Trash compactor  - 9

Simulation Swarm

Mellow

My cat  
is not my master  
he is my heart  
watching me  
in silence  
speaking through his eyes  
wherever I go  
he spreads love  
and that’s all...  

[ Chorus ]

The cat is here  
giving you love  
asking for nothing  
just sharing his time  

[ Instrumental Intermezzo ]

No love  
is greater than  
the one you can receive  
when you look  
into his moon-like green eyes  
the world feels right  
and peace fills your heart  
through his eyes  
through his eyes  
through the cat’s eyes  

[ Chorus ]

The cat is here  
giving you love  
asking for nothing  
just sharing his time  

[ Instrumental Intermezzo 2 ]

The cat is love  
the cat is beauty  
he loves you  
with no conditions  
you just thank him  
and give him  
your heart  

[ Chorus ]

The cat is here  
giving you love  
asking for nothing  
just sharing his time  

[ Instrumental Outro ]

My cat is not my master...?.

A slow, dreamy indie-pop track about the kind of messy warmth that sneaks up on you. Ramen, sunlight, quiet rooms, and feelings that make no sense until much later. Tender, salty, and just a touch flirty.

i daydream of ramen

Costello Music

Chelsea Dagger

Download/stream: https://joeybadass.lnk.to/LoveIsOnlyAFeeling

Produced by Statik Selektah
Recorded at Tree Sound, Atlanta GA
Mixed & Mastered by Statik Selektah at Harley Harl's House of Hits, Brooklyn NY

Follow Joey Bada$$:
Facebook: www.facebook.com/fckingbadass
Twitter: twitter.com/joeybadass
Instagram: www.instagram.com/joeybadass
Spotify: spoti.fi/1RvHklz

Stream/download

Joey Bada$$ - "Love Is Only A Feeling" (Prod. By Statik Selektah)

INVAIDAS FROM DA JUNGLE

illegal trap

Illegal trap - Camellia

Remote

Dig What You Dug

30 miles west of El Paso, surrounded by 3,000 acres of pecan orchards and only a stone’s throw from the Mexican border, the band Big Thief (a.k.a. Adrianne Lenker, Buck Meek, Max Oleartchik, and James Krivchenia) set up their instruments as close together as possible to capture their most important collection of songs yet. The band had only just finished work on their 3rd album, U.F.O.F. -“the celestial twin”- days before in a cabin studio in the woods of Washington State. Now it was time to birth U.F.O.F.’s sister album -“the earth twin”- Two Hands. 

In sharp contrast to the wet environment of the U.F.O.F. session, the southwestern Sonic Ranch studio was chosen for its vast desert location. The 105-degree weather boiled away any clinging memories of the green trees and wet air of the previous session. Two Hands had to be completely different— an album about the Earth and the bones beneath it. The songs were recorded live with almost no overdubs. All but two songs feature entirely live vocal takes, leaving Adrianne’s voice suspended above the mix in dry air, raw and vulnerable as ever. Where U.F.O.F. layered mysterious sounds and effects for levitation, Two Hands grounds itself on dried-out, cracked desert dirt. 

Anybody who has borne witness to Big Thief in the wild will find songs they recognize here. Much of the album’s tracks (“The Toy”, “Those Girls”, “Shoulders”, “Not”, “Cut My Hair”) have been live staples for years. “Two Hands has the songs that I’m the most proud of; I can imagine myself singing them when I’m old,” says Adrianne. “Musically and lyrically, you can’t break it down much further than this. It’s already bare-bones.” 

Lyrically this can be felt in the poetic blur of the internal and external. These are political songs without political language. They explore the collective wounds of our Earth. Abstractions of the personal hint at war, environmental destruction, and the traumas that fuel it. Lyrics like “And the blood of the man who killed my mother with his hands is in me/ it’s in me/ in my veins” are genuine attempts to point the listener towards the very real dangers that face our mother planet. When Adrianne sings “Please wake up,” she’s talking directly to the audience. “Attention is power,” she says. “I believe you can manifest something on the other side of the world just by using your power well.” 

Engineer Dom Monks and producer Andrew Sarlo, who were both behind U.F.O.F., capture the live energy as instinctually and honestly as possible. Sarlo teamed up with James Krivchenia to mix the album, where they sought to emphasize raw power and direct energy inherent in the takes. The journey of a song from the stage to the record is often a difficult one. Big Thief’s advantage is their bond and loving center as a chosen family. They spend almost 100% of their lives together working towards a sound that they all agree upon. A band with this level of togetherness is increasingly uncommon. If you ask drummer James Krivchenia, bassist Max Oleartchik or guitarist Buck Meek how they write their parts, they will describe—passionately—the experience of hearing Adrianne present a new song, listening intently for hints of parts that already exist in the ether and the undertones to draw out with their respective instruments. It is an honor to give life to these intricacies. 

With raw power and intimacy, Two Hands folds itself gracefully into Big Thief’s impressive discography. This body of work grows deeper and more inspiring with each new album. While you listen, let your own two hands rest in front of your body with palms facing inward and see what power grows between them.

Simulation Swarm

Big Thief

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