Left is a contact mic and Right is a electro magnetic mic  both from jez riley french

sound design

tea machine

Evening after rain in the garden. Small AB omni system with LOM Usi Pro mics

concrete sounds

evening after rain in the garden

drum bass

Chaude matinée dans la Châtaigneraie, un pic à l'ouvrage sur un arbre mort. Des insectes xylophages qui déjeunent. 2 microphones "contact" et 1 geophone installés

Cet oiseau a du pic...

Rivière de montagne à Innereriz, BE, Suisse

Zoom F8+HPF80Hz - Superlux S502

enregistrement test du microphone soundman OKM II dans la cathédrale de Chartres

161106 intérieur Cathédrale de Chartres

enregistrement test du microphone Soundman OKM II, grand orgue de la cathédrale de Chartres

161106 Grand Orgue cathédrale de Chartres

Schwimmbad

Banc de poissons dans la Limmat quelques heures avant la LImmatschwimmen 2017.
Hydrophone monophonique Aquarian H2a, filtré pour diminuer le moteur du bateau passant au loin

Banc De Poisson Dans la Limmat

Albert Schweitzer was a German (writing in French also) theologian, organist, philosopher, physician, and medical missionary. As well as his important theological work (he depicted Jesus as literally believing the end of the world was coming in his own lifetime), he developed various theories on music, in particular the work of J.S. Bach. He explained figures and motifs in Bach’s Chorale Preludes as painter-like tonal and rhythmic imagery illustrating themes from the words of the hymns on which they were based. They were works of devotional contemplation in which the musical design corresponded to literary ideas, conceived visually. Schweitzer’s interpretative approach greatly influenced the modern understanding of Bach’s music. His pamphlet “The Art of Organ Building and Organ Playing in Germany and France” (1906) effectively launched the 20th century Orgelbewegung, which turned away from romantic extremes and rediscovered baroque principles. In addition to his contribution to music theory, Schweiter also made many seminal recordings of Bach’s organ recitals. In mid-December 1935 he began to record for Columbia Records on the organ of All Hallows, Barking-by-the-Tower, in London – the recordings above. He developed a particular technique for recording the performances of Bach’s music known as “The Schweitzer Technique” which involved a new positioning of microphones. (Wikipedia)

Benoit Frech

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