I really like how you gradually build up your tracks - the pacing is perfect and keep the tracks continuously evolving. Lovely vocals.

Geräuschteppich

To even start saying something about the remixers or mention their biographys or discographys would mean to expand this infosheet to a book-sized techno history volume.
!We say thank you for all the support over 20 years and thanks again for really heartfelt remix work we’ve received from our friends to realize this huge project.

Heiko Laux - Moved (Ricardo Villalobos Remix) Snip

New track from 'solarispellis' premiered on XLR8R http://www.xlr8r.com/mp3/2014/10/section-12

Solarispellis

Section 12 Bleep 

Buy the album:
iTunes: http://smarturl.it/NaturalSelection

Spotify: http://spoti.fi/1ydhiJC
Beatport: http://btprt.dj/11wa2ON

www.facebook.com/artdepartment

Buy on iTunes

Crazy

R U N

Halocline Trance

Gerry Canavan from Marquette University delivers a talk titled “Parables of the Trickster.” This talk was included in the session titled “Beyond Octavia E. Butler’s Parables.”

Part of “Octavia E. Butler Studies: Convergence of an Expanding Field,” a conference held at The Huntington June 23, 2017.

Parables of the Trickster

Tracklist and Q&A: http://www.thefader.com/2018/08/09/fader-mix-embaci-non

embaci final fader mix

FADER Mix: Embaci

Thursday 31 January 2019
CTM 2019 – Persistence 
Kunstquartier Bethanien, Berlin

Video available via YouTube: https://www.youtube.com/watch?v=u96NOwC5_AY

Though the idea of resilience is often presented as a progressive solution to gender, race, and class-based inequalities, the labour of resilience follows a traditionally patriarchal division of labour, which makes women and other non-cis-men responsible for fixing both themselves and systemic social problems like sexism. Resilience is a quintessentially neoliberal technology that uses logics of investment and purported inclusion to upgrade and intensify white supremacist capitalist patriarchy to work more efficiently in the early 21st century. I use Rebecca Lentjes’ concept of “sonic patriarchy” to explain how this happens in 21st century popular music, and then identify several musicians’ "melancholic" alternatives to resilience.

CTM 2019: Resilience, Sonic Patriarchy, & Feminist Melancholies by Robin James

I got dat woda.

Tracklist:
小久保隆 - 01 [00:00 - 04:06]
Susumu Yokota - Hagoromo [04:06 - 7:52]
Marc Cary - Rhodes Ahead Intro [07:52 - 10:07]
Autechre - Altibzz [10:07 - 13:41]
Jonny Nash & Suzanne Kraft- Beluga’s Song [13:41 - 18:04]
Aphex Twin - Untitled [18:04 - 21:12]
Oneohtrix Point Never - Physical Memory [21:12 - 23:22]
Kareem Lotfy - FR3SH [23:22 - 26:55]
Biosphere - Chukhung [26:55 - 28:34]
Leila - Underwaters [28:34 - 31:28]
OCA - Heaven Cent [31:28 - 34:49]
Visible Cloaks - Screen [34:49 - 38:03]
Jaco Pastorius solo (live w/ Joni Mitchell, 1977) [38:03 - 41:10]
Iury Lech - Barreras [41:10 - 46:45]
Cliffdiver - Digital Dreams [46:45 - 51:30]

AQUAPHORIA

The courage to cover Schubert in days of corona. 2020

der leiermann  essay

The Sonic Episteme is a book I (philosophy prof Robin James) wrote. Since I can't travel to promote it, I've decided to make a podcast series that introduces audiences to the book and gives them a snapshot of both the book's contents and my thoughts about it.

This episode focuses on the book's introduction. I open by talking about how I got the idea for the book and framing the book's overall argument. In the second half I read a short excerpt from the book's introduction.

The Sonic Episteme Podcast Episode 1

Ekin Fil - SANPO 159 (Lockdown Series)

from the new album 'Moved', out now on Aentitainment

http://aentitainment.bandcamp.com/album/moved

Some Soil

b i b l o

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