windwaterphone, violin 17.3.2021

Words and image by Sarah Boulton. 

Written for Fenham Ensemble, director Simon Davies-Fidler and cellist Gabriel Waite and premiered 18th March, 2023 at St James' and St Basils', Newcastle.

Recorded and mixed by Jorge Boehringer.

Swan - Fenham Ensemble & Gabriel Waite

A tranquil piece I wrote.. trying to depict the night. 

Recorded at Windmill Lane mixed by Federico Truzzi

De Rerum Nocturna

Music to accompany large silk-screen prints by Mike Collier - one of which is included here, but bear in mind they're a metre square and LUMINOUS colours! - first exhibited at Cheeseburn Grange Sculpture Garden, Northumberland in August and September 2017, and then at Allenheads Contemporary Arts, Platform A Gallery Middlesbrough, Drawing Projects UK in Trowbridge, and at the Listen! Festival at Black Swan Arts in Frome. The prints and the music are both responses to digital visualisations of birdsongs from the dawn chorus at Cheeseburn. More details available on the various sites where the work is documented. The title is taken from "All these things are mine" by Edward Thomas, c. 1911, and refers to the singing of a blackcap . . . which is not one of the birds in the project, but it's a lovely quote.

. . . singing every minute high up in golden-green blossom . . .

Rooster SingingwiththeFox: voice, matthias boss: violin
february 24, 2019

the great henhouse concerto

[See below for English]
Escrita inicialmente para el Trío Apolo de Cochabamba, esta pieza es la primera de algo que a su debido tiempo se convertirá en una serie de Beethovenianas bolivianas. 

Se trata de propiciar un diálogo entre Beethoven y las tradiciones y prácticas del folclore boliviano. 

Naturalmente que esto no estaría ocurriendo si no fuera por el precedente inspirador de las Bachianas Brasileiras de Heitor Villa-Lobos, a quien, además de a Bolivia y a Beethoven, esta serie rinde homenaje.
______________________

Written initially for Trío Apolo of Cochabamba, this piece is the first of something that in due course is intended to become a series of Beethovenianas Bolivianas. 

The intention is to propitiate a dialogue between Beethoven and traditions and practices of Bolivian folk music. 

Naturally this would not be happening were it not for the inspirational precedent of Heitor Villa-Lobos's Bachianas Brasileiras. This new piece pays homage to him, as well as to Bolivia and to Beethoven.

Beethovenianas bolivianas No 1

Giorgio Bianchi - Fragment

Giorgio Bianchi - In A Quiet Place

An old tape from my father's collection of nature and science magazines, processed through the compass script  https://llllllll.co/t/compass/25192, running on Fates, a diy clone of monome norns.

Le voci e i canti degli uccelli

This is track one from our EP called Crossing Over - Hope you like it.

The NRC - New River Train

A different mix of our song Dragon Hills (A Wistful Reminiscence of Longed for Landscapes) on the latest volume of Cold Spring's John Barleycorn Reborn series.  The version on the CD was recorded and realised in the dark days of lockdown in April 2020; this version presents Rachel's original unedited voice & guitar take to which Sean adds an ostinato on the bass synth (taken from the Cioconna of Marcello's Sonata #12, op. 2) and glissando guitar.

All hills are Dragon Hills.  August 11th 2020

Words & Music : Venereum Arvum / Sean & Rachel. 2020

Image : Colmers Hill, Dorset, May 2017.

. . . singing every minute high up in golden-green blossom . . .

bennetthogg

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