Terrific sounds and just loving that cool bass......

ben benieuwd of jij t ook wat vind zegt ie dan , haha , heel lekker is t , beetje jazzy , ik word hier wel blij van :-)

love those baying lows on the bass... the damp, moody guitar tone... the sonic sophistication!

terrific production! wonderful work Peter and Feddo!

Really cool how the different melodies gives you a headbutt here and there, keeps you on the edge of your seat. Distraction at it's finest!

tides

An instrumental based very loosely on the lovely Bill Withers song. I liked the groove and thought it had a summer feel : )
If anyone wants to add anything I have made the high quality file downloadable, if your DAW cannot handle high quality files I can make an MP3 version available if you want : )

Lean On Who? (Instrumental)

'Rising From The Ashes Part III'
I am absolutely delighted to post this third part in the series of tracks and trilogy 'Rising From the Ashes'
This has been an incredible journey for me and being joined by:
John Hamilton  - Composition/Drum programming/Keyboards
Georg Boehme -  All Saxes/Sax Arrangements
Louis Taverna   -  Guitar Solo

Alan Hamilton  -  Composition/Arrangement/Acoustic & Electric Pianos/Organ/                                                   Synths/Percussion/Drum programming/Bass/Production 

Thanks to all of you for helping to bring this trilogy to such a fantastic conclusion.
Alan

Rising From The Ashes Part III

Rising From The Ashes Part III (Feat. John Hamilton/Georg Boehme/Louis Taverna)

Wake Up World

Cover of ‘Over And Over Again,’  by Uncle Acid And The Deadbeats.

Music, production: Verulium
Vocals: Amanda

Luxury Rock Collection

Over And Over

Over And Over Again

HE WANTS TO BE FREE

HE CAME TO ME AND SAID MR LADY
I THINK IT’S ONLY FAIR TO LET YOU KNOW THAT MY BABY
FORBIDS ME OUT TO SAIL
AND KEEPS ME IN A JAIL

I JUST WANNA BOOGALOO
AND SINCE I’M A BODY
I WOULD LOVE TO BE FREE

HE WANTS TO BE FREE

SINCE I’M A BODY
I WOULD LOVE TO BE FREE

SHE CAME TO ME AND CRIED LISA MONA
I JUST WANT YOU TO KNOW THAT MY DAMN BLOCKED OWNER
SHE’S SHY WITH ME SHY OF ME
SHE HIDES ME FROM THE OTHERS
HIDES FROM THE DANCERS

I AM JUST A BODY
I WANT IT FREE

THAT’S THE PRAYER OF THE BODY
LET ME BE
FREE

LET YOUR BODY BE 
LET YOUR BODY BE
LET YOUR BODY BE
FREE
I AM JUST A BODY
I WANT IT FREE

LET YOUR BOOTY BOOGIE

LETURBODB (Lyrics

Stranded in the outskirts of the city.

Artwork: unknown

Urban Steps

Urban Steps | Big Beech

The Tabula Smaragdina (stressed tábula smarágdina, Latin for "emerald tablet") is a text traditionally attributed to Hermes Trismegistos, which forms the philosophical basis of Hermeticism and is considered the foundational text of alchemy.

The Tabula is one of the most famous texts of alchemical and hermetic literature. The twelve or so dark, allegorical sentences reflect the idea of a interrelation between the microcosm and the macrocosm. That which is below is like that which is above, and that which is above is like that which is below, an eternal miracle of the One.

The oldest extant version of the text is found in the appendix to a 6th century Arabic manuscript. Translated into Latin in the 12th century, the Tabula was commented on and received by many alchemists in the Middle Ages and increasingly in the Renaissance period. Even after the emergence of modern natural sciences, its fascination, at least for occultists and esotericists, remained unbroken until the present day.

Die Tabula Smaragdina (betont tábula smarágdina, lateinisch für „smaragdene Tafel“) ist ein traditionell dem Hermes Trismegistos zugeschriebener Text, der die philosophische Basis der Hermetik bildet und als Grundlagentext der Alchemie gilt.

Die Tabula ist einer der berühmtesten Texte alchemistischer und hermetischer Literatur. In den rund zwölf dunklen, allegorischen Sätzen spiegelt sich die Vorstellung eines Zusammenhangs von Mikrokosmos und Makrokosmos. Das was unten ist, ist wie das, was oben ist, und das was oben ist, ist wie das was unten ist, ein ewig dauerndes Wunder des Einen.

Die älteste erhaltene Textversion findet sich im Anhang zu einem arabischen Manuskript des 6. Jahrhunderts. Im 12. Jahrhundert ins Lateinische übersetzt, wurde die Tabula im Mittelalter und verstärkt im Zeitalter der Renaissance von vielen Alchemisten kommentiert und rezipiert. Auch nach Entstehung der modernen Naturwissenschaften blieb ihre Faszination zumindest auf Okkultisten und Esoteriker bis in die Gegenwart ungebrochen.

Tabula Smaragdina

Production & artwork by Tot. @tot-beat
Lyrics & vocals by Mariam Zohra D : Myrh

FARAWAY CALL
_______________________
I wanna break it in two
For you now

I wanna break it down

Crush like they fall
Crush like they fall

Iamma break it down

I do not have
The favour of algorithm
I am still
Break it down
I am still

Exchange, I want you to hear my faraway call

I’m loving it!

I want you to hear my faraway call
Exchange! Lovin it!
I want you to hear my faraway call

They rock the stone
They rock the stone
I am still like that stone

Crush like they fall
Those waves of ocean
They rock the stone

I crush like they fall
I break without a flinch

Well I wanna make it into
I wanna break in two
For you now

I am still like stone
Iamma break it to you
Iamma break it down
Break it down
Break it down

I crush like their fall
I break without a flinch
I am still like that stone

There’s an old sign above -
Thunderous waves of ocean -
There’s an old sign above
It says you better watch where you stand - Rock the Stone!
You better know where you go
I’m lovin it
And it stains in your palm
Those waves of ocean
Hitting on another shaking hand
Tell them
It’s just moving on

Far Away Call > Myrh&Tot.

The World We Love. The World We Hate

Just a simple acoustic arrangement. Simon & Garfunkel had so many nice songs. I did everyone a favor and did not sing this. I let my guitar sing it.

Scarborough Fair  (Guitar Cover)

Bass player and keyboard crack having fun exploring a blend of improvisation, minimal composing and maximal production.

Urban Steps | Big Beech

Big Beech

Recent comments

Related tracks