yeah man que buen track se oye en este trip musical

The Grand Finalizer track inspired by Akitaka Tohyama' "The Finalizer" track from the Tekken 5 OST... 

Izanami Is the Shinto Godess of Creation and Death....that possess the power of both light and Darkness.

(The  Grand Finalizer) The Izanami Version

Spring Songs
Duration: ca. 20'
Instrumentation: tenor and piano
Performers: American Modern Ensemble - Alok Jumar, tenor; Geoffrey Burleson, piano
Recorded at Opera America's National Opera Center, Marc A. Scorca Hall, New York, NY, USA, June 4, 2019
Publisher: Bill Holab Music: http://billholabmusic.com/store/index.php?keyword=spring%20songs%20-&main_page=advanced_search_result&search_in_description=1
For More Information: https://robertpaterson.com/spring-songs-version-for-tenor-and-piano

I. English Sparrows (Washington Square) (Edna St. Vincent Millay)
II.  April 5, 1974 (Richard Wilbur)
III. Done With (Ann Stanford)
IV. The Widow’s Lament in Springtime (William Carlos Williams)
V. Spring Rain (Sara Teasdale)

PROGRAM NOTES
Spring Songs for tenor and chamber ensemble or piano is my third song cycle celebrating the seasons. As with the first two, Winter Songs for bass-baritone and Summer Songs for soprano, this cycle contains settings of poems by various American poets.

Whereas both Winter Songs and Summer Songs end with scenes in New York City, Spring Songs begins with New York: a setting of English Sparrows (Washington Square) by Edna St. Vincent Millay, a poem about a scene that takes place in the morning in Greenwich Village, a neighborhood in New York City where Millay lived in the early 1900s. The second movement is a setting of April 5, 1974 by Richard Wilbur, a poem Wilbur wrote in honor of Robert Frost’s one-hundredth birthday, and I interpret as being about overcoming self-doubt through wisdom, and about understanding the change of seasons, but also a change of mind. The third movement, Done With by Ann Stanford, I interpret to be about death and rebirth. Stanford symbolizes this by a house being torn down and the ground paved over, the now suffocated plant life yearning to break through. The Widow’s Lament in Springtime, the fourth movement, is a setting of a poem by William Carlos Williams. I interpret this poem as a modernist, pastoral elegy that uses images of nature to lament the death of a loved one. The final movement, a setting of the poem Spring Rain by Sara Teasdale, is about a happy memory of a lover brought about by an evening thunderstorm.

Spring Songs was commissioned by Rick Teller and Kathleen Rogers and was premiered at Carnegie Hall’s Weill Recital Hall by the American Modern Ensemble, Alok Kumar, tenor, and Geoffrey Burleson, piano.

Spring Songs (Piano/vocal) - V. Spring Rain (Sara Teasdale)

Against all the evil that Hell can conjure, all the wickedness that mankind can produce, we will send unto them... only you. Rip and tear, until it is done.

Taras Nabad

i have to believe there is a solution,
but frankly I'm not seeing one.

One More Day

Broken Mac

The FoCUS

Welcome to the finale to the Autumn 2022 series - Autumn's Calling 3B. 
Exploring the exciting world of electronic music. 

Outrageous Intro 
Keep On Rocking / G-Dizzle (plays in background of intro dialogue) 
Nostalgia Machine, Polaroid, Happiness Not Included / Soft Cell 
My One True Love / Howard Jones 
Only Human/Extra Human (xtension), Don't (You Mess With Me) / XPropaganda 
Overwhelmed, Nothing's Wrong / Guflux 
Now! / Platronic 
Electryone, Analog Devices / Arcane Trickster 
The Cube / Kaidoorn 
Trance Train, Mashout / G-Dizzle 
Underground / Sniffer Dog 
Heaven So Close (Remix) / The Engagement 
Some Kind of Angel / Shelter 
Do You Remember? (1985 Version) / Darren Hayes 
Holding Out For A Hero (Bonnie Tyler cover), I Feel Love (Donna Summer cover), Lovesong (The Cure cover) / Timothy Blue 
Coma, Reset (Fused remix), Skin (Czarina remix) / Blaklight 
Outrageous Outro

juice

BENNI BAG$

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