On this episode of the B&H Photography Podcast, we discuss food photography and ask our two guests to create their ideal spread for a summer food photography shoot. 

In the first half of the show we welcome photographer Meika Ejiasi, who is a food, lifestyle, and portrait photographer from Oakland, California. With Ejiasi we discuss how she would photograph ice cream and popsicles but also about tips and tricks for keeping pizza looking hot after many takes. We talk about utilizing food substitutes, including acrylic ice cubes, about shooting at working restaurants, and the joys and challenges of getting a call from a big brand. Ejiasi also shares with us hopeful plans for a project dedicated to corn on the cob. Yeah. 

In the second half of the episode we speak with photographer Cherry Li, whose work crosses genres and cultures, but always imparts her love for food and photography. We speak with Li idea of play when it comes to creativity, whether that be playing with food, with flavors, or with the concepts of food photography via lens and styling decisions.  We chat about shooting in kitchens and power packs vs. speedlites, such as the Godox AD200 and also about monitoring tethered to a computer or wirelessly to an iPad. We wrap with a brief chat about Li’s new venture – a new studio and an online photo course dedicated to food photography. Her work really stands out.

Join us for this informative episode and check out the articles and videos presented on the B&H Explora blog as we celebrate Food Photography Week. 

Guests: Meika Ejiasi and Cherry Li
Photograph © Meika Ejiasi
https://www.bhphotovideo.com/explora/podcasts/photography/summer-food-photography-bh-photography-podcast

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Summer Food Photography

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Documenting a culture can be a daunting process, especially when it involves a history of conquest and colonialism. Synthesizing such a complex and traumatic past in a contemporary narrative is a formidable task, requiring extensive research and dedicated planning. This is the back story to today’s podcast.

Above photograph © Juan Brenner

For the seventh chapter in our monthly series, Picturing World Cultures, we speak with Guatemalan photographer Juan Brenner about his recent projects in the country’s Western Highlands.

Our chat begins with Brenner’s introduction to photography as a youth, and the protective bubble surrounding him during the country’s brutal civil war. He left Guatemala at age 20 to forge a career as a fashion photographer in New York, which filters into our discussions about portraiture and photo gear.

But our primary focus is on Brenner’s recent personal projects, created after his return to Guatemala, and an epiphany he had about the idea of “Indigenous Power.”

Listen in as he describes how this concept was subsequently called into question. You’ll gain insight into the unequal power quotient that comes with being a “Mickey Mouse” photographer and discover how critical aspects of communication extend well beyond the basic structure of language.

As Brenner notes during our chat, “You have to be really careful just being a photographer. It's so colonialist, you know, having a camera. You have this big robot that you stick in people's faces. You have this advantage. And, for me, it's really important to think about that a lot.”

If you haven’t already listened, check out all the episodes of our Picturing World Cultures podcast series here:
https://www.bhphotovideo.com/explora/p/picturing-world-cultures

Guest: Juan Brenner

For more information on our guest and the gear he uses, see:
https://www.bhphotovideo.com/explora/podcasts/photography/picturing-world-cultures-juan-brenner-guatemala


Stay Connected:

Juan Brenner Website: https://www.juanbrenner.com

Juan Brenner Instagram: https://www.instagram.com/juan_brenner

Juan Brenner Twitter: https://www.twitter.com/JuanBrenner5/

Artist talk with Juan Brenner: https://www.youtube.com/watch?v=FPiwQXWUMJ8&t=40s

Juan Brenner’s book Tonatiuh: https://editorialrm.com/en/producto/tonatiuh/

The B&H Photography Podcast

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Picturing World Cultures: Juan Brenner - Guatemala

Sports enthusiasts from around the world will soon be glued to their nearest viewing screen, watching the action unfold during the international Summer Olympic Games in Paris.

But how much do you know about the finer points of photographing elite level competition, or about the lightning-fast, high-tech journey these images make from inside a camera to a remote editing workflow, and then onward to be enjoyed by you, the viewer?

In today’s podcast we’ve got the inside track on how these visual delicacies are brought to life and served up to global audiences. Our guests are Getty Images Chief Photographer Maddie Meyer and Managing Editor James Chance, who runs Getty Images’ editing operations in Europe.

We start with Maddie, who details the advance preparations and complex logistics required to ensure the success of 60 Getty Images photographers on the ground in Paris, alongside a sizable amount of remote and robotic gear. In the show’s second half, James describes the impressive synergy between the photographers on site and the massive team of photo editors he’s assembled to work remotely from London and in other locations around the world—a complex infrastructure that’s a first for the agency.

Immerse yourself in the passion for sports and learn what it takes to capture images that set you apart from the pack.

As Maddie Meyer sums up, “That's where the real challenge comes in. And that's where I would say it's really difficult. But that's where knowing the athletes comes in, knowing the way they move, knowing their rituals before they get in the pool, knowing some of the dynamics between the athletes, where you can really kind of pick up on the minutia to try and make something special.”

Guests: Maddie Meyer & James Chance

Guest Bios:
Maddie Meyer is a chief photographer for Getty Images based in—but not geographically limited to—Boston, Massachusetts. She joined the Getty Images team in January 2015, after earning a Bachelor of Science degree in photojournalism from Ohio University. Maddie’s assignments range from covering New England’s professional sports teams to international travel covering events such as the Men’s and Women’s World Cup, the FINA World Swimming championships and the Olympic Games in Rio and Pyeongchang. Her pictures are continually published in major metropolitan newspapers, magazines, and websites worldwide, including ESPN, the New York Times, Sports Illustrated, the Washington Post, among many other media outlets.

Equally skilled as a photographer, James Chance began his editing career as a freelancer in London. He currently serves as the managing editor for Getty Images Europe, the Middle East, and Africa. He works to train and schedule the editing team, as well as plan editing for major events such as the Women's World Cup in Australia, and the Paris Olympic Games. James helped to create the vision for Getty Images remote editing plan, where photo editors will be working out of the company’s London office, while the photographers will be in Paris. 

Stay Connected:
Maddie Meyer Website: https://www.maddiemeyerphoto.com/
Maddie Meyer Instagram: https://www.instagram.com/maddiemeyer2/

James Chance Instagram: https://www.instagram.com/jameschance_5
Getty Images Website: https://www.gettyimages.com/

Sports Action & Image Workflow for the Paris Games, with Maddie Meyer & James Chance

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Today we welcome two of professional basketball’s best photographers, and that’s not just me talking. Nat Butler is Senior Photographer for NBA Entertainment and has worked the last thirty-three NBA Finals. He is also the official photographer for the New York Knicks and Brooklyn Nets. Andrew Bernstein is the longest-tenured official NBA photographer, the photographer for the L.A. Lakers and L.A. Clippers, a recent inductee to the NBA Hall of Fame, and the photographer of the new book, The Mamba Mentality, by Kobe Bryant. So, enough of the bona fides, these two photographers are also great friends, and they bring their easy-going banter and the ultimate insider’s perspective to the B&H Photography Podcast. 

Our conversation covers a wide range of topics, from the gear they use (and what they don’t), the lighting systems they’ve developed, the intimacy of basketball photography compared to other sports, and how fashion and social media has affected their day-to-day work. We also dig into the shooting strategies they employ for each game and how their images are used by NBA Photos. Butler noted that in the past, a cover photo on Sports Illustrated would have been seen by approximately 3 million subscribers and, now, with tethering and instant feeds, a game photo can be seen by up to 30 million subscribers to the NBA Instagram feed within five minutes of the photo having been taken. Whether you are into sports photography, event and production photography, or NBA history, this episode is for you.

Guests: Nat Butler and Andrew Bernstein 
Photograph © Nathaniel S. Butler / NBAE / Getty Images

https://www.bhphotovideo.com/explora/podcasts

https://www.mcdbooks.com/the-mamba-mentality
https://www.instagram.com/adbphotoinc/?hl=en
https://www.instagram.com/natlyphoto/?hl=en

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Shooting Hoops—Basketball Photography with the NBA's Best

In 1958, Art Kane, already a successful art director looking to jump-start his photography career, pitched the idea of a “class photo” for Vogue magazine’s annual jazz edition. In addition to individual photographs of jazz legends, he proposed a group portrait of musicians gathered on a stoop, in Harlem.  For music and photography aficionados, the photo, now commonly referred to as “A Great Day in Harlem,” is an iconic image, and on today’s episode of the  B&H Photography Podcast we speak with Jonathan Kane—Art Kane’s son and an accomplished musician and photographer in his own right—about the creation and impact of this photograph. We also discuss the new book, "Art Kane. Harlem 1958 - 60th Anniversary Edition", which provides context for the image's creation and never-before published outtakes. 

In the second half of the show, we welcome contemporary jazz photographer Clara Pereira, who is one-half of the team behind the blog Jazztrail.net. Pereira speaks on the nuts and bolts of jazz photography, including tips on  gear, technique, settings, and lighting. We find out that her simple approach is very effective, as she explains how to keep a low profile while shooting, the differences between working a club and a concert hall, and between performance and portrait work. Join us for this enjoyable episode and take a listen to our earlier episode on the image,  “A Great Day in Hip-Hop,” which was photographed at the same Harlem location as Art Kane’s masterpiece. 

Guests: Jonathan Kane and Clara Pereira 
Photograph © Clara Pereira

https://www.bhphotovideo.com/explora/podcasts
https://www.wallofsoundgallery.com/en/art-kane/
http://www.jonathankanephoto.com/
https://www.clarapereiraphotography.com/on-stage/

Jazz Photography and “Harlem 1958” by Art Kane

During a little holiday trip, producer John Harris made a visit to the gallery and studio of photographer Clyde Butcher. For anyone who grew up in Florida, Butcher’s work should be very familiar; his photography is often found on the walls of local libraries, municipal buildings, and, as Miami native Jason Tables points out, “every doctor’s office I’ve ever been in.” Butcher’s images of the Florida landscapes, particularly of the Everglades, are legendary, and although he has a brisk print sales business, many of the photos in libraries have the attached placard, “Donated by Clyde Butcher.” 

Although he is known primarily for his large format black-and-white photography of “the swamp,” Butcher’s photographic career extends back over many decades and includes architectural photography, mountain and western landscapes, filmed documentaries, and decorative color photography. Interestingly, Butcher began his career selling prints at small art fairs and, in the 1970s, he had a thriving business selling thousands of prints through department stores such as Sears and Montgomery Ward.

This episode of the B&H Photography Podcast is a casual conversation that glides through several topics including Butcher’s work with large format cameras, his recent foray into Sony digital cameras paired with Canon tilt-shift lenses, the incredible set of vintage enlargers in his giant darkroom space, the business models he and his family employ to market his images, water conservation, and, of course, his relationship to the Florida landscape for which he will be forever linked. Join us for this conversation with a true master.

Guest: Clyde Butcher 

For more images and information on the gear discussed in this episode visit https://www.bhphotovideo.com/explora/podcasts

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Clyde Butcher - Photographing the Everglades and Selling Clocks

Imagine the privilege of being present at the creation of one of the “wonders of the world,” and then imagine being asked to document the magnitude—and the details—of that creation. Our guest on today’s episode of the B&H Photography Podcast has just that privilege and that responsibility and, as he puts it, this telescope may “change the way we understand our universe.”  

Chris Gunn has been a NASA contract photographer for almost twenty years but, for the past ten, he has dedicated himself to the James Webb Space Telescope and documenting the construction and eventual launch of this spacecraft, which will replace the Hubble as NASA’s most powerful telescope. We speak with Gunn about all aspects of his job and, specifically, about the gorgeous medium format images he creates that are made available to the public. Gunn is responsible for documenting the construction process, which includes everything from portraits of scientists to macro shots of screws, and he relates how he has “taken the extra step” to evolve as a photographer, incorporating mirrorless medium format photography and detailed set-up shots. Gunn must be prepared to shoot any style of photo and he discusses his daily responsibilities, how his gear has evolved over time, the lighting he chooses, and his interaction with the hundreds and technicians and scientists he works with regularly.

We also discuss marketing yourself as a photographer and the specific challenges that make his job like no other, including working in giant “clean rooms,” accepting that your work is immediately in the public domain, and incorporating the aesthetics from science-fiction films. Sitting in on this recording is our own member of the B&H Space Force, writer Todd Vorenkamp. Join us for this fascinating episode in which we learn about this incredible spacecraft and the work that goes into documenting its creation and check out this previous episode with imaging scientists from the Hubble Telescope team.   For more images and links to the gear we discussed in this episode check https://www.bhphotovideo.com/explora/podcasts

Guest: Chris Gunn
Above photograph © Chris Gunn

Space Odyssey - Photographing the James Webb Space Telescope, with Chris Gunn

Shari Belafonte knows cameras from both sides and she brings an understanding to the medium that is as palpable as her sense of humor. It was a pleasure to welcome her to the B&H Photography Podcast.  We know of Shari as the face from so many magazine covers in the 1980s and ’90s—no kidding, every other face at the check-out line melted away when you saw that smile. Of course, she has the same last name as a 20th-century legend (who just turned 93 this week, by the way), but did not use it at the beginning of her professional life. However, as her modeling career grew, so came television and movie roles, and she is currently a regular on the hit show, The Morning Show. Multi-talented? Yes, and we didn’t even talk about her singing voice, but what we didn’t know was that she went to school to work behind the camera and never really put it down, including stills and motion work over the years. 

First to admit her modelling career came as a bit of a surprise, Belafonte did have her first professional shoot with none other than Richard Avedon, and that Calvin Klein campaign included a memorable early video component. In that period, she graced the cover of more than 300 magazines, including VOGUE, Jet, and Glamour. We speak with her about learning the modeling craft as she continued to learn the crafts of camera and lighting, working with the likes of Avedon and Francesco Scavullo.

We also flash back a bit and talk about growing up the daughter of singer, actor, and civil-rights activist Harry Belafonte, discussing his Leica cameras, the role of photography in their household, dealing with the press and paparazzi, and a few of the famous shots of her father with his friend Dr. Martin Luther King, Jr. Shari had her first camera at age four and generally spent high school and college in the darkroom before modeling and acting took over. Later, a well-timed gift of the then-new Canon EOS camera reignited her passion for making images and she continued, exhibiting several series of work over the years, shooting stills and BTS on films, even learning Steadi-Cam and “dp’ing” on music videos and shorts. We talk technique, interaction with talent, post-production, and about the power and beauty of creating a “moment in time.” Join us.

Guest: Shari Belafonte
For images by our guest and links to gear discussed in this episode visit: https://www.bhphotovideo.com/explora/podcasts

A Moment in Time, with Shari Belafonte

The B&H Photography Podcast: Join us every other week for a conversation with insightful and entertaining guests. From gear and technique to history, science and art, we discuss the issues most important to the contemporary photographer.

Sports Action & Image Workflow for the Paris Games, with Maddie Meyer & James Chance

B&H Photography Podcast

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