This is awesome - it's got a classical/techno trippadelic melodic monster in this track! I have never heard anything quite like this before! Unique to the max! Keep up the great work Bert!!

An official demo track I wrote for Orchestral Tools' "Tallinn" sample library.

Seraphim (Official Orchestral Tools Tallinn Demo)

visit & follow my new SPOTIFYPLAYLIST
https://open.spotify.com/playlist/3Y7iQBZXTBoiScWRONJOAe

visit RAFI JEREZ on:

Soundcloud: https://soundcloud.com/rafijerez
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INQUIRIES: rafijerezmusic@gmail.com

Tracklist:

1. Korvo - Solemn (Original Mix)
2. Yotto - Turn It Around (Extended Mix)
3. Stan Kolev - Redemption (Q.U.A.K.E & Aaron Suiss Remix) 
4. Dahu - How Do They Know (Nick Devon Forest Remix) 
5. Clawz SG - Alchemy (Nick Devon Remix) 
6. K.A.L.I.L. - Shori (Original Mix)
7. Mpathy - Sizzle (Original Mix)
8. Marc Holstege - Mangata (Original Mix)
9. Melody Stranger, Sean & Dee, Aaron Suiss - Artemis (Original Mix) 
10. Oliver Winters - Call After Dark (Original Mix) 
11. Nick Devon - Everything Possible (Original Mix)

LEX GREEN presents GUESTMIX #080 - RAFI JEREZ (US)

Some times in life things aren't what they seem.

Unknown album (19/10/2020 11:02:20 PM)

Thin Ice

23 August 1984 i hit Westeria House a Rehab for Drugs & Alcohol. Nurse named George who said "you're going to see some terrible things while you're in here Phil and that's going to start right now.... go and look in the mirror"
I did and i looked at the disturbing sight and said to myself
"i'm so glad to see you" 
I wrote a song about those particular days. It's sung by my friend Janine Gräter. It's the first of the Music that i've created...
So It's called 'SO GLAD - TO SEE YOU'
Oh yes! i do have more.......

SO GLAD - to see You

Meditation (Tahir Buselik)

Famous Iraqi piece in maqam Hijaz and another version of il-'Hilwa di.
The taqsim modulates to Saba.
Featuring the amazing percussionists Douglas Brush and Tim Sellers on darabukka and riqq. 


Hijaz Iraqi melody & il-Hilwa di

Ottoman Maqam Concert at the School of Music at the University of Canterbury, Christchurch, New Zealand, December 2016.

Doug Brush - riqq and darabukka

Jonathan Gemmill - oud and nay

Programme:

Part A
1.	Oud introductory Taqsim, in maqam Nawa (traditional unmeasured improvisation on the Middle Eastern lute).
2.	Bashraf Nawa, Hafif (instrumental piece in the Nawa mode, 32/8), Emir-i Haj, Egyptian, Ottoman 16th century.  

3.	Bashraf Bayati, Dawr Rewan (instrumental piece in the Bayati mode, 14/16), Persian, Ottoman 16th century.
 
4.	Bashraf Nawa, Duyak - Bulbul-i Ashiq (The Nightingale in Love) (instrumental piece in the Nawa mode, 8/8), Anon, Ottoman 16th century.
 
5.	Bashraf Iraq-i Mukhalef, Duyak & Fallahi (instrumental piece in the Iraq-i Mukhalef mode, 8/8, 2/4), Sayf Al Masry, Egyptian, Timurid or Ottoman, 15th century. 

6.	Bashraf Iraq, Duyak - Nazire-i Sayf Al Masry (instrumental piece in the Iraq mode, 8/8, inspired by the previous piece), Anon, Ottoman 16th century. 

7.	Bashraf Iraq, Fatih Darb (instrumental piece in the Iraq mode, 88/8), Kasebaz-i Masry, Egyptian, Ottoman, 16th century.   

8.	Oud Taqsim Iraq (unmeasured traditional improvisation in the Iraq mode).

Part B
1.	Nay Introductory Taqsim (traditional unmeasured improvisation on the reed-flute).

2.	Bashraf Nahawand, Sakil (instrumental piece in the Nahawand mode, 48/8), Persian, Ottoman, sixteenth century.

3.	Bashraf Rast, Duyak - Alam Ara (World Adorning) (instrumental piece in the Rast mode, 8/8), Anon, Ottoman, sixteenth century.

4.	Bashraf Segah, Duyak - Gida-i Ruh (Nourishment for the Soul) (instrumental piece in the Segah mode, 8/8), Anon, Ottoman, sixteenth century.

5.	 Bashraf Iraq, Fallahi - Hunkar (The Emperors Bashraf) (Instrumental piece in the Iraq mode, 2/4), Emir-i Haj, Egyptian, Ottoman 16th century. 
 
6.	Bashraf Nawa, Duyak (instrumental piece in the Nawa mode, 8/8), Shah-i Huban, Ottoman Princess, sixteenth century). 

7.	Bashraf Huseyni, Hafif - Suleymanname (Book of Suleyman the Magnificent) (instrumental piece in the Huseyni mode, 32/8), Haji Qasim, North African, Ottoman, sixteenth century.

8.	Samai Ajam, Samai & Nay Taqsim (quick instrumental postlude/dance piece in the Ajam mode, 6/8, followed by a traditional improvisation on the reed-flute),

1. Pattern - Trinity

PATTERN

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