Inspired by Teenage Engineering's OP-1. 
For the 10 year anniversary competition. #10YOP1

Raw material for the beats from: https://freesound.org/people/oldskoola/sounds/271095/ Thanks oldskoola!

Pit Starring (the OP1) - Benn DeMole

More on this 496th weekly Disquiet Junto project — Isolation Room (The Assignment: Create new music around one strand of something you made in the past) — at: https://disquiet.com/0496/

I used the vocals from: https://soundcloud.com/benn-demole/innowintersfear-onkeltuka-krakenkraft-deslomol-disquiet431
and created a new piece around them.

image adapted from a photo by Alexandre Debiève at Unsplash:
https://unsplash.com/photos/o9TJMZ1BKCw Thanks!

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0496-isolation-room/

Do you see in fear? [disquiet0496]

Early on in the Philip K. Dick short story “We Can Remember It for You Wholesale,” a man name Quail has a daydream interrupted. He dreams of visiting Mars, but then reality intrudes.

More on this 501st weekly Disquiet Junto project — PKD Playback (The Assignment: Record the sound of a Martian daydream, interrupted) — at: https://disquiet.com/0501/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0501-pkd-playback/

Image includes photo by Patrick Perkins, Thanks!
https://unsplash.com/photos/rAtADOlvcos

Disquiet

Partial Recall (Dreaming of Mars whilst napping on a summers day) [disquiet0501]

More on this 504th weekly Disquiet Junto project — Transform Formula (The Assignment: Take a sound, change it, and contrast that with the original) — at: https://disquiet.com/0504/

So the sounds around me today, and most days, are made by birds, this was transformed into MIDI that played some Synths and then the birds join in.

This week’s project was proposed by the musician Hainbach: https://www.hainbachmusik.com/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0504-tranform-formula/

Hear Here [disquiet0504]

Be alone, be very alone. We don't want you to connect. In the flesh.

More on this 513th weekly Disquiet Junto project — Ghost OST (The Assignment: Play that spooky music) — at: https://disquiet.com/0513/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0513-ghost-ost/

Photo by Norbert Tóth on Unsplash

Stay isolated [disquiet0513]

A musical response to the haiku:

even the fields
have a morning attitude
blue mist

by Kobayashi Issa 
https://www.poetryfoundation.org/poets/kobayashi-issa

picture by Marcel Gross https://unsplash.com/@marcelgross_ch

Into Mist [naviarhaiku412]

I've just started this week an online course learning the music programming language ChucK through Coursera.org. It's really interesting. This is basically Assignment 1 extended a bit. 

So it was created by writing some very basic code in the ChucK language.  The code is below.
I recorded it out of my laptop through a valve pre-amp, edited the end noise into stereo and added a touch of EQ.

(As I write this my 3 year old keeps asking for it "again" and now he's dancing to it!)

More on this 95th Disquiet Junto project, in which musicians post recent tracks with the express purpose of getting constructive feedback, at:

http://disquiet.com/2013/10/24/disquiet0095-discussamongst/

More details on the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/


THE CODE:
// Title: The Coming Storm

// Sound Network

TriOsc t => dac;
SqrOsc sq => dac;
SawOsc sw => dac;

//initialize variables
0 => int i;
0 => float swV;

//Set volumes
0 => t.gain;
0.2 => sq.gain;
swV => sw.gain;
<<< swV >>>;
//  First part bass only
while( i < 3 )
{
    for( 50 => int b; b < 250; b++)
    {
        b => sq.freq;
        0.005::second => now;
    }
    for( 250 => int b; b > 50; b--)
    {
        b => sq.freq;
        0.005::second => now;
    }
i++;
}

//  TriOsc melody comes in

//Change volumes
0.5 => t.gain;

//initialize variable i
500 => i;

//  Melody goes up
while( i < 650 )
{
    i => t.freq;
    for( 50 => int b; b < 250; b++)
    {
        b => sq.freq;
        0.003::second => now;
    }
    i + 33 => i;
    i => t.freq;
    for( 250 => int b; b > 50; b--)
    {
        b => sq.freq;
        0.005::second => now;
    }
    i + 33 => i;
    
}

//Change volumes
0.03 => sw.gain;

//initialize variable i
665 => i;

//  Melody goes down and high frequency noise comes in
while( i > 450 )
{
    i => t.freq;
    for( 50 => int b; b < 250; b++)
    {
        b => sq.freq;
        Math.random2f( 9000, 19000 ) => sw.freq;
        0.005::second => now;
    }
    i - 33 => i;
    i => t.freq;
    for( 250 => int b; b > 50; b--)
    {
        b => sq.freq;
        0.003::second => now;
    }
    i - 33 => i;
    
}

//  Tri melody drops out and HF noise get louder using variable swV

//Change volumes
0 => t.gain;

//initialize variables
0 => i;
0.03 => swV;

while( i < 3 )
{
    swV => sw.gain;
    for( 50 => int b; b < 250; b++)
    {
        b => sq.freq;
        Math.random2f( 9000, 19000 ) => sw.freq;
        0.003::second => now;
    }
    swV + 0.02 => swV;
    for( 250 => int b; b > 50; b--)
    {
        b => sq.freq;
        Math.random2f( 9000, 19000 ) => sw.freq;
        0.005::second => now;
    }
    i++;
    swV + 0.02 => swV;
}

//  Tri melody comes back in now random

//Change volumes
0.4 => t.gain;

//initialize variables
0 => i;

while( i < 3 )
{
    Math.random2f( 500, 1200 ) => t.freq;
    for( 50 => int b; b < 250; b++)
    {
        b => sq.freq;
        Math.random2f( 9000, 19000 ) => sw.freq;
        0.005::second => now;
    }
    
    for( 250 => int b; b > 50; b--)
    {
        b => sq.freq;
        Math.random2f( 9000, 19000 ) => sw.freq;
        0.003::second => now;
    }
    i++;
    swV + 0.002 => swV;
    swV => sw.gain;
}

//  all volumes get louder and tempo increases

//Change volumes
0.23 => sq.gain;
0.5 => t.gain;
swV + 0.02 => swV;
swV => sw.gain;

//initialize variables
0 => i;

while( i < 3 )
{
    Math.random2f( 500, 1200 ) => t.freq;
    for( 50 => int b; b < 250; b++)
    {
        b => sq.freq;
        Math.random2f( 9000, 19000 ) => sw.freq;
        0.003::second => now;
    }
    Math.random2f( 500, 1200 ) => t.freq;
    for( 250 => int b; b > 50; b--)
    {
        b => sq.freq;
        Math.random2f( 9000, 19000 ) => sw.freq;
        0.0038::second => now;
    }
    i++;
    swV + 0.02 => swV;
    swV => sw.gain;
}
//  all volumes get louder and tempo increases again

//Change volumes
0.26 => sq.gain;
0.53 => t.gain;
swV + 0.05 => swV;
swV => sw.gain;

//initialize variables
0 => i;

while( i < 3 )
{
    Math.random2f( 500, 1200 ) => t.freq;
    for( 50 => int b; b < 250; b++)
    {
        b => sq.freq;
        Math.random2f( 9000, 19000 ) => sw.freq;
        0.0023::second => now;
    }
    Math.random2f( 500, 1200 ) => t.freq;
    for( 250 => int b; b > 50; b--)
    {
        b => sq.freq;
        Math.random2f( 9000, 19000 ) => sw.freq;
        0.0034::second => now;
    }
    i++;
    swV + 0.04 => swV;
    swV => sw.gain;
}

//  tempo increases again HF noise volume keeps increasing

//initialize variables
0 => i;

while( i < 5 )
{
    Math.random2f( 500, 1200 ) => t.freq;
    for( 50 => int b; b < 250; b++)
    {
        b => sq.freq;
        Math.random2f( 9000, 19000 ) => sw.freq;
        0.0013::second => now;
    }
    Math.random2f( 500, 1200 ) => t.freq;
    for( 250 => int b; b > 50; b--)
    {
        b => sq.freq;
        Math.random2f( 9000, 19000 ) => sw.freq;
        0.0024::second => now;
    }
    i++;
    swV + 0.04 => swV;
    swV => sw.gain;
}

//  Climax of piece with random drop outs of bass using IF statement

//Change volumes
0.3 => sq.gain;
0.6 => t.gain;

//initialize variables
0 => i;
601 => float chance;

while( i < 33 )
{
    Math.random2f( 500, 1200 ) => t.freq;
    Math.random2f( 500, 1200 ) => chance;
    // mute SqrOsc if "chance" falls below 600
    if ( chance < 1050 )
    {
        0 => sq.gain;
    }
    for( 30 => int b; b < 230; b++)
    {
        b => sq.freq;
        Math.random2f( 9000, 19000 ) => sw.freq;
        0.0008::second => now;
    }
    // return SqrOsc volume if muted
    0.3 => sq.gain;
    Math.random2f( 500, 1200 ) => t.freq;
    for( 230 => int b; b > 30; b--)
    {
        b => sq.freq;
        Math.random2f( 9000, 19000 ) => sw.freq;
        0.001::second => now;
    }
    i++;
    swV + 0.019 => swV;
    swV => sw.gain;
}
//end


The Coming Storm (ChucK)

The inspiration start with:

adorned with raindrops
from the shower, a sparkling
princess Azealia

by Den Sutejo

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Haiku

Princesses may stumble, petals will fall. [naviarhaiku420]

Thanks half unusuaL for the rhythms to work with:
https://soundcloud.com/half-unusual/half-numeral-disquiet0525

I've added some bass, and hope for someone else complete the trio.

More on this 526th weekly Disquiet Junto project — Magic Number (2 of 3) (The Assignment: Record the second third of an asynchronous trio) — at: https://disquiet.com/0526/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0526-magic-number-2-of-3/

DnB (Two halfs waiting for a third)- HaLf Unusual And Benn DeMole [disquiet0526]

More on this 527th weekly Disquiet Junto project — Magic Number (3 of 3) (The Assignment: Complete an asynchronous trio begun by two other musicians) — at: https://disquiet.com/0527/

A Trio with Fake Genius and Isonomnia, thanks for the inspiration!
https://soundcloud.com/isonomia/birds-sing-in-the-trees-disquiet0526
https://soundcloud.com/fake-genius/disquiet0525-dm-stereo

I started by listening to last weeks tunes whilst driving to the local store, I started singing along with Birds Sing In The Trees, by the time I got behind a microphone later that night, the exact words had disappeared, yet the bones of the melody could be recalled, I did 5 layers of vocals, 1st take for each, during the recording I was thinking of an image seen that day of men hunting grouse with big guns and how birds are not safe in this human world. A little bit of editing and some mixing mainly with various console channel emulations with a bit of extra saturation, then finding the best balance with the bed track.

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0527-magic-number-3-of-3/

I Will Sing For You In Fear - Fake Genius/Isonomia/Benn DeMole [disquiet0527]

When is helpful not to talk?
Connecting to the natural world.

Early morning I walked up into the bush, with my clarinet, flute and a sound recorder. I pressed record and walked through the trees across the side of the valley to play clarinet from a distance, silenced my mind a aimed to let the trees speak through the clarinet. Then reversed positions with the recorder and tried to 'talk' with the birds.

More on this 532nd weekly Disquiet Junto project — Other Means (The Assignment: Make music about something you find difficult or unproductive to talk about) — at: https://disquiet.com/0532/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0532-other-means/

If We Stop Talking To Ourselves We Can Hear The Others [disquiet0532]

I played the instruments in the title to build this chord:
E5
A#4
E4
D#4
Db3
C3

All recorded playing each note, and only added delays, except the Yidaki, which played the overtone note of then still had to pitch up 2 octaves to get the E5.


More on this 554th weekly Disquiet Junto project — Cage Chord (The Assignment: Riff on a chord by John Cage) — at: https://disquiet.com/0554/

Thanks to Tobias Reber and Musikfestival Bern for collaboration on this project. More on the festival at:

https://www.musikfestivalbern.ch/
https://www.instagram.com/musikfestival_bern
https://www.facebook.com/musikfestivalbern

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0554-cage-chord/

Saxs, Flutes, Voice And Yidaki In A Cage [disquiet0554]

I Started with: https://soundcloud.com/user-808842943/granular-disquiet0572

Then adjusted it's tempo to fit with: https://soundcloud.com/33per/rock-the-bells-disquiet0572

Then added some chimes I was given yesterday, and gave it all a polish.
Thanks ksoar, and 33per!!!


More on this 573rd weekly Disquiet Junto project — Float Mode (The Assignment: Add material atop a pre-existing beat to form a complete track) — at: https://disquiet.com/0573/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0573-float-mode/

The Chance of 3 [disquiet0573] by ksoar, 33per & Benn DeMole

Thank you halF unusuaL! https://soundcloud.com/half-unusual/half-numbered-disquiet0591-85bpm

Bass added is in Dm.

More on this 592nd weekly Disquiet Junto project, Better Than One (The Assignment: Record the second third of an asynchronous trio), at: https://disquiet.com/0592/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0592-better-than-one/

Art adapted from image by ANIRUDH on Unsplash

"Stay Cool My Friends" - halF unusuaL & Benn DeMole [disquiet0592]

Disquiet Junto Project 0605: Fifty Fifty 
The Assignment: 
Compose a piece of music with as much silence as notes.
There’s just one step to this project:
Compose a piece of music with as much silence as notes.

More on this 605th weekly Disquiet Junto project, Fifty Fifty (Compose a piece of music with as much silence as notes), at: https://disquiet.com/0605/
Thanks to Jason Richardson for having proposed this week’s project.
About the Disquiet Junto: https://disquiet.com/junto/
Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

I want more cream! [disquiet0605]

I love the whistle sounds the flute can make before the full tone arrives.
Here there is a ptich-shifting delay-listening to only the full tones, this then creates a melody from what I've played on the flute.

More on this 611th weekly Disquiet Junto project, Music That Listens to Itself (The Assignment: Record a piece of music that repurposes itself as it proceeds), at: https://disquiet.com/0611/

Some of the music resulting from this project may be included in a September 29, 2023, event at the Berkeley Alembic in Berkeley, California: https://www.eventbrite.com/e/expanded-listening-music-that-listens-to-itself-tickets-712124101357

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0611-music-that-listens-to-itself/

Disquiet J

Llistening for Incoming [disquiet0611]

Inspired by a haiku:

summer sky…
rippling the silence
a watersnake

by Janice Doppler https://poets.drifting-sands-haibun.org/first-name-starts-with-j/janice-doppler/

Picture by Jackson Hendry https://unsplash.com/photos/kKpTHqM2K-c

For more information visit http://www.naviarrecords.com/about/naviar-haiku

haiku

Sky Snake Sketch [naviarhaiku507]

Inspired by the haiku:

Deep, dark Summer night
A sudden shaft of moonlight
Blesses the temple

by: John Hinks  
https://soundcloud.com/flownblue

Image extracted from one by: Joe Hu 
https://unsplash.com/photos/ZXaCeb7rwfE

For more information visit http://www.naviarrecords.com/about/naviar-haiku

NIght Temple [naviarhaiku508]

Inspired by:

in pre-dawn darkness
the avant-garde soundtrack
of orchestral rainfall

AHaiku by Elliot Carson https://www.instagram.com/i.write.haiku/

With part of a picture by Lazarescu Alexandra https://unsplash.com/photos/vRiylUiR6ew

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

AvantRainFall For String Octet & Harp [naviarhaiku510]

Following this weeks prompt I've replaced the flute with my voice in this piece: https://soundcloud.com/benn-demole/moongeese-naviarhaiku225?in=benn-demole/sets/moongeese-ep

More on the 633rd weekly Disquiet Junto project, Voice Swap — The Assignment: Rerecord all or part of one of your tracks using just your voice — at https://disquiet.com/0633/

The image associated with this track is a photo by Ricardo André Frantz of Luca della Robbia’s 1431 work, Cantoria — https://en.wikipedia.org/wiki/File:Cantoria_luca_della_robbia22.jpg

Used with a Creative Commons license — https://creativecommons.org/licenses/by-sa/3.0/deed.en

Moon Geese

Moongeese Vocal Version [disquiet0633]

On reading the instructions for this project, I planned how I could interpret it. 
I would need a bunch of field recordings from all over so headed to freesound.org and found:
http://freesound.org/people/reinsamba/sounds/78535/
http://freesound.org/people/RTB45/sounds/233196/
http://freesound.org/people/miastodzwiekow/sounds/201065/
http://freesound.org/people/eric5335/sounds/53380/
http://freesound.org/people/milton./sounds/104111/
http://freesound.org/people/Walter_Odington/sounds/32378/
http://freesound.org/people/lepolainyann/sounds/149094/
http://freesound.org/people/bosone/sounds/65855/
http://freesound.org/people/reinsamba/sounds/20008/
http://freesound.org/people/dobroide/sounds/63351/
THANKS to all for these great recordings!!

I then arranged these in Logic X and used bits to create rhythms.
Then as time was short it was loop o'clock, using UVI World Traditions, and the apple loops in Logic. The industrial machines at the end I made a few years ago for a theater show, yet unused.

The sounds in this piece were recorded in China, Australia, Brazil, Ecuador, USA, Spain, England, Netherlands, India, Poland and Belgium, maybe more...  : ) 

More on this 194th Disquiet Junto project (“Make music for a Caochangdi Village National Day party”) at:
http://disquiet.com/2015/09/24/disquiet0195-chinasoundsystem/

Many thanks to Fabricatorz for encouraging this 195th Disquiet Junto project:
http://fabricatorz.com/

The event will be at:
http://harks.gallery/

More on the Disquiet Junto at:
http://disquiet.com/junto/

Join the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:
http://disquiet.com/forums/

More on Caochangdi
https://en.wikipedia.org/wiki/Caochangdi

Village2Bash (Global Village) [disquiet0195-chinasoundsystem]

This track was made entirely out of samples from the SoundHunters website, every sound you hear is from something captured in the 'real world'. 

The sounds I used are listed below and can all be found on soundhunters.com:
beat and mug – 2556
drop bag on ground – 3124
glass jar in water #3 – 4014
knife rake – 2748
waterbottle drum – 1922
Wood Thuds 2 – 1497
wouinouuh – 1893
hu – 2116
water and nature – 2112
Hebrew Vocals – 1461
Freestyling Kid 2 – 1302
glass and bowl – 3539
biglotron D – 3282
Car Tone 3 F# - 1648
Room Tone E – 1529
Guarani Song 8 – 1696
baby and solo – 1895
voix chant africain – 3655
Ancient Wisdom – 1665
Ser Indigena É Resistir – 1728
Mais De 4000 Anos – 1731
Nossa História  - 1736
Jakaira – 1707
Ser Guarani – 1733
Nhanderu Kuery – 1711
Nhanderu Ete – 1710
Audience Approval – 1718

Everything Is Hunted, Everyone Is Game

This is an asynchronous collaboration between three musician, each recorded one week apart. Left channel recorded first by encym (https://soundcloud.com/encymlll/first-chair-by-encym-disquiet0315) the right channel second by Nate Trier (https://soundcloud.com/triermusic/they-call-me-the-backwoods-debussy-disquiet0316) then I added the saxophone in the centre.

The harmonic space created by encym and Nate, along with the "liveness" of each recording made a real pleasure to add my part to. Thanks unmet collaborators!

Photo by Teddy Kelley on Unsplash, https://unsplash.com/photos/abVkUkfyAJE

More on this 317th weekly Disquiet Junto project (Triadic Awareness: Record the third part of a trio, adding to a pre-existing track of two parts) at:
https://disquiet.com/0317/

More on the Disquiet Junto at:
https://disquiet.com/junto/

Subscribe to project announcements here:
http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0317-triadic-awareness/11271/

Through The Woods Not Alone [disquiet0317] - encym, Nate Trier & Benn DeMole

Made in response to the Haiku:

The wild geese take flight
Low along the railroad tracks
In the moonlight night

and the image seen here:
https://soundcloud.com/naviar-records/sets/haiku-225-the-wild-geese-take

For more information visit http://www.naviarrecords.com/about/naviar-haiku

EP with Remixes here

Moongeese

Moon Geese EP

Buy on Bandcamp

Moongeese Phortah Remix

the surface of the water
like ornate silk
spring rain

by Ryōkan Taigu

was the inspiration for this piece of music.
Image adapted from photo by:
Tim Mossholder https://unsplash.com/@timmossholder

Ornate Surface [naviarhaiku352]

This isotope 227Ac was created by Circada.

Check out soundcloud.com/circada for more of his awesome music.

Radiation

Actinium 227 Circada Remix

This Isotoope 244Pu was created by Miramorf.

Go to soundcloud.com/miramorf for more marvelous deep chill tunes.

Plutonium 244 Miramorf Remix

This isotope 147Pr was created by Finn Rhodes.

Check out soundcloud.com/smalltalk-6 to hear more great music by FInn.

Promethium 147 Finn Rhodes Remix

Layer 3.
Random number gave me #35 for my second piece, and was very happy to add some tenor sax to the lovely piece started by mdh: https://soundcloud.com/matthewh538/jam-time-disquiet0472 
and added to by The Land: https://soundcloud.com/homeontheland/placebo-effect-2-of-3-by-the-land-and-mdh-disquiet0473

Image includes pics by Tim Mossholder and Robert Zunikoff on Unsplash
https://unsplash.com/@timmossholder & https://unsplash.com/@rzunikoff

Thank you distant collaborators!!

More on this 474th weekly Disquiet Junto project — Police Action (3 of 3) / The Assignment: Complete a trio by adding a track to an existing duet by two other musicians — at: https://disquiet.com/0474/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here:
https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0474-police-action/

The furniture dissolved and trickled through the cracks in the floorboards -mdh/The Land/Benn DeMole

I see myself as a human animal & through my creative practices seek to connect to the flow of life to let my innate intuition guide me before my logical mind controls me. To undo or at least side-step some of my cultural conditioning so the spirits of the place I am in can express through me. This  forest I am in, the rock I sit on beside this stream, the footpath below my feet, this vast planet we all live upon. The natural world so often unconsidered, ignored, I aim to give it some voice.

Benn DeMole

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