2k15•07

Recorded on July 30 2014 in Budapest Hungary @ Mygar Radio Studio #22 with the Budapest Art Orchestra. 
Conducted by Peter Pejtsik....

https://adambryanbaumwiltzie.bandcamp.com/releases

The Endless Battle Of The Maudlin Ballade Part 3

Through The Future, Darkly

Techno producer duo I/Y make their debut on the Dynamic Reflection label with their 'Objection' release. 'Objection' is a dark yet dance floor ready track, driven by playful rhythmic synths, pulsating low ends. The well designed stabs and atmosphere in 'Primary', ensure it can be played at almost any moment in a set. Furthermore, Sweden's trip master Acronym delivers two outstanding takes on the EP's A side, adding an amazingly layered amount of depth, while maintaining the driving force of the original. Essential dance floor material!

Digital available at Bandcamp: http://bit.ly/1xiG679
Vinyl available via Triple Vision: http://bit.ly/1Bnk5j3

Objection EP

Objection - Part 1

Bandcamp

IY - Objection (Acronym Remix) - Part 1

Improvisation 01.mp3

From the forthcoming compilation 'Vito Ricci - I Was Crossing A Bridge' 2015 © Music From Memory

Pre order: http://www.rushhour.nl/store_detailed.php?item=82661

Webshop: musicfrommemory.bigcartel.com

Vito Ricci - The Ship Was Sailing (5:24)

Released March 30th 2015 / Moderna Records

Tambour & Julien Marchal - Moderna split release | mrs005

Side A - Attic

Composed and recorded by Simon P. Castonguay

Mastered by Pierre Duchesne

Artwork by Melih Dönmezer 

Buy/Download : https://modernarecords.bandcamp.com/album/moderna-split-release

Tambour - Attic

Piano Solo taken during the filming of the video clip. 
ALL THE NEWS, VIDEOS, MUSIC HERE : 
--->facebook.com/julienmarchalmusic
BUY ALBUM 
---> https://julienmarchal.bandcamp.com/album/insight-2


INSIGHT - VII

Nils Frahm writes his first score for one-take feature film ‘Victoria’ and is nominated for German film prize

LABEL: Erased Tapes RELEASE DATE: June 15th, 2015 CAT.NO: ERATP071 CD/LP/DL EAN: 4050486110577

ABOUT:
Nils Frahm has always said that he’s just waiting for something real special when being asked if he would ever score the music for a film. And that’s exactly what German director Sebastian Schipper presented to him with his one-take feature ‘Victoria’. Filmed in Berlin, Victoria’s plot sees a runaway party girl, who's asked by three friendly men to join them as they hit the town, but their wild night of partying suddenly turns into a bank robbery as the music changes from techno to subdued piano sounds.

For the recording session at Studio P4 in Berlin, Frahm enlisted the help of long-time collaborator and cellist Anne Müller, violist Viktor Orri Árnason and ambient artist Erik K. Skodvin of Deaf Center on guitar.

IN HIS OWN WORDS:

Dear viewer and listener,

I’ve finally written music for a film. It took me some time to do so, as I was patiently waiting for a movie that would truly speak to me. When director Sebastian Schipper invited me to work on Victoria, I knew it was worth the long wait. Does such a strong film even need music? I realised it wouldn’t be easy to create a score that embraces these bold pictures.

Luckily we were given unusual creative freedom by approaching the movie together with Sebastian Schipper, who was keeping the production and direction to one single team. The score was recorded in a special location, the former GDR broadcasting production facilities that today host Studio P4. We simply put a big screen in the middle of the room, filled it with microphones and instruments, set the movie on loop and kept improvising on top of it together – my good friends and I.

The guest musicians started their recording session by playing a cohesive take over the course of the whole movie. This was the most interesting part of the day, since they hadn’t seen the film before. They became spectators and creators at once, intuitively recording hundreds of different cues that way. You are about to listen to some of its highlights. I hope they do Victoria and your ears justice.

With love, Nils Frahm

‘Music for the Motion Picture Victoria’ will be released by Erased Tapes on LP/CD/Digital June 15th.

‘Victoria’ won the Berlinale Film Festival prize for Best Cinematography and has also received seven nominations including Best Soundtrack for the Deutscher Filmpreis – Germany’s highest movie award, and will be released in cinemas across Germany on June 11th with plans to release it in the UK and other countries soon.

ABOUT THE ARTWORK:

The cover illustration was drawn by Stephanie Franziska Scholz based on a still from a key scene in the film, with additional design by Torsten Posselt at FELD.

TRACK LISTING:

1 Burn With Me (Victoria Edit) by DJ Koze 2 Our Own Roof 3 A Stolen Car 4 In The Parking Garage 5 Them 6 The Bank 7 The Shooting 8 Nobody Knows Who You Are 9 Pendulum

The soundtrack opens with an edit of ‘Burn With Me’ by German producer DJ Koze. The digital Bonus Track Version features a previously unreleased track by Hamburg’s electro-punks Deichkind titled ‘Happy New Fear’ plus an additional DJ Koze track titled ‘Marilyn Whirlwind’ from his 2013 album.

PRESS:

‘Frahm's soothing electro-orchestral pieces prove especially effective, washing over the throbbing dance beats like a flood of endorphins.’ – Hollywood Reporter

‘Nils Frahm’s score is an equally flexible asset, veering from juddering electronic chaos to dreamy intrusions of piano and cello — a sonic approximation of the alternating noise in the title character’s wrecked head.’ – Variety

OFFICIAL WEBSITES: nilsfrahm.com · facebook.com/nilsfrahm · twitter.com/nilsfrahm · erasedtapes.com

Music for the Motion Picture Victoria

Our Own Roof

Buy LP/CD/DL

Nils Frahm – Our Own Roof

Artist: William Basinski 
Title: The Deluge (The Denouement)
Album: The Deluge
Release Date: August 7, 2015

Pre-Order LP: http://shop.temporaryresidence.com/trr258

Cascade and The Deluge are variations on the latest tape-loop and delay composition from the inimitable William Basinski. Cascade is the CD/Digital variant, and The Deluge is the deluxe 180 gram white vinyl LP companion. In Cascade, a single ancient lilting piano tape loop repeats endlessly carrying one along in its tessellating current. In The Deluge, the same loop is processed through a series of feedback loops of different lengths, creating a spiraling crescendo of overtones that eventually fades away to silence. In the denouement, a series of limpid piano loops leads to an urgent orchestral theme that builds and gradually dies.

© 2015 Temporary Residence Ltd.

Buy on Bandcamp

William Basinski - The Deluge (The Denouement)

For The Floor

Tennis

Tambour - Chapitre I | mr002

Listen/Buy/Download:
Bandcamp : https://modernarecords.bandcamp.com/album/chapitre-i
Spotify : https://open.spotify.com/album/1T9ZEbw8xXTWjBz5z0440N
iTunes : https://itunes.apple.com/au/album/chapitre-i-ep/id1050834587
BUY / 12" VINYL : https://modernarecords.bandcamp.com/album/chapitres-vinyl-edition

.: Esquisses oubliées en trois mouvements :.
Composed and produced by Simon P. Castonguay
Piano - Simon P. Castonguay
Violon I - Rose Frappier
Violon II - Audrée Leduc
Alto - Mélanie Venditti
Recorded by Benoît Parent
Mixed by Benoît Parent
Mastering by Pierre Duchesne
Cello - Anaïs Constantin

Tambour - Esquisses oubliées en trois mouvements

upcoming album "descending into crevasse" on Glacial Movement records

2k15•07

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