Untitled Mk III

Temple001  Variant- Hyperbaric Chamber

Taken from the album 'TST' out 10th July 2015. Pre-order the LP here: http://bit.ly/1c3ErsS 

The Smoking Trees 'Home In The Morning'

Living Room n°90 ~ @ghosttropics

~

q. pls introduce yourself:

a. Hi! I’m Ryan aka ghosttropics and I think most people on here know me as “that person who is in the comment boxes of all the ambient releases on bandcamp”. Mostly I’m just a huge music nerd/listener/dancer, but I try to write about the music that care about as much as I can as a way to engage with the community a bit more and to give back to the artists who bless me with the music that brings so much to my life. Which is how you guys found me! This is only the second mix I ever made and I’ve since worked on a couple more, and it’s becoming this very fulfilling new thing in my life that I look forward to exploring a bit more.

q. is there a story behind the mix?

a. First of all I just wanted to thank you guys for having me here and giving me this opporunity to work on this mix, which ended up being very meaningful and downright therapeutic for me to make. It is dedicated to my late best friend Blakely, and also to anyone who lives with that soul deep and unnameable feeling of missing someone, but also feeling them with you all the time. At the very centre of the mix (both figuratively and at the literal halfway point) is a track of Blakes that I hadn’t been able to bring myself to listen to for years. I always thought it was one of the most beautiful things I ever heard and just the purest audio distillation of everything I loved about my friend, and as soon as the mix started to come together I knew it was the right time to bring it back into my life. Everything from there just seemed to come together on is own as if guided by a gentle hand.

The feeling I tried to capture in this mix is not simply sadness because grief is SO much more than that. It’s about how that sadness can also be so deeply intertwined with a feeling of indescribable gratitude and joy in having known a person, and it’s about all the beautiful and unexpected ways we can keep them with us throughout our lives. To me, this mix is exactly that. A way to share the story of my friend with the world and feel closer to him, and I hope that listening to this can give others the space to remember and relate to their own experiences in a way that feels meaningful as well.

q. what’s the best way to enjoy your mix?

a. As is my answer to most things: lying down, eyes closed, cuddling a cute dog. But really, wherever works best for you! 

q. describe a favourite object in your living room...

a. I found the most beautiful/perfect antique rocking chair with a rocking footrest on the sidewalk a couple months ago and I swear I could not even conceptualize a better reading chair. I refused to buy one for years because I wanted it to be perfect (I read nearly as much as I listen to music) and part of me feels like I willed this thing into reality. 

q. are you working on any projects right now (music or not music)?

a. I’m thinking about maybe starting some sort of newsletter as my friends keep telling me to do, but for now I’m just gonna keep writing my little bandcamp reviews and making more mixes, cause that’s what’s feeling good right now. And despite my past promise to myself to never become a DJ (half joking) maybe buy a controller and start figuring out how to do some of this stuff live at some point!

Living Room n°90 ~ ghosttropics

I don't own this track in any way, shape, or form.
Please support the original artist WHITEWOODS and the creator of the remix ZEN.

Whitewoods - Beachwalk Remixed By Zen

The first track from "A Crow Looked At Me" by Mount Eerie
(ELV040 from P.W. Elverum & Sun, March 24th, 2017)

available here:
www.pwelverumandsun.com

A Crow Looked At Me

"Real Death" by Mount Eerie (from "A Crow Looked At Me")

Eloïse Decazes & Eric Chenaux - La bride
TFR043
http://www.three-four.net/releases/TFR043
Out april 14th, 2017. Available on LP, CD and digital.
Order: https://wearethreefour.bandcamp.com/album/la-bride

La bride [The Bridle], which is here released by the Lausanne-based three:four label (Norberto Lobo, Danny Oxenberg & Bear Galvin, Mike Wexler, etc.), is their second album and it is perhaps even more surprising.
What do we find here? Ten new songs from old times, reimagined from top to bottom, arranged with equal parts madness and precision. One dies always and often in the rolling waves and riptides of these songs without refrain. You can only love furiously and you lose yourself almost everywhere. One hears vicious tales sung in a language characterized by insane turns of phrase. Animals have the word and the forest frightens to death, children make love, and if fathers die by the swords of their sons, it is well deserved. But Eloïse Decazes, more dancer than actress, more visual artist than storyteller, more musician than anything else, does not embellish the literal, never dramatizes her narratives, preferring to blow her melodies like glass or scrub and distill them to limestone and chalk, seeking air in the wooly outlines of verses. Her voice like dawn and her curious formations accompanied by the multiple sonic stances of Chenaux are like myriad flares that inscribe a ballet of shadows and lights in the dark material of the themes, very slow and very beautiful. One hears these firmly unstable arpeggios played on nylon strings that interwoven patterns of electric guitar come to disturb or even liquefy like waves. It is comprised of surprises and conflicting emotions. Furthermore, we are stunned by the way this curious album sometimes induces vertigo, with its vocal majesty and fake crawling violins, its harmonic suicides and misleading solos; how handily it subverts its forms, but without fuss, with kindness and in the utmost calm.
Let us be clear: La bride is not folk music, nor even so-called traditional music. It is an album of new music dreamt and conceived from very old melodies, an observation testified to by its production - all in shifting stereo - its soft psychedelia, a dialogue with a certain intrepid modernity (Monk, Cage, Derek Bailey and the "Obscure" records of Brian Eno are all visible from here), the love of inquiry and peregrinations for a present that is ceaselessly renewed.

La Bride

Eloïse Decazes & Eric Chenaux - Le deuil d'amour

Out of the Woods (Demo)

License: https://www.marmosetmusic.com/browse/44463-where-the-morning-glories-grow

Untitled Mk III

Mal

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