Furthest Reaches

Encountering persona for linguistic reprogramming...

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Deep State Of Mind

“Tenderness” is the first collaborative album between Japanese musician Yumi Iwaki and Brazilian Carlos Ferreira using unreleased sketches, improvisations, and samples, “Tenderness” is a mosaic of painted sounds that does not end in itself, inviting the listener to inhabit its center.

Porto Alegre based experimental guitarist Carlos Ferreira and Tokyo-based synthesizer hypnotist Yumi Iwaki are presenting "Tenderness" , their first ever collaborative album through Modern Obscure Music. Carlos and Yumi have created this powerful ambient odyssey at the distance. Despite some connections between Yumi's family roots with the Brazilian musical scene, both artists feel a strong attraction about their cultural differences, through Literature, films, scents, colors, and nature… Carlos feels “there are infinite cultural differences between Japan and Brazil, and this can be explained by historical and even geographical factors, but people come together through very strong elements that are able to transcend these differences. Diversity must also unite us.”. Yumi explains that when she met Carlos on Instagram, she was instantly captivated by “his quiet, deep and fantastic view of the world, the feelings we shared seemed to take shape naturally, but it was Carlos' great talent to complete the production...  more
credits
released September 2, 2022

Yumi Iwaki: modular & analog synthesizers, op-1, piano, voice, FX pedals, looper, field recordings, sampling.
Carlos Ferreira: electric guitar, bowed guitar, FX pedals, digital synthesizers, looper, field recordings, sampling.

Written & produced by Yumi Iwaki & Carlos Ferreira
Mixed & mastered by Carlos Ferreira

Wabi-sabi

I had the pleasure of making this track for the Naviar Haiku challenge for the haiku below.

This was recorded in preparation for the https://soundcloud.com/naviar-records curated Naviar Haiku Fest at Cafe Oto, London, on 7 December.
More details here: https://www.cafeoto.co.uk/events/naviar-haiku-fest/

Music inspired by this haiku:

The spring sea:
all day long
undulating, undulating.

One of the four great haiku masters, Yosa Buson studied both Japanese and Chinese poetry. He was also an accomplished painter, and most of his poems were accompanied by paintings, resulting in a more diverse and individual set of works than the one by his main historical influence, Basho.

Haiku by Yosa Buson www.poetryfoundation.org/poets/yosa-buson

More about the Naviar Haiku: https://www.naviarrecords.com/about/naviar-haiku/

The Spring Sea [Naviarhaiku456]

it's an idea that has been in my head for a couple of days even if only last night I started a draft of the Piano part .. I spent almost all day trying to record.  Just a little editing on the fly.  For a first version I find it exceptional.  impossible not to share it here with you.

Work in progress
version update on 30 10 '22

 voyelles © 2022 by Nadir is licensed under CC BY-NC-SA 4.0

Voyelles

Wormit Acid (live recording)

Merci à Deepman pour le partage de son titre, inspirant, comme le printemps : https://soundcloud.com/user-481841292/vivant
J'y ai ajouté quelques notes de tank drum, quelques mots et vocalises.

Retour Au Vivant - Deepman & Luciole Langevine

Marco Lucchi : violin, piano, ring modulator and tape

featuring sounds from
https://soundcloud.com/marcolucchi/60-bpm-60-disquiet-0609-speed-limit?in=disquiet/sets/disquiet-junto-project-0609 
and
https://soundcloud.com/user-99036881/speed-limit-p1_disquiet0609?in=disquiet/sets/disquiet-junto-project-0609

for the current Disquiet Junto challenge

Disquiet Junto Project 0610: Speed Limit Pt 2
The Assignment: Combine two or more pre-existing 60 BPM tracks into something new — at half the speed.

Step 1: In the previous Disquiet Junto project, participants recorded a variety of tracks at a standard pace of 60 BPM. Listen to the resulting material on the Lines discussion board and the SoundCloud playlist:

https://llllllll.co/t/disquiet-junto-project-0609-speed-limit-pt-1/

https://soundcloud.com/disquiet/sets/disquiet-junto-project-0609

Step 2: Select two or more tracks from the provided ones, slow them to half their original pace — that is, to 30 BPM — and use editing techniques to combine them into one new piece of music.

8 settembre 2023

30 <---- 60 bpm [disquiet #0610] w/Debroc

part of the album "ta vira"
https://bernhardweiss.bandcamp.com/album/ta-vira

abgrund, for ensemble (2017) 

Lucerne Festival 
KKL Luzern 23.08.2017

Lucerne Festival Alumni Ensemble:
Raoul Cho flute
Tomonori Takeda clarinet
Vitaliy Kyianytsia piano
Bill Solomon percussion
Marina Kifferstein violin
Rachel Koblyakov violin
Francesco Tosco viola
Simon Thompson cello
Juan Díaz double bass
Conducting:
Mehdi Lougraïda

abgrund, for ensemble

Bernhard Weiss is a composer/producer, percussionist and multiinstrumentalist from Vienna/Austria. 

Besides his work as a percussionist in numerous bandprojects he creates music for contemporary dance performances, butoh performances and theaterprojects featuring all over the planet.

Collaborations include Kanazawa Butoh Kan, Mayu Kan, Matthew Smith, Ramona Kasheer, Maria Grünbaum, rollingpoint, Aiko Kazuko Kurosaki, Brigitte Deutsch, Lilian Fritz, Christina Gaismeier, Lore Heuermann, Katie Duck, National Theatre Rijeka, Salon Flux, Studio Dance Company Zagreb and many others…

His releases include two albums and one EP:
re member (2013)
ta vira (2014)
but oh (2014)
You can purchase it here: https://bernhardweiss.bandcamp.com/

As a DJ he founded the platform Globelastica, where „adventurous“ music from all over the world is presented: www.mixcloud.com/globelastica

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Bernhard Weiss

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