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Excerpt from upcoming album 'III'(2016) © Murailles Music, Kythibong
~ PRE ORDER (CD/LP) NOW : bit.ly/2bbmOZc
Release date : 23rd september 2016 
(All pre-orders will be sent from release day)

Black Corée

Dead Light was created after Anna Rose Carter and Ed Hamilton moved from London to a quiet, remote space in the countryside. The migration out of the sprawling metropolis to their new rural refuge was a transition that significantly impacted them both, and one that continues to turn and shift under the ambivalence of change, loss, and new beginnings.

Dead Light is released on vinyl, CD and digital download on October 14th, 2016.

Preorder here: https://itunes.apple.com/gb/album/dead-light/id1138056150

www.villagegreenrecording.co.uk

Dead Light - Blooms

from 'MYTH I - A Last Dance for the Things we Love' [CD|LP|DIGITAL]
Denovali Records · den262
available on all formats at [http://denovali.com/theeyeoftime]

THE EYE OF TIME is the solo-project of French musician Marc Euvrie. Euvrie's musical development is deeply connected with the French DIY punk and hardcore scene, though he has been classically trained as well. He started to play piano being 9 years old, composed his first pieces with 15 and studied cello at the conservatoire after finishing school. Euvrie was involved in several bands before he began to translate his personal reflection of our complex world into music, which initiated THE EYE OF TIME. His extensive self titled debut has been released in spring 2012 and exposed a dark look on the present, past and future. His last albums were promising a glimpse of hope (“Acoustic”) or pitch-black despair (“ANTI”). With “MYTH I : A last dance for the things we love" THE EYE OF TIME will release the first part of a three record album concept MYTH (MYTH II - A need to survive, MYTH III - The final chapter), which will be a synthesis of all his past works.

MYTH is a word with ambiguous meanings in the dictionary, but all these lead to the same conclusion. The Eye of Time's MYTH trilogy is about the path that humanity took over the ages and about how we could tell this epic story. We could decide to see things on the bright side, or to a have a more dramatical (in the literal sense) look on it. Like if one species is looking at another, and in a different era. MYTH is a feedback to the tragical events of our time, to what people have to endure nowadays in order to survive, as well as the refugees travels, and the resistance against capitalism that is growing all over the world. MYTH is also a particular way to see things, to take sides with history. When we talk about ancient political activists and revolutionaries, resistances to the established order, we make the choice to transform it into a myth, a history full of heroes. But the past is the present. And our present will be the past again. It is on us to take action in order to avoid our inevitable end.

Marc Euvrie recorded “MYTH I : A last dance for the things we love" completely on his own. Being away from home, dealing with family issues, his music served him as deep introspection about himself and the world. An introspection impregnated with minimalistic moments, where piano and cello write the story of loneliness and calm. At the same time evolving dramaturgies emerge, driven by rumbling beats, accompanied by both grim and hopeful melodies; just to be aware that irrationality gives birth to our myths and that myths, in turn, affect our very own existence.

The cover artworks of the MYTH album trilogy display pictures of Emin Özmen, a winner of the world press photo award. His work is focused on the situation in Kurdistan, Syria, Turkey and the "refugees". His work has been published by Time magazine, The New York Times, BBC, Guardian, among others.

MYTH I : A last dance for the things we love

The Eye of Time - Dreams are dead, but will be reborn with grounds, stones and ancient spells

Ramberget towers over central Hisingen. Like a remnant of something ancient, something that was here before we even started measuring time. As a reminder of everything that came before us, and of all that will continue once we’re gone. Through ages that will soon have forgotten our mere existence, it will remain, silent, unyielding. But there is a promise in that. Something always remains, something that watches over us, something that never forgets.
Keillers Park at Ramberget was inaugurated on October 3rd 1908. In 1912 and 1915, the park was enlarged in a northern and westerly direction. Today it comprises approximately 31 hectares.
Life is short. Humans exist for a moment, only to fall back into darkness once more. But something remains. Some call it the soul. The law of entropy states that energy can never disappear, it can only change from one form to another. And energies have to go somewhere. Keillers Park is a place where energies gather.
On August 22nd 2016 I went up on Ramberget to do some field recordings for this piece. I made recordings on a number of locations, in the park and in connection to the park. When I later listened through the material I discovered recurring noises in some of the takes. High frequency sounds which I did not know the origin of, and could not find any logical explanation for. I had not heard these sounds during the actual sessions, something had disrupted the recordings. Perhaps it was merely radio waves, perhaps the recording equipment just malfunctioned? Perhaps someone is trying to tell us something. I let them become part of the piece.
I don’t believe in the soul and I don’t believe in the afterlife. But I do not believe that death is the end of everything. Death is perhaps just a new beginning. Of what I don’t know.
Dag Rosenqvist, Göteborg, Sweden

Keillers Park - Dag Rosenqvist - Tiny Portraits

Taken from the upcoming album 'The Blossoming Of The Nothingness Trees' released through Fluid Audio.

Audio/Field recordings: øjeRum
Collage/Prints: øjeRum
Mastering James Plotkin
Design: Daniel Crossley

www.fluidaudio.bigcartel.com

The Blossoming Of The Nothingness Trees

øjeRum - The Blossoming Of The Nothingness Trees

From 'Carapace' released by Dinzu Artefacts.

Carapace

The Dissipated Plain

Artist : Tim Linghaus
Track : Travel Sketches (Lost In A Bus And Architecture)
Album : Vhoir

Bandcamp : https://modernarecords.bandcamp.com/album/vhoir
Itunes : https://itunes.apple.com/au/album/vhoir-ep/id1170469161
Spotify : https://open.spotify.com/album/37qtqXpRJGZoNBq4nmsHbg

Written and mixed by Tim Linghaus
Mastered by Emil Thomsen at ET Mastering
Artwork by Matt Niebuhr
Layout by Nick Hyatt

Vhoir

Tim Linghaus - Travel Sketches (Lost In A Bus And Architecture)

The car moved forwards towards the red light. Beneath the bonnet there was little sound but for a faint hum, the engine purred softly, waiting to roar into life and pounce into action. As the lights changed from red to orange to green he accelerated forward, however, this race was not a sprint but a slowburner. It would require patience in order for him to win. As the wheels spun against the dark concrete, the streetlights beamed down from up above. Move slow, think fast. 

Echovolt continue to deliver interesting and intriguing music as part of their series of mini albums. Following the success of the first release in the series from Templeyard Studios, they now return with a new six track effort from Kane Ikin. Based in Melbourne he delivers a record full of moody scientific constructions, dark soundscapes and sludge.

PREMIERE: Kane Ikin - Slowburner [Echovolt]

Pre-Order from the fabric website:         http://www.fabriclondon.com/store/save-fabric.html 
Pre-Order from Bandcamp: http://found.ee/savefabric-BC

artist: Various
title: #savefabric
label: fabric Records & Houndstooth
date: 4th November 2016
cat.#: FABHTH001
format: 111 track - Digital Compilation

The closure of fabric has seen a reaction that has been completely humbling and overwhelming to all of us on the team here, from over 150,000 signing a petition of support to raising in excess of £300,000 in donations to help our legal fight. 

Support has come from every corner of the industry, with fundraising events at a number of different venues being held up and down the UK. This response perfectly encapsulates everything the electronic music community represents.

Both fabric Records and our artist led label Houndstooth decided a release that embodies this spirit would be a further powerful way to demonstrate the collective power of our community. We asked artists associated with both labels to donate a track to the cause, needing to act fast we gave a deadline of just 3 weeks in total, from inception to final master. The brief was simple, we asked for a previously unreleased track, either brand new or an alternative version of an old classic.

The response has been far greater than we could have ever anticipated, with an array of amazing artists delivering stunning tracks. Given this generosity every track that has been submitted is featured on the release, meaning an incredible 111 tracks make up the final running order, presented in alphabetical order.

Due to touring and time constraints many more artists could and would have like to have been involved, and we can’t give enough thanks to all the labels that have generously allowed their artists to contribute.

In the era of the playlist, this compilation represents a comprehensive overview of electronic music from the outer fringes of experimental explorations right through to music aimed squarely at the dancefloor.

Ahead of the court date which will determine the long term future of fabric nightclub we’d like to present this compilation as a document of this moment in time but also as the perfect embodiment of everything fabric is and stands for.

FABHTH001. ℗ & © 2016 fabric Records / Houndstooth. The copyright in this sound recording and artwork is owned by fabric Records.

Abul Mogard - Patterns Of Our Own Times [#savefabric]

From Stop Suffering EP, Blackest Ever Black 2015

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