I WANTED TO BE THE ONE YOU COULD UNDERSTAND

I wanted to be ur woman I wanted to be ur mannn

it's like trying to start a fire in the snow

YOU WANNA BE WITH ME YOU WANNA BE WITH HIMMM

You turn me inside out and then you want the outside in

Where you can’t seem to hold me, can’t seem to let me go, so I can’t find surrender and I can’t keep control.

You spin me all around and then you ask me not to spin

You say you wanna be alone and you want children

HELL YEAHH😋😋

Vampire Empire / Born For Loving You

Vampire Empire

Using You

thingerthing gave me a new thing to be autistic over

edit from about 10 months after release: i'm glad to see so many people liking this! i've been thinking about redoing this cover cause i've learned a lot about vocal production since i made this, so keep ur eyes peeled for that if ur interested :3

Cheesy Hfj - Around The Bend (m1nute cover)

NOID Lyrics
[Intro]
Things feel out of order
Look a-look around, I'm not surer
Para-paranoia, you know (Such a—)
Feel it in my aura
Living between cameras and recorders
I know, things that came before ya, you know (Such a—)

[Chorus]
[?]

[Post-Chorus]
Around, around, yeah
Around, around
Someone's keeping watch
I feel them on my shoulder
Runnin', runnin', running', running' 'round

[Verse]
I can't even buy a home in private
Home invaders got my brothers dyin'
Notice every car that's drivin' by
I think my neighbors want me dead
I got a cannon underneath the bed
Triple checkin' if I lock the door
I know every creak that's in the floor
Motherfucker, I'm paranoid
I loop around the block, eyes glued to the rearview
Rather double back than regret hearin', "Pew, pew"
Never trust a bitch, if you good, they can trap you
So just strap it up 'fore they fuck around and strap you, bitch
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[Chorus]
[?]

[Post-Chorus]
Around, around, yeah
Around, around
Someone's keeping watch
I feel them in shadow
Someone's keeping a watch (Watchin', watchin')

[Outro]
(Such a—)
Someone's keeping watch
I can feel it, I can feel it
I can feel it, I can feel it
Chromakopia
tyler the creator
noid

CHROMAKOPIA

NOID - Tyler, The Creator ( slowed + reverb + nightcore ) from chromakopia

Like Him (feat. Lola Young)

Free Download

Gigi Perez - Sailor Song (The Chainsmokers & TWINSICK Remix)

"Velvet Rope" 

(Lyrics)

(Intro)

(Verse 1) 

The air in here... is thick.

Curated smoke... and candlestick.

The velvet rope... drops... just for you.

A red carpet... for the chosen few.

I watched you... navigate the room.

A masterpiece... of impending doom.

You didn't... glance... at the exit sign.

You knew... tonight... that you were mine.

It's choreographed.

It's written in the gin.

So... pour a drink... and let the scene begin.

(Pre-Chorus 1) 

The script is binding.

The stairs are winding.

There is no... turning back.

We're fading... into black.

(Chorus 1) 

Step behind... the velvet rope.

Abandon... fear. Abandon... hope.

This is the VIP... of misery.

And you are the guest... of honor.

(Ooh... the guest of honor...)

(Ooh... abandon hope...)

(Verse 2) 

You think you're the hunter... in this play?

That's cute... in a tragic sort of way.

I let you... catch my eye.

Like a spider... waving at the fly.

This lounge... is my web.

I control the flow... I control the ebb.

You're not... holding the key.

You're just... locked in here... with me.

The martini is dry.

The stakes are high.

Go ahead, darling... tell me another lie.

(Pre-Chorus 2) 

The lock is turning.

The film is burning.

There is no... turning back.

We're fading... into black.

(Chorus 2) 

Step behind... the velvet rope.

Abandon... fear. Abandon... hope.

This is the VIP... of misery.

And you are the guest... of honor.

(Ooh... the guest of honor...)

(Ooh... abandon hope...)

(Bridge) Are you... scared?

...Are you?

I'm... terrified.

...Good.

It's... intoxicating.

...It's fatal.

Closer?

...Too late to stop.

(Final Chorus / Outro) 

BEHIND THE ROPE!

(NO HOPE! NO HOPE!)

THE VIP OF MISERY!

(YOU'RE THE GUEST! YOU'RE THE GUEST!)

WELCOME TO THE SHOW!

(NEVER LET YOU GO!)

Velvet Rope

Never for Ever

Army Dreamers (2018 Remaster)

30 miles west of El Paso, surrounded by 3,000 acres of pecan orchards and only a stone’s throw from the Mexican border, the band Big Thief (a.k.a. Adrianne Lenker, Buck Meek, Max Oleartchik, and James Krivchenia) set up their instruments as close together as possible to capture their most important collection of songs yet. The band had only just finished work on their 3rd album, U.F.O.F. -“the celestial twin”- days before in a cabin studio in the woods of Washington State. Now it was time to birth U.F.O.F.’s sister album -“the earth twin”- Two Hands. 

In sharp contrast to the wet environment of the U.F.O.F. session, the southwestern Sonic Ranch studio was chosen for its vast desert location. The 105-degree weather boiled away any clinging memories of the green trees and wet air of the previous session. Two Hands had to be completely different— an album about the Earth and the bones beneath it. The songs were recorded live with almost no overdubs. All but two songs feature entirely live vocal takes, leaving Adrianne’s voice suspended above the mix in dry air, raw and vulnerable as ever. Where U.F.O.F. layered mysterious sounds and effects for levitation, Two Hands grounds itself on dried-out, cracked desert dirt. 

Anybody who has borne witness to Big Thief in the wild will find songs they recognize here. Much of the album’s tracks (“The Toy”, “Those Girls”, “Shoulders”, “Not”, “Cut My Hair”) have been live staples for years. “Two Hands has the songs that I’m the most proud of; I can imagine myself singing them when I’m old,” says Adrianne. “Musically and lyrically, you can’t break it down much further than this. It’s already bare-bones.” 

Lyrically this can be felt in the poetic blur of the internal and external. These are political songs without political language. They explore the collective wounds of our Earth. Abstractions of the personal hint at war, environmental destruction, and the traumas that fuel it. Lyrics like “And the blood of the man who killed my mother with his hands is in me/ it’s in me/ in my veins” are genuine attempts to point the listener towards the very real dangers that face our mother planet. When Adrianne sings “Please wake up,” she’s talking directly to the audience. “Attention is power,” she says. “I believe you can manifest something on the other side of the world just by using your power well.” 

Engineer Dom Monks and producer Andrew Sarlo, who were both behind U.F.O.F., capture the live energy as instinctually and honestly as possible. Sarlo teamed up with James Krivchenia to mix the album, where they sought to emphasize raw power and direct energy inherent in the takes. The journey of a song from the stage to the record is often a difficult one. Big Thief’s advantage is their bond and loving center as a chosen family. They spend almost 100% of their lives together working towards a sound that they all agree upon. A band with this level of togetherness is increasingly uncommon. If you ask drummer James Krivchenia, bassist Max Oleartchik or guitarist Buck Meek how they write their parts, they will describe—passionately—the experience of hearing Adrianne present a new song, listening intently for hints of parts that already exist in the ether and the undertones to draw out with their respective instruments. It is an honor to give life to these intricacies. 

With raw power and intimacy, Two Hands folds itself gracefully into Big Thief’s impressive discography. This body of work grows deeper and more inspiring with each new album. While you listen, let your own two hands rest in front of your body with palms facing inward and see what power grows between them.

Vampire Empire

Big Thief

Recent comments

whatafak

whatafak

whatafak

goober ★

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