La Malediction D'amour (Bezuma Edit)

Bezuma - Ж​У​К​О​В А​Р​К​А​Д​И​Й П​А​В​Л​О​В​И​Ч

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Daphne Oram, UK, 1959. – 120 Years of Electronic Music

The technique of Oramics was developed by the composer and electronic engineer Daphne Oram in the UK during the early 1960s. It consisted of drawing onto a set of ten sprocketed synchronised strips of 35mm film which covered a series of photo-electric cells that in turn generated an electrical charge to control the frequency, timbre, amplitude and duration of a sound. This technique was similar to many previous photo-electric sound synthesis systems such as Yevgeny Sholpo’s Variophone some years earlier in Leningrad, the Superpiano (1928) and probably the earliest, the Luminaphone of 1925. The output from the instrument was only monophonic relying on multi-track tape recording to build up polyphonic textures.

Oram worked at the BBC from 1942 to 1959 where she established the Radiophonic Workshop with Desmond Briscoe. She resigned from the BBC in 1959 to set up her own studio the ‘Oramics Studios for Electronic Composition’ in a converted oast-house in Wrotham, Kent. With the help of the engineer Graham Wrench, she built “with an extremely tight budget and a lot of inverted, lateral thinking” the photo-electrical equipment she christened ‘Oramics’ which she used to compose and record commercial music for not only radio and television but also theatre and short commercial films.

Bezuma - The Legend, Daphne Oram

Bezuma in his selection, he tastes music bordering on Minimal, Breaks and Tech. He is distinguished by a unique musical taste and an extraordinary personality. Alexandr is interested in exploring deep unusual surreal textures and experimental sounds with the idea of turning them into a musical composition.

Bezuma

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