Evergreen

I am the river
this is my mountain
I have been here longer than my first breath
I am the river
running through the mountain
come and wash your feet before you step

roses by the roadside
the road is open child
the way is clear
there is nothing to fear
your back is strong
as the bamboo grows tall and long
you shall have no fear
when the river is near

bomatum atabeira
wariko waribo, wariko
bomatum atabeira
wariko waribo, wariko
wariko dayukunu
wakia waribo
bomatum waywata
wariko, wariko

I am the river
blood of the mountain
I have been here longer than your first breath
come to the rive
stand like a mountain
come and wash your spirit
draw deeper breath

roses by the roadside
the road is open child
the way is clear
there is nothing to fear
your spirit is strong
as the bamboo grows tall and long
you shall have no fear
when the river is near

bomatum atabeira
wariko waribo, wariko
bomatum atabeira
wariko waribo, wariko
wariko dayukunu
wakia waribo
bomatum waywata
wariko, wariko

bomatum atabeira
wariko, wariko
bomatum yucahu
wariko, wariko
bomatum auora
wariko, wariko
bomatum kolibri
wariko, wariko
bomatum mukaro
wariko, wariko

wariko

I am the river

Lou Toni cover of Dusty Springfield's legendary song Spooky

Spooky

Experience the full interactive album with lyrics and all the associated visual art, here: https://objkt.com/asset/KT1Rzm7bkr3SvRVpYt5eM7WEBLR53gnLJZY3/9

On The Move

2023 05 11 Coolcat Reni-Midi

Composición y letra por David Iannini Casado
Grabación y producción por David Iannini Casado

Free (From My Mind) - demo

One Of These Days

I believed

Cautious Clay - Cold War (Live On Current Mood With John Mayer)

1970's Classic Soul Type instrumental in the style of The Stylistics or The Blue Magic or The Delfonics

70s Classic Soul Type Instrumental

Sweet Home Comin’
This suite is a testament to return — not to nostalgia, but to reclamation. It maps the emotional terrain of exile, memory, and spiritual homecoming through cipher rap etched with soul and ambient folk textures. The barred gate in the jungle stream becomes a central motif: symbolizing both obstruction and passage, a surreal checkpoint between colonial rupture and ancestral reconnection.
The lyric moves through:
Displacement and silence — verses that reflect on lost lineage, broken geographies, and the quiet ache of belonging
Ancestral invocation — Akan phrases, sonic motifs, and melodic slack that summon cultural memory
Emotional testimony — not performative grief, but strategic vulnerability, carved in cadence
Reclamation — the final movement flips the gate into a portal, declaring that home isn’t behind us — it’s being rebuilt in cipher

One Of These Days

🎵✝️✴️Enoch’s S.A.L.M🈲🛐🎶

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