Cat-No: F//022

The Illegal Future LP by INFRAVISION is the soundtrack to a (not so) imaginary future constructed with clear cyberpunk aesthetics, inspired by films like Strange Days, Blade Runner or Akira and of course by the current disturbing era.

Through their titles, lyrics and sonic palette Kendal & Pablo Bozzi channel a dystopian narrative on themes of virtual reality, police brutality, ultra-authoritarian leadership, illegal nocturnal activities, border controls, ecological crises and space colonisation.

It is their ambition to imbue the italo, EBM, early trance and breakbeat sounds of the 80s and 90s with an undeniably modern touch, making claim to their very own distinctive and powerful sound : Italo Body Music from another reality.

All tracks written, produced and mixed by Kendal Mulla & Pablo Bozzi
Vocals and lyrics on Wasteland written and performed by Alison Lewis
Mastered by Conor Dalton @ Glowcast Mastering
Artwork by Antoine La Fay - Studio Malevitch

4am in Parga Street

Zion Music
Artist Development & Label
ВКонтакте vk.com/zion_music
Телеграмма t.me/labelzionmusic
Ваши демо ждем на почту info@zionmusic.ru

31-я весна

Ваня Дмитриенко - 31-я весна

!! These are stripped-down 160mp3 snippets of the original tracks !!!

Artist:  Felix Laband
Album:  The Soft White Hand
Catalog No.:  CPT605-1 / -2 / -3
Format:  2-LP incl. download / CD / digital
Barcode / Format:
673794260518 > 2-LP incl. Download
673794260525 > CD
673794260532 > Digital

Tracklisting:
1. “Dreaming In Johannesburg (04:30) 
2. “Prelude” (04:59)
3. “Derek And Me” (05:49)
4. “Death Of A Pervert” (05:31)
5. “We Know Major Tom's A Junkie” (06:00)
6. “They Call Me Shorty” (06:25)
7. “Go To Sleep Little Baby” (05:46) 
8. “5 Seconds Ago” (04:27)
9. “7 Rise 7 House” (02:40)
10. “Borc Love” (02:55)
11. “Dreams Of Loneliness” (03:39) 
12. “Requiem For The Lord” (03:47) 
13. “Snug Retreat” (06:09)
14. “Death Of A Migrant” (07:20)

Felix Laband’s The Soft White Hand is the masterwork of an artist who expresses himself through musical and artistic collage acting together to reinterpret his sources and to express significant elements of his own personal story.
Released by Munich-based Compost Records, the 14-track album is Laband’s first full-length offering since the critically acclaimed Deaf Safari in 2015.


In The Soft White Hand Laband works with source materials that will be familiar to those who know his previous four records – Thin Shoes in June (2001), 4/4 Down the Stairs (2002), Dark Days Exit (2005) and especially Deaf Safari which reached deep into the South Africa scene and its political culture to inspire its vocal and music sampling. However, the disengagement he felt from his homeland during his latest album’s creation – an abiding sense of untethered-ness to place and space, exquisitely rendered in tracks like “Death of a Migrant” – is perceptible in Laband’s desire to illuminate instead aspects of his own life.
“For this album, my source material became almost autobiographical as opposed to African statements I’ve worked with previously,” says the artist. “I have sampled a lot from documentaries from the 80s crack epidemic in impoverished African American communities and
believe my work speaks unapologetically for the lost and marginalised, for those who are the forgotten casualties of the war on drugs. In the past, I have had my issues with substance abuse, and I know first-hand about the nightmares and fears, what it feels like to be isolated and abandoned.”

LINKS:

Facebook: https://www.facebook.com/Felix-Laband-18041251748/ Instagram: https://www.instagram.com/felixlaband
Soundcloud: https://soundcloud.com/felix-laband
Bandcamp: https://felixlaband.bandcamp.com/

Felix Laband - 5 Seconds Ago (Snippet)

Above Ground Pool

FREE DOWNLOAD: https://hypeddit.com/subshift/calvinharrisacceptableinthe80ssubshiftedit

SUBSHIFT Socials:
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https://open.spotify.com/artist/6oj23vhIuGx4bOqVmQ9oOo?si=IZtY1eQ-RmOR5vQVcrK5NA

FREE DOWNLOAD

Calvin Harris - Acceptable In The 80's (SUBSHIFT Edit)

Дебилы блять, пиздец

1998

1998 (Paul van Dyk Remix)

As the season shifts we gather our brothers and sister in our community to unite in a showing of knowledge and taste. We present our project "Vita" filled with 23 original tracks with collaborations from amazing souls around the world. Each track unique from the next and together bring this compilation to life. Share your love, your soul and life as doing so brings beautiful things into existence.

Vita

7 Days

Kyrill & Redford - 7 Days (Original Mix) - PAP025 - Pipe & Pochet

a dive without limits into our deepest abyss 

follow me https://linktr.ee/paolovirdis

Abisso(Abyss)

Бумz-бумz

99 км/час

'Acceptance' follows 'Agitation'. As an intense year comes to a close and we await rebirth, Oliver Koletzki & Niko Schwind return to the Tribe with two deep and mesmerizing original tracks that feel like the first footsteps on a path to catharsis during unsettling times. Sam Shure compliments the EP by way of a boisterous remix. 

Artist: Oliver Koletzki & Niko Schwind 
EP-Title: Acceptance
Label: A Tribe Called Kotori
Catalogue No.: ATCK012
Release Date: 2020-12-18

1. Acceptance
2. Lights of Denebola
3. Lights of Denebola (Sam Shure Remix) 

On 'Acceptance', Oliver and Niko invite us to an ancient, mythical rainforest, where exotic birdsong amongst the foliage verges on the threatening as rolling tribal drums and deep synth-swells create a tense atmosphere. Yet the pair illuminate the darkness midway: warm piano chords eventually wash over us, creating a sense of hope that is enhanced further by the next track, 'Lights of Denebola'. Here, a xylophone dances erratically on top of a well-rounded beat, eventually exploding in a cascade of powerful synths as bright as the star Denebola itself. On his remix of 'Lights of Denebola', Sam Shure also plays with strong tensions, letting a stark synth line climax in a moment of pure euphoria. There's light at the end of the tunnel.

✺ Facebook: facebook.com/atribecalledkotori/
✺ Soundcloud: @atribecalledkotori
✺ Instagram: www.instagram.com/atribecalledkotori/

Дебилы блять, пиздец

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