Thom Yorke – In the absence thereof

grass - the garden

the-garden-interrupt

THE GARDEN "Crystal Clear" 7"

Pre-order here:
http://biglove.bigcartel.com/product/the-garden-glimpse-7

With: 
Obi strip, original lyrics, lyrics translation, and sleeve notes. 
Ltd. 150

BIGLOVE070 THE GARDEN "GLIMPSE" 7" 
Shipped around mid June

Produced by RAWDEAL (Ariel Pink & Justin Raisen)

A1. Glimpse 
A2. Crystal Clear 
B1. Open Abyss

THE GARDEN "Crystal Clear"

Blood Of An American - Bobby Wright Cover

The Garden - Jesters Game (sped up)

The Garden - I Guess We’ll Never Know (sped up)

The Garden - Cells Stay Clean (sped up)

A moving piece drenched in reverb that evolves from ambient new age to garish rock with light metal elements. 

Inspired heavily by Enigma and BYU Vocal Point's "Nearer, My God, to Thee" as arranged by James Stevens, this piece is a deeply emotional one about enduring hardship, where at the point of death, the heavens rescued me. 

The following lyrics were copied directly from said James Stevens' arrangement. Permission to distribute this track is pending as a result. 

In articulo mortis
Caelitus mihi vires

The remaining latin chant that was vocoded is original, and I fake and baked a rough translation of a prayer in english to latin with Google Translate. It doesn't have to be perfect to be good enough!

At the Point of Death

she’ll bite down on my neck
when she dies ill keep her head
inside my freezer again

shell… bite… down…. on me
shell… leave… town.. for me
shell… take… my heart.. from me
but she knows im okay to bleed

you look so fucking good
ill take a bite out of your heart
i dont know if i should
keep your corpse inside the dark

you look so fucking good
ill take a bite out of your heart
i dont know if i should
keep your corpse inside the dark

shell… bite… down…. on me
shell… leave… town.. for me
shell… take… my heart.. from me
but she knows im okay to bleed

you look so fucking good
ill take a bite out of your heart
i dont know if i should
keep your corpse inside the dark

she’ll bite down on my neck
when she dies ill keep her head
inside my freezer again

bite down like a vampire

Grieg: Peer Gynt Suites No. 1 & 2 / Ellington Strayhorn: Suite Thursday (Remastered)

Peer Gynt Suites: Ase's Death

The Garden - Haha Slowed

james blake - dont miss it (remix)

Stine Janvin — Fake Synthetic Music
Format: Digital (vinyl out November)
Cat.No. PAN 84
Release Date: 12 October 2018 
Buy digital: https://bit.ly/2OjxCLs / https://bit.ly/2Cb1guQ

Vocalist, performer and sound artist Stine Janvin works with the extensive flexibility of her instrument of the voice, and the ways in which it can be disconnected from its natural, human connotations. Created for variable spaces from theatres, to clubs and galleries, the backbone of Janvin’s projects focus on the physical aspects of sound, and potential dualities of the natural versus artificial, organic/synthetic, and minimal/dramatic. 

Fake Synthetic Music is Stine Janvin’s latest live performance for voice, echo, lights and spatial distribution. The concept was created to present a full-body physical and ambient experience with the frequency range of her voice. Inspired by past and present producers of architectural electronic music, Janvin presents a new take on 'deconstructed rave' by exploring both sonic and optical illusions, otoacoustic emissions and minimal melodic sequences in reference to pop, techno and trance. 

The release introduces a recorded version of her ‘fake synthetic material’, and through her ongoing live performances, she continues to work between the music and art scenes, developing further her methodology of imitation and resonance through audio visual concepts. 

The tracks on Fake Synthetic Music reflect the concept of sonic illusions and Janvin's use of the voice as a sound source. “…I wanted to explore how I could vocalise in a way that would combine architectural sound with dance floor sequences.” she says. Each track is based on a different take on these ideas, some being pure studio production, using only her vocal archive of sustained notes, chopped up into innumerable pieces of different lengths, and re-attached. Tracks, such as ‘Like Right Now’ and ‘Like Last Night’ are examples of live material converted to a recorded format, keeping the simplicity of the direct voice signal through a digital delay effect with no post-production processing.

The album is mastered by Rashad Becker, featuring photography by Camille Blake and artwork by Bill Kouligas.

@stinejanvin
http://p-a-n.org

Fake Synthetic Music

Stine Janvin - Like Last Night (PAN 84)

'Crush', out now on Ninja Tune: https://floatingpoints.lnk.to/crushSo

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THE GARDEN "Crystal Clear"

bigloverecords

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