash, Spitfire Albion, Percussion & Symphonic Strings, Tonehammer Requiem Pro, SoundIron Mars, Audiobro LA Scoring Strings, Vienna Symphonic Library Epic Horns

Metroid - Brinstar Orchestra

Te Inveniam is the final journey in Super Metroid. It starts in the Mysterious Statue Chamber, accompanies Samus on her search for the baby Metroid throughout Tourian, and finally ends at her showdown with Mother Brain. Samus vows to find her "child" through fire, through shadow, through death itself if need be, and she delivers on her promise! This orchestral power metal piece was commissioned for Shinesparkers' newest album, Harmony of a Hunter: 101% Run. You can download the entire album for free here: http://www.shinesparkers.net/harmonyofahunter/

Lyrics:

Audi te,
mea filia.

Ad tenebras,
ad profundo lacu.
Ad tenebras,
ad profundo lacu.

Te inveniam.
Te abducam.
Estis meam.

Veneo.

Interficiam.
Consumam quis hostem.
Permebo ignem.
Te inveniam.


I hear you,
my daughter.

Into darkness,
into the infernal lake.
Into darkness,
into the infernal lake.

I will find you.
I will take you.
You are mine.

I come.

I will cross into the underworld.
I will consume any enemy.
I will pass through fire.
I will find you.

Te Inveniam (Harmony of a Hunter 101% Run)

To download follow the link: 

http://www.shinesparkers.net/harmonyofahunter/download/

Based on "Final Mission Resolve" by Kuniaki Haishima for Metroid: Other M
Original MIDI programming and additional orchestration by Luis A. Flores
Mixed by Stephan Wells
Mastering by Lee Barber
Album Artwork by Nate Horsfall

Harmony of a Hunter 101% Run is possible thanks to Darren Kerwin and Torbjørn Brandrud

Unfinished Business (Harmony of a Hunter 101% Run)

One of these days, I'm going to upload a track that isn't from the Metroid series… but not today, as I present my arrangement of SR388 from Metroid II: Return of Samus.

The Unnamed Frontier marks the fifth time I've arranged the SR388 music track. I always seem to come back to this track. It's one of the few upbeat tracks in the Metroid series, and its musical structure is very similar to the original Brinstar track from Metroid. To me, it's one of the most underrated tracks from the series. I was surprised when no one picked this track for the original Harmony of a Hunter project.

My goal for The Unnamed Frontier was to create a very electro-chill piece, where the beat would build up over time to form a catchy groove. I wanted the listener to feel like they could relax, and come to the realization that they accomplished their goals from completing an epic journey. While the length of the source tune wasn't particularly long, its melodic structure was very engaging and easy to work with. I also open with a small tribute to "The Baby Metroid", a wonderful and small anthem played towards the end of the game.

Throughout most of the piece, I used a simple Yamaha Piano virtual instrument from Logic Studio (along with a few delay and reverb plug-ins). It was somewhat simple design, but I really like how it turned out. The synthesizers were all somewhat experimental, especially the delay effects. For the second half of the piece, the decision to modulate the key signature to a minor key was somewhat of a eureka moment, as it really helped the flow of the track (giving it a bit of much needed variety). I also became a little more liberal with the melodic line. The final touch to the piece was the contribution of VikingGuitar's solo, which gave the track that great climax that it needed. This piece also marks one of the few times were I used nothing but Logic Studio's assets (excluding a few minor choral pads). 

I was mainly inspired by two things. Firstly, I've always enjoyed the relaxing electro music that's often played in lounges. It might seem like an odd thing to take inspiration in, but it's the little musical touches in my day-to-day activities that makes things enjoyable in life. Secondly, I was heavily inspired by Boards of Canada's "Dayvan Cowboy". It has such a fantastic build up, it's a track that simply inspires me to do things.

This piece is a first for several things. It's the first original arrangement I've finished that isn't a piano solo. It also marks the first time I've collaborated with someone. Like the planet SR388, this track marks new ground for me… an unnamed frontier.

The Unnamed Frontier (Metroid II: Return of Samus - SR388)

This is the full album 'Super Metroid Symphony' that I released March 19th, 2013. You can now listen to the entire thing here, or download yourself a copy. 

Thanks to everyone that supported this project and picked up the album over the past couple of years. Your support was appreciated and helped to make the other Synthetic Orchestra albums possible.

Overgrown with Vegetation

One of my favourite moments in a video game is when you encounter an environment or moment that contrasts everything you've encountered up until that point. In Metroid Prime 3: Corruption, that moment was when you come across Planet Elysia, Skytown. The setting is so peaceful when compared to the hostile locations up until that point. Kenji Yamamoto, Minako Hamano, and Masaru Tajima captures this beautifully with the original Skytown track (which is also featured in the epilogue of the Metroid Prime Trilogy).

The lore of the planet even leaves more to the imagination; sentient robots going into hibernation for hundreds of years, to only perceive the world through their dreams. I really wanted to capture those moments in life where everything just stands still, in a dream-like state. I took heavy inspiration from the works of Thomas Newman and Jeremy Soule, to which their work always manages to put me in a state of tranquility.

For the lead instrument, I chose a very gentle piano. I paired this up with little ambiances throughout the track, such as atmospheric effects or whispering enigmatic passages. This really helped shape the overall piece into a sense of delicateness. The dulcimers worked very well, conveying both an ancient, yet mechanical colour. The final touch to the piece was Laura Intravia's exquisite vocals, which added a final organic layer to the soothing piece.

Entropic Dream is probably my favourite composition. It encapsulates the style of music I love to listen to and create. Sometimes its the little nuances in a piece that speaks loudest. If you listen carefully to Entropic Dream, you might hear something new. As a musician, I hope to inspire listeners to enjoy the little moments in life, to stop for a minute in their day and to enjoy the world for all its sound.

Entropic Dream (Metroid Prime 3: Corruption - SkyTown, Elysia)

I am a Nintendo fan. Wynaut listen to some music?

Metroid

BeNjamyn Upshaw-Ruffner