brainwash - part 2

Move On Up CURTIS MAYFIELD

The Glitter of the City

Glitter of the City (Song By Tahira)

You Can't Steal My Joy

Space is the Place

The Truth

Now lot of people don’t like Mondays and we think that’s fair enough; going back to work feeling a decade older after a heavy weekend spent making memories with friends can be a chore for even for the most optimistic of us as we trudge back in to the daily grind.  Luckily, help is at hand as we've secured Dominica's unreleased summer anthem 'Gotta Let You Go'.

Having caused quite a stir in clubs and festivals across the globe throughout warmer months, we had feared that the track wasn't going to get an official release despite the likes of Jackmaster and Skream championing the track in their sets.

Thus we were delighted to hear that it would finally be arriving via Altra Moda Music this November and quickly set about securing it for premiere. Rock solid grooves, pumping synths and rolling snares underpin catchy, redolent vocals for a sunshine soaked floor filler guaranteed to ward off those winter blues.  

Facebook: https://www.facebook.com/AltraModaMusic
You Tube: youtube.com/AltraModaMusic

Spotify: https://goo.gl/p1gaWy
YouTube: https://goo.gl/3JmFbF
Facebook: https://goo.gl/ZAsYwY
Twitter: https://goo.gl/yHyvTs
Instagram: https://goo.gl/6LqfCJ

Gotta Let You Go

Dominica - Gotta Let You Go (2015 Edit)

U Sure Do

U Sure Do (Strike 7" Mix)

Feeling

An artist as imaginative and unique as Ana Mazzotti doesn’t come around often. Dubbed a “super-musician” by fellow Brazilian virtuoso Hermeto Pascoal, Mazzotti’s short but rich musical career culminated in just two studio albums: Ninguem Vai Me Segurar (1974), and Ana Mazzotti (1977). Outside circles of Brazilian funk aficionados, these two gems of spellbinding samba-jazz, lysergic funk and trippy bossa have remained relatively obscure. This was partly as a result of Mazzotti’s premature death (she lost her battle with cancer in her mid-thirties), but also due to financial restraints and the prejudice she faced as a female songwriter in a fundamentally sexist society.  

Born in Caixas, in Brazil’s Rio Grande do Sul municipality, Mazzotti began to play the accordion aged five, before moving with prodigious ease onto the piano. By the age of twelve she was already conducting her convent school’s choir, and at twenty-one she led her city’s premier chorus, the Coral Bento Goncalves. 	When rock and roll hit South America in the sixties, a young Mazzotti was one of the early adopters, fronting various guitar groups including an all female Beatles cover band, and an eclectic, eight-piece psychedelic group Desenvolvemento. Before moving to Sao Paulo to start her career proper, Mazzotti met drummer, producer and fellow music educator Romido Santos, who she would later marry. Romildo introduced Mazzotti to jazz, and music by the likes of Chick Corea and Hermeto Pascoal who she would later befriend and perform with.

In 1974 Mazzotti recorded her first album Ninguem Vai Me Segurar (1974), enlisting the in-demand arrangement talents of Azymuth’s original keyboard maestro Jose Roberto Bertrami who co-wrote several of the tracks and plays organ, piano and synthesizers on the album. It also features Azymuth’s bassist Alex Malheiros and percussionist Ariovaldo Contestini, with Romildo Santos who produced the album on drums. Recorded in Estudio Haway around the same time Azymuth recorded their debut album there, it’s no wonder the samba jazz-funk pioneer’s distinctive aesthetic is present throughout, and Mazzotti’s sensational compositions are made even more beautiful for it.

Kicking off with the swirling samba-jazz-dance masterpiece ‘Agora Ou Nunca Mais’, the album hosts several groove-heavy Brazilian cult-classics including ‘Roda Mundo’ and ‘Eu Sou Mais Eu’. Deeper moments come in the form of the alluring future soul synth sounds on ‘Bairro Negro’ and ‘Sou’, and Mazzotti’s tender, hallucinatory version of ‘Feel Like Making Love’ (made famous by Roberta Flack) perfectly reflecting the idiosyncratic genius Mazzotti achieved with Bertrami’s visionary arrangements, and Romildo’s impeccable production approach. 

Far Out Recordings is proud to present the official reissue of this cult favourite Brazilian treasure. Remastered and pressed to 180g vinyl, Ninguem Vai Me Segurar (1974) will be available on vinyl LP, CD and digitally from 13th September.

Vinyl / CD / Digi

Feel Like Making Love

Brainfeeder X

Squaz

Feeling

Bibio

Recent comments

Abeo

stubbs

stubbs

Related tracks