Avoiding Zombietunes, is about confronting existential questions about the human condition

*AR ~ Succession (Preview)

just to show i´m still alive. here is something which dropped out by the way. get lost in sound and enjoy.

Marsen Jules - Untitled#101

Bubble exit Rework in progress...

From the album - Inner Watt (2013) Sonic Loom records.
Download & Info : http://www.sonic-loom.com/site/index.php/releases/73
Visit : https://www.facebook.com/stefantorto

Stefan Torto - Canvas (2013)

Samplers and selected tracks taken from the forthcoming "Corporeal Remixed" LP

LISTEN & BUY the original track

Bandcamp : http://jonkennedy.bandcamp.com/track/boom-clack
iTUNES : https://itunes.apple.com/gb/album/corporeal/id652923666
JUNO : www.junodownload.com/products/jon-kennedy-corporeal/2214231-02/
BEATPORT : http://www.beatport.com/release/corporeal/1101484

BUY @ JUNO

"Boom Clack" Martin Brew Remix

We return to Brian Mayhall for another generous serving of sweet ear love. Can I See You is a rich roux cooked up by this Mesa Recordings favorite. Featuring delectable organ pads and the vocals of Megan Burns aka Flamingo Pink, this number was destined to warm our souls through the chilly mesa night.

Brian Mayhall - Can I See You featuring Megan Burns

from 'S/t' [CD|2xLP|DIGITAL]
Denovali Records · den157
available on all formats at http://www.denovali.com/thealvaretensemble

The Alvaret Ensemble

The Alvaret Ensemble - Ond

First track of "suber" album. Listen to the rest here: http://electrikdream.bandcamp.com/album/zen-baboon-suber

Obrigado
Thank you

Support Artist

Beluga

HPRIZM and HENRY GRIMES premiere a new duo work, "Embarking" at ISSUE on Fri, September 27, 2013 - an evening that also includes the great Cooper-Moore.
http://issueprojectroom.org/event/cooper-moore-henry-grimes-hprizmhigh-priest

HPRIZM and HENRY GRIMES have come to this collaboration through their mutual devotion to music, the spoken and written word, truth, freedom, justice, beauty, revelation, joy, and uproar.  They've been working along the same artistic lines for quite some time.  Recently both contributed (separately) to "Monk Mix:  Remixes and Reinterpretations of music by Meredith Monk," and they've worked with many of the same musicians and poets.  This past February, drummer J.T. Lewis invited Henry Grimes to play in a group that included Beans, D.J. Logic, and Vernon Reid, and this led directly to HPrizm's ear, and thus to his doorstep, and the door, of course, was open.

Henry Grimes & HPrizm

0913_25 Pn Strings 2+  3#

Caracol (from the album ¨Viajante¨ 2008) Los Años Luz Discos
facebook.com/thesoundoftremor
myspace.com/thesoundoftremor
tremormusic.com


Tremor - Caracol

Taken from the Heights EP, released 8/4/2016 on Dumont Dumont (and Butterfly Collectors in Germany).

Debut album 'Lines' released 27 Jan 2017 (http://phonofile.link/charliecunningham). 
Tickets on sale now from https://charliecunninghamlive.com

7 Feb - Edinburgh, Sneaky Pete’s
8 Feb - Aviemore, Old Bridge Inn 
9 Feb - Ullapool, The Arch Inn
10 Feb - Stornoway, The Woodlands Centre
11 Feb - Inverness, Tooth & Claw
12 Feb - Elgin, The Drouthy Cobbler
13 Feb - Aberdeen, Aberdeen Tunnels 
15 Feb - Besancon, Festival Generiq - Eglise St.Louis
16 Feb - Dijon, Festival Generiq - ENSA (National Art School)
17 Feb - Mulhouse, Festival Generiq - TBA
18 Feb - Belfort, Festival Generiq - Le Planetarium
23 Feb - London, Union Chapel 

14 Mar - Austin, SXSW
22 Mar - Paris, Trois Baudets,
24 Mar - Neustadt am Rübenberge, Schloss Landestrost
25 Mar - Konzerthaus Dortmund
26 Mar - Hamburg, Kampnagel
27 Mar - Berlin, Kammermusiksaal Philharmonie
29 Mar - Münster, Jugendkirche Effata!
30 Mar - Cologne, Kulturkirche 

1 Apr - Frankfurt, Heiliggeistkirche
2 Apr - Mannheim, Atlantis
3 Apr - Munich, Carl-Orff-Saal
5 Apr - Vienna, Chelsea
6 Apr - Salzburg, Rockhouse Bar
8 Apr - Zurich, Papiersaal
9 Apr - Stuttgart, Theatrehaus
11 Apr - Brussels, Botanique Witlof Bar
12 Apr - Amsterdam, Paradiso

25 Apr - Madrid, Costello Club
26 Apr - Barcelona, Festival Mil·lenni

Spotify: https://open.spotify.com/artist/78CiW0UJbHspFaVuVexOK6
iTunes/Apple Music: https://itunes.apple.com/album/-/id1164800045
CD & Vinyl: https://charlie-cunningham.backstreetmerch.com/
Facebook: https://www.facebook.com/charliecunninghammusic
Youtube: https://www.youtube.com/user/cunninghamcharlie
Instagram: https://www.instagram.com/cunninghamcharlie/
Twitter: https://twitter.com/Charlie_C_Music

Telling It Wrong

Murcof's debut album, "Martes". This is the original tracklist that was edited on the Mexican release by Static Discos on Frebruary 14th 2002.

Memoria

Thomas Fehlmann - Bienenkonigin

http://www.roberthenke.com/downloads/free_track_2009_05.html

Monolake Yetlag

Kangding Ray . Pruitt Igoe
12’’ E.P.

Pruitt Igoe is a 4 track E.P on which both Alva Noto and Ben Frost have been invited by Kangding Ray to produce sonic variations on a contemporary architectural myth.

The EP’s title Pruitt Igoe is taken from a gigantic social housing project, completed in 1955 in the U.S. City of St Louis, Missouri, and often regarded as a symbol of the modernist architecture failure. Designed according to the principles of modernism, and by the same architect who would later build the World Trade Center, the project saw a disastrous and violent decline after only a few years, plagued with vandalism and massive criminality, leading to its complete destruction from 1972 onwards. Footage of its demolition are visibly featured in the 1983 movie “Koyaanisqatsi”, scored by Phillip Glass.

Pruitt Igoe is more than a post-modern icon, it represents an ancestral movement of hope and disillusion, of perfectly planned models and evaporated dreams. It serves as a judicious metaphor for our era, where the feeling of imbalance and doubt has replaced the certainity of eternal progress and endless economical growth. 

This movement is reflected by the two sides of the record: on the A side, the original track and its remodel by Alva Noto, both represent the planning and construction phase, based on a clear structure and a hypnotic loop of women chanting in the streets of a small town in North India. On the B-side, Ben Frost and Kangding Ray undertake the demolition process - slicing beats, destroying structures and emphasising the beauty of collapse.


A2 Pruitt Igoe ( Alva Noto remodel )

Bluetech - Honey in the Heart (System 7 remix)

arkanau - fractal warmth

Start with a room, a cleanish one, not too rustic, not too slick, and then fill it with tools, fill it with anything that can be used to make other things. Put the room in the forest, but not too deeply in, let’s have the city on the distant horizon. Then, let’s have two craftsman, artists, explorers. Tell them a bit about where the room is, but not exactly. Make them find it, together. When they finally do they will embark on their creations, but it won’t be the immerse-and-shut-yourself-off-from-the-world type of creation. To them, creation involves talking, travelling, experiencing, not just working.

They are Illuha and this hints at how they operate. They are true musicians and artisans with a slew of talents that become all twisted and morphed when combined. On their 2011 debut, Shizuku, their room was a century-old church in Washington state and their tools; whatever instruments they could haul over from Japan and the pianos they were lucky enough to find inside. As creators they have an obsessive attention to detail but also know that the strength of creation doesn’t always lie merely in the act itself. Illuha knows the power of communication.

It was because of the way Shizuku was created that inspired the duo to embark on two Japanese tours and a west coast American tour (not to mention a slew of concerts in Japan since) to not only support the album but to explore the process of creating their music live. In fact, it was the exploration that was so key to these concerts, not just their sounds and their surroundings. Wheels, roads, countryside... these are the seeds for experiences. Combine them with concerts, music, strangers and friends, and Illuha’s path became more clear, ideas crystalized.

After a few months of gigging Illuha developed a strong live presence. They treated their performances as ways to hone their communcation as musicians and explore new styles as they planned the recording of their follow-up studio album. It was during these shows that Interstices was born. As its title suggests Interstices is an album that rests between Shizuku and what will be Illuha’s 2014 sophomore album. It is a collection of live explorations and de/re/constructions. In these recordings Illuha has created a more patient form of music, leaving more space between notes and letting the compositions unfold slowly, drawing the strangers in to their immersive sound, warming and welcoming them. They have taken the time to create rich sonic worlds with an inspring collection of instruments and stories. Their sound is soft and organic, ambience rich with the nuances of acoustic instruments and analogue synthesizers.

These concerts freed Illuha from previous habits and the rigorous, obsessive attention they put into the studio recording of Shizuku. Strangers began to feel like friends and their music was a story of their travels. All the while they were teaching thmselves, each other, skills to take home, back to that room filled with tools where they can craft precisely again.

Interstices III (excerpt)

Porya Hatami & Lee Anthony Norris - Every Day Is Like A New Drug

Unknown Tone are pleased to share an early preview of the track
"Perfume Technique" by Porya Hatami & Lee Anthony Norris. The full length album "Every Day Feels Like A New Drug" is
Porya Hatami & Anthony Lee Norris first full length album for Unknown Tone and will be
out in an edition of 100 limited edition CDs // August 2013 //
www.unknowntonerecords.com

Album Tracklist:

1. Strand
2. Perfume Technique
3. And The Birds Flew In A Different Direction
4. Orpheus In The Willow
5. On The Edge Of The Mountian

Avoiding Zombietunes, is about confronting existential questions about the human condition

Benjimaru89