Beautifuly made. Foghorn is a great library. It can be inspiring in so many ways. I love Your way.

Reminds me of something from a Studio Ghibli film 💙💙

The industrial revolution. never to be forgotten with composers like this.   Britain surely creates fabulous musicians.

Random Sightings - IPG1 & Paploviante Collab

It was an honor and a pleasure to sing to the sound of a delightful composition by two wonderful artists such as Debra Buesking(@debra_buesking) on piano and David Dunham(@david-dunhamuser589535203) on guitar. Thanks for this priceless opportunity.
Below the Italian / English lyric

Dimmi dove sei
Torno a casa e non ti trovo più
Le tue calze sopra il letto
Sempre accesa la TV

Non dimentico 
Le tue promesse in bilico
e le domeniche
Sempre spese solo dove decidi tu
Forse ho il cuore troppo piccolo
Per lasciarti la tua libertà
casca il mondo 
quando te ne vai

Mille baci e poi
All’improvviso il vuoto fra di noi 
Non so perché rimango appeso qui
Il tuo canto mi ha ingannato 
e come Ulisse mi salverò
Ma poi ricadrò
nella tua tela ancora

Sei sparita ormai
irraggiungibile
ma è sicuro io ti troverò per dirti che
che non mi arrendo e voglio solo te
Puoi scommetterci
Vorrei sentire ancora i brividi
Mentre stringo la tua mano
 per non lasciarti più
………………..
Dimmi dove sei 


Tell me where you are
I come home and I can't find you anymore
Your socks over the bed
Still on the TV

I do not forget
Your promises in the balance
and Sundays
Always spending only where you decide
Maybe my heart is too small
To leave you your freedom
the world falls
when are you leaving

A thousand kisses and then
Suddenly the void between us
I don't know why I'm hanging here
Your singing deceived me
and like Ulysses I will save myself
But then I'll fall back
in your web again

You're gone now
unattainable
but it's sure I'll find you to tell you that
that I'm not giving up and I just want you
you can bet
I wish I could still feel the chills
As I hold your hand
  not to leave you anymore
……………… ..
Tell me where you are

"Easy to Please" Debra Buesking and David Dunham (vocal version)

This came out of a piece I'd been developing over a couple of weeks, searching for variations around a central theme on felt piano. After a couple of less than successful attempts at developing the track with a fixed bpm I ended up freestyling it as an improv with some subtle drones from Spitfire labs Foghorn, a unique and free library of sounds derived from recordings of the Sumburgh head Foghorn on Shetland. 
One of the options in the labs library is a selection of engine room noises from the two diesel engines that power the foghorn, I wondered whether the engine room could stand in for percussion on the track and here is the result. Thanks for taking time out to check it out.

the engine room

Released: 11/7/2022
This is an open invitation for a collab, this track is open for downloads. All producers, mixologist, DJ, and Musician are welcome to test their skills and artistry. The file is submitted "as is", add what you want to complete it, or simply sample parts. If you use it, please link back to this page. Message me here with a link to your production and I will repost... Enjoy!
To all producers you have my permission and authorization to use it as your own. I have published this as royalty free. You can monetize or do whatever you want with it. All proceeds are yours to keep. Everyone is welcome to participate.
All I ask is vocal credit, my name is: Ian Greaves aka (IPG1)Peace!

Here’s the link to the Producers that have submitted mixes so far:
https://soundcloud.com/ipg1/sets/random-sightings-producers

Random Sightings Vocals 92 BPM

℗ © Copyright Ian Stokes. All Rights Reserved
Recorded and mixed using Logic. Mastered in Soundcloud
Guitar played: Taylor 714CE in standard tuning (Capo 1st Fret)
Photography: Thanks go to Nigel and Libby Hume at Hume Photography.
SONG NOTES and LYRICS:
I wrote this song about an imaginary character born and raised on the Mississippi, growing up to be a music man. It's not based on anybody real, but is a kind of tribute to all (blues) musicians down the ages, who have developed their own style of playing and have become admired by future generations. I was inspired to learn to play the guitar listening to great guitar players and fascinated by their ability to simultaneously play a bass line, percussive rhythm and melody, while singing at the same time. (For guitar players interested in how this song is played, it is capo'd at the first fret and played in Bflat, using the thumb on the left hand to play bass notes while stretching fingers 3 and 4 for hammer-ons.). Hope you like it!

They named him Mississippi
That’s where he was born and found
Raised by the crew of a steamboat
Never did like his feet on solid ground 
Could have grown up to be a gambler
But he’d seen where the money goes
So he just played the blues
And watched the river flow

So Mississippi he became a music man
His hat tilted to one side
He wore a watch chain in his waistcoat 
And a twinkle in his eye 
Those gamblers liked to buy him a whiskey
So he’d smile on the dice they’d throw
As he’d play them the blues
And watch the river flow

Now they say down in Mississippi
When you’re riding on the river at night
That if you raise up your glass of whisky
There’s a chance that you just might
Hear the sound across the water 
From the deck of that old paddle boat 
As he plays the blues 
And watches the river flow

Mississippi

Composed Arranged & Produced
By Ian Greaves & Joerxworx
Joerxworx: flute and saxophone remix
@joerxworx

Critical Elements by IPG1 Feat. Joerxworx

Random Sightings / IPG1 and Paploviante
Bass, Guitars, Synth, Beat and Mix Mastering Paploviante
Picture IPG1
Vocal IPG1:
https://soundcloud.com/ipg1/random-sightings-vocals-92-bpm
This is an open invitation for a collab, this track is open for downloads. All producers, mixologist, DJ, and Musician are welcome to test their skills and artistry. The file is submitted "as is", add what you want to complete it, or simply sample parts. If you use it, please link back to this page. Message me here with a link to your production and I will repost... Enjoy fam!
To all producers you have my permission and authorization to use it as your own. I have published this as royalty free. You can monetize or do whatever you want with it. All proceeds are yours to keep. Everyone is welcome to participate.
All I ask is vocal credit, my name is: Ian Greaves aka (IPG1)Peace!
Enjoy Fam!!!

Music & Lyrics: Jan Schonander
Guitar: Davy Vance https://soundcloud.com/skub1955 

TURN TO BURN

It’s getting better 
Getting better all the time
I’ll bide my time
I’m stepping back, it’s not a crime

It’s getting better
Getting better all the time
It’s way too heavy
And when I get my way, their gonna have to pay

When we get there 
I’ll trip and hop
I’ll step and dance
Do the jig
I’ll be singing la la la la la
La la la la la
And when we get there
I’ll trip and hop
I’ll step and dance
I’ll be singing

It’s my turn
My turn to burn
My turn in the spotlight
My turn to shine bright
Time to get what I want
Time to get what I need
It’s my turn
Time to leave things behind
My turn to burn
My turn to burn

When I get there
I’ll scream and shout
I’ll be bursting
Lose myself
I’ll be singing la la la la la
La la la la la
And when we get there
All of us
Both you and me
We’ll all be singing

It’s my turn
My turn to burn
My turn in the spotlight
My turn to shine bright
Time to get what I want
Time to get what I need
It’s my turn
My turn to burn
My turn to burn
My turn to burn
It’s my turn

Turn To Burn

Turn To Burn | Davy Vance 🎸

Produced for the wonderful https://citiesandmemory.com/ as part of their SOUNDS of Italy project. Original field recording by Giuseppe Calisti. I just turned it into the mess you are now hearing : ) Official arty blurb below

Leaving Sicily is a poetic remembrance, expressed through sound, of my travels across the Island in 2017. For me the Island was a constant  barrage of wonder; both beautiful and terrifying, welcoming and isolating, modern and ancient and familiar yet alien. The piece heavily manipulates samples from the field recording captured at The Falcone Borsellino Aiport to express some of the dichotomies above. Leaving Sicily finishes with the ‘raw’ sound of the crowd of the airport terminal representing the transition from my surreal and personal travel back into the world of normality - just another tourist in the crowd about to return to his normal life.

Leaving Sicily

The Allure

The Allure (IPG1 - Arse - Myth - Cosmic Keanu)

Compose by. Chris.ZøBro 
(Original Version)

Broken Butterflies

Wheelwright: voice https://soundcloud.com/wheelwright
Beckenstein: music, lyrics, vocal melody, instruments

Fictive Sisters is a Trans-Atlantic online collaboration between Wheelwright and Jonathan Beckenstein.
________________________________________________________________

hibernating
the days grow dark
suffocating
so pull your boots on
walk out the door

frozen ridge line
and silver moon
distant tree line
the sleeping forest
is under snow

crystal flakes will crunch underfoot
icicles agleam
father winter will tread by your side
to the frosted stream

calculating
the solstice tide
enervating
procrastinating
walk out the door

frigid meadow
in moonlight glaze
dormant willow
is waiting naked
for your embrace

crystal flakes will crunch underfoot
icicles agleam
father winter will tread by your side
to the frosted stream
________________________________________________________________

Michael and I will be introducing two new songs in roughly a month, and at that time the Fictive Sisters album "Immaculate Distraction" will be available on Bandcamp. We will let you know when and provide a link. Thanks always for your listening!

image from Wikipedia

Father Winter (with Wheelwright)(Fictive Sisters)

Cosmic Danse – The Planetary Shuffle
February 2023
Duration: 3:00
Listen to the Cosmic Danse Playlist: https://soundcloud.com/bruce-klepper-1/sets/comic-danse
Special thanks to John-Marc Ventimiglia https://soundcloud.com/john-marc-ventimiglia for his highly valued musical input and for creating the planetary panning/gliss/rotation tool that was used to compose this piece.

The Solar System is the gravitationally bound system of the Sun and the objects that orbit it. It formed 4.6 billion years ago from the gravitational collapse of a giant interstellar molecular cloud.  The four inner system planets—Mercury, Venus, Earth and Mars—are terrestrial planets, being composed primarily of rock and metal. The four giant planets of the outer system are substantially larger and more massive than the terrestrials. The two largest, Jupiter and Saturn, are gas giants, being composed mainly of hydrogen and helium; the next two, Uranus and Neptune, are ice giants, being composed mostly of volatile substances.  The orbits of the planets are ellipses with the Sun at one focus, though all except Mercury are very nearly circular. The orbits of the planets are all more or less in the same plane, called the ecliptic and defined by the plane of the Earth's orbit.  The orbits of the planets, based on Earth's 1 year orbit, are as follows: Mercury .24 years, Venus .61, Earth 1.00, Mars 1.88, Jupiter 11.86, Saturn 29.46, Uranus 84.01, Neptune 164.80, Pluto 248.80.  They all orbit in the same direction, counter-clockwise looking down from above the Sun’s north pole; all but Venus, Uranus and Pluto also rotate in that same sense. 
For alto sax, tenor sax, baritone sax, trumpet, metallophone, piano, bass, virtual instruments and percussion.

Cosmic Danse - The Planetary Shuffle

As The Case May Be / FRAWSTAKWA & Paploviante
Lyrics and vocals written and performed by FRAWSTAKWA
@frawstakwa
https://soundcloud.com/collaborativeefforts/as-the-case-may-be-164bpm?in=frawstakwa/sets/frawstakwapella-open-for-1
Paploviante: Bass, Background Music, Arrangement, Mix, Picture and Mastering

As The Case May Be - FRAWSTAKWA & Paploviante

Flushed Red

Listen To All My Music On All Platforms!

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For any enquiries:
Email: shemarx30@gmail.com
Instagram: @shemar_x__

Echoes

Balance

COMPOSER - PRODUCER - MUSICIAN
I PLAY BASS GUITAR AND DRUMS
IN THE BAND „4NO1“
(ALL STYLES, SINCE 1992)

We're late starters, hence the name.  Andy started playing and learning how to use a DAW to keep distracted during the covid lockdown, while Helen finally realised a long held ambition to have a go at singing, and is now both writing and performing.
We love the community on Soundcloud, where we can share our music with like minded souls.

Andy & Helen

the engine room

betterlate

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