Now Under Development

Dance!!
Bass sound was made with Pigment 4!!!
Love it!!

Enjoy!

Noiz@n Acid go : Pigment 4 acid bass 11 Awesome!

Electric violin and synth

Omnispher,Pigments4,Sublab XL  ,Cube ,,,,etc

Soundtest for new song.
Enjoy!!

Violinphoric :Synth and E.Violin .sound test for new song

Soundscape

Glitched violin and analog synth sound.
Sound wall with glitch!!
I love the sound of Diva and Repro-1 by U-he!!

Enjoy!!!

ViolinPHOLIC2 :Soundscape for Violina and Repro,Diva

Chaotic acid techno

Pigments4 is the best updated synth in 2022!!!
Yeah!

Enjoy!

Christmas Circle

Happy new year!!!!
Let`go ,any way.

Violin Shoe gazer and techno!!

Enjoy!

Wasse Wasse Untoko dokkoi  Happy new year !!! Go ,Go,Go!

Electric violin +Poly Beebo+Line6 Helix + Ableton Live
= Soundscape

I tried and checked new system for another project that should be completed. 
I really enjoyed new organized system .

Eojoy!!

Zero Infinity or New Horizon  :Electric violin and Modular soundscape

impromptu 2025-04-18

OKTOPIA presents: Colliding Galaxies

Beats, Samples & Synths: Dan C E Kresi
Guitar: The Shire Bairn Project

More from Dan here:

on.soundcloud.com/7OQeMYQ0zsp4dsjsdv

Colliding Galaxies

released in Jan 2025 - https://nomatesensemble.bandcamp.com/album/i-am-never-freer-than-when-i-am-with-you. 


Then She Reaches for the Gun was formed in 2021 by Mat Ward. At its essence is sound collage, Ward invites musicians, sound artists, poets and anyone interested to send him files to be used, abused and showcased ‘as suggested by the work’. They are not always musical but field recordings, spoken word, engine noises and drunken rants. Animals participate a lot too! The raw material is arranged with one phrase asking for the next in an alchemical and intuitive process that will most often feature dozens of tracks weaving in and out of each other, colliding, harmonising, arguing and laughing along the way.

Both the aesthetic and the compositional methods use what Frank Zappa called Xenochrony - the mixing together of separately recorded and rhythmically opposing musical phrases to create polyrhythmic and polytempi compositions.The work also features fragmented story telling with the human voice (in many languages) appearing unannounced throughout the tracks offering up snippets of thoughts, conversations, jokes and existential angst. The absurdity of humanities desperate claim to have any real understanding of its place in the universe is revealed through the recorded follies and genuine emotions of the artists. The project is a celebration of chance, diversity and community. It pays homage to all musical tastes and genres whilst maintaining a sense of humour and irreverence that is needed to stay sane in the climate of  21st Century contemporary culture.

Then She Reaches For The Gun is

Humans

Adam Meredith - Ford XD with XF front mods/Voice
Ambient Annie - Electronica/Field Recording/Voice
Andrew Harper - Field Recordings
Angostura Elwar -  2 x Behringer CRAVE analog synths/Yamaha P200 electronic piano 
Antonella Eye Porcelluzzi - Text/Voice
Ariad Music - Clarinet/Percussion/Piano
Axel Weiß - Electric Guitar/Robot Voices
Banalytic - Experimental Electronics
Belial Pelgrim - Digital Strings/Electronica
Brendan Corey Benson - Electric Guitar
Carolyn Wigston - Voice
Chicago Word Brigade - Electronica
Dan Hewins - Bass Guitar
Dane Renshaw - Drums/Voice
Dani Kirby - Keyboard/Piano/Voice
Dylan Banks - Intonarumori/Voice
Frank Wilke - French Horn/Trombone/Voice
Garbage Truck Disco - Drum programming/Electric Guitar/Joyous Pop Punk
Glenn Ward - Electric Guitar/Skyhooks
Hakan - Moog Voyager XL
Hverheij- Drums/Electric Guitar/Synth
Johnny Python- Bass Guitar/Drum Programming/Electric Guitar/Text/Voice
JZsuperstar - Electric Guitar/Field Recordings/Keyboards
Lady ElectroTrek - Organ
Libby Laksmi - Jazzy Loops/Synth Bass
Loop(c)y - Electric Guitar
Malo Bernard-O’Meara - Drums
Maxx Black - Guitar/Ukulele
Minimal Drone Girl - Cat Wrangling/Field Recordings
Oberlin - Eurorack/Piano
Paolo D’Emilio - Electronica
Paul Miller - Electronic Percussion/Keyboards/Phat Electro Bass
Phil Bywater - Saxophones/Voice
Raul Mainer - DAW Programming/Heavy Metal
Robert Jefferson - Akai Rhythm wolf/GakkenSX-150 ll/Korg Kaosilator/Percussion
Rosin Dust - Violin/Field Recordings
Sarah Megahertz - Speedway Noise
Scratch Kelly - Beats/Electronica
Stan Magendanz - Electronica
Ten Atmospheres - Field Recordings/Synths
Texmex Shaman - Electric Guitar
The Windscale Blues Experiment - Clarinet/Flute/Saxophones
Timothy Korstad - Demons/Electronica
Thomas Bergheim - Bass Guitar/Electric Guitar
Tobias Schmitt - Electronica/Processed Organ/Text
Tuonela - Demons/Electronica
Vartch - Drones/Things/Trousers (not T-shirts)/Voice
Widar’s Spiritual Front - Electronica/Ms Pacman
W:I:L-o’ the-wisp - Bass Guitar/Electric Guitar/Electronica
Wivresse - Electronica/Voice
Zanshin - Acoustic and Processed Drums

Mat Ward - Arrangements/Bass Guitar/Double Bass/Field Recordings/Intonarumori/Marimba/Noise/Percussion/Piano

Dogs
Boogie
Brophy
Buddy
Hancho
Jack
Momo
Neska
Poldo
Senna
Shyamsundara
Star
Oily (cat)
And many cows from Milis, Sardinia

Cooking Hard Boiled Eggs in a Cheap Motel In Adelaide part 3

Rushing water

A calm yet rhythmic journey where each pulse shines faintly like a distant star. Smooth and melodic EDM for both mind and motion.

Production environment Bitwig

Glimmer of Pulse

YouTube link: https://youtu.be/tcBoy7syI20 

Anyone who commits a crime must reckon with the punishment, as breaking the law carries consequences – both legal and moral. The penalty not only serves as a form of retribution for the harm done, but also has a deterrent, educational, and corrective function – reminding us that an individual's freedom ends where the harm to another person begins.  ✌️  Każdy, kto popełnia przestępstwo, musi się liczyć z karą, ponieważ złamanie prawa pociąga za sobą konsekwencje – zarówno prawne, jak i moralne. Kara nie tylko stanowi formę odpłaty za wyrządzoną krzywdę, ale również pełni funkcję odstraszającą, wychowawczą i naprawczą – przypominając, że wolność jednostki kończy się tam, gdzie zaczyna się krzywda drugiego człowieka.  ✌️  Todo aquel que comete un delito debe contar con una pena, ya que romper la ley conlleva consecuencias, tanto legales como morales. La pena no solo es una forma de retribución por el daño causado, sino que también cumple una función disuasoria, educativa y reparadora, recordando que la libertad del individuo termina donde comienza el daño a otra persona.

Punishment

Another snippet from Caligo Paean, darker in tone to evoke the power Of Caligo, who wasn't just in charge of mist but ruled the domain of chaos. 

Caligo Paean is a 1 hour long sound piece installed on river front property in the town of Franklin, Tasmania as part of the exhibition "When The Fog Clears". It formed part of the Ten Days on The Island Festival March 2025.
The work was installed in several locations across the property including a stack of subs under an old bus, in the main exhibition space and in an abandoned shed some 40 metres from the main area . The speakers were 'tuned' quite differently depending on their location and the sound was not delay corrected with the result of each mini-installation merging with each other in odd sonic ways - kind of calling the listener from one spot to another. The the work features field recordings, percussion, piano, bass guitar and Intonarumori as well as this special one off choir : )

Caligo is the Ancient goddess of Chaos. Born of the fog she controls the darkness, dwells in the void and is as old as the primordial matter that created the universe. This work is a tribute to the goddess as she continues to influence our lives and, in the case of this installation, the site and concept informing the show.

Official press release below for The Fog Clears

Every day, the mists of the Huon Valley perform a seductive dance, gently obscuring and revealing contours of the fertile land and waters. Situated in The Watershed Franklin, When The Fog Clears features six artists from lutruwita / Tasmania exploring the region’s iconic mists through a variety of mediums including installation, sculpture, illustration, sound, and video.

Developed exclusively for Franklin, this exhibit extends from the waterfront itself into the chambers, kilns, and rafters of the shed, inviting visitors to consider fog as an atmosphere that can cloak us in unexpected ways.

Caligo Paean (The Abyss Calls)

Somewhat doom-laden reflection of the prospect....but cheering up, it may never come down to a rogue algorithm sparking it all off!! Hooray!......
Blues track:
Synth; Tenor saxes; Soprano saxes; flutes; alto flutes(bridge); oboes; clarinets (bass parts).
Beats and explosions c/o Garageband.

Pic. 'Silicon Cities' by Heiko Hellwig c/o Pinterest

Algorithmic - Armageddon Blues

Nothing like a pesky raccoon to stir things up a bit… Oh, hello. Glad you dropped by. A raccoon, I named Bandit, has taken up a vacation residence under the shed here. It’s right next to the raspberry patch and apple trees. A couple nights ago, Bandit snuck into my small greenhouse, where I grow tomatoes and peppers, and made a salad of the pepper plants, munching one plant completely down to the stalk. Bandit also likes the heavy crop of choke cherries here. He also uses the back corner of the vegetable garden as a latrine, which last summer was up on the house roof. I’d awaken with a start to hear little footsteps running across the roof. Luckily no roof excursions this year. Anyway, this is a Blues song with some solo banjo. Lyrically, it has a couple of reflections about life, mortality, gardening, relationships and partner expectations, letting go of life dreams, a nod to Bandit, the wacky weather, and making peace with old age. And of course, there’s a fair amount of daydreaming going on, while plucking banjo. Hope all is going reasonably well with you, wherever you are on Earth, during this whirlwind tour we’re on. Mark

Back Porch Banjo Blues

Sin Werk

New album of my unit Electric Seagull in my studio Live
https://xix-japan.bandcamp.com/album/blueprint-of-the-electric-seagull

new Live Movie: Please follow on my Channel!!!
https://youtu.be/6uO1EnwI_Kg?si=AQm574zyXMKRscyG

Thank you for your listening and following.
I am Japanese Violinist,Improviser,Composer,Sound designer,
Experimental ,Noise,Ambient,Drone,Neo classical,etc

Now,I try to explain why I make music in inprovisation style.
As you know,
We had the big accident last year (2011.3.11)in Japan.

We lost and many people in that accident.Many people now lost their house,
or can`t return their home because of Nukes accident.

I could not play,listen music at all.

But,After several years,I started play music again.

I improvise for lost and living people at the same time.
It is the reason .

New!
Experimental Video on Youtube. Please Check it and follow my channel!!
https://youtu.be/oNdwvPrkYtk

29/Oct/2022  Electric Seagull online live !!
Here  ->https://youtu.be/KCzUQtqLkMU
Please put likes and Subscribe on my channel!! 

iTunes Music store
http://itunes.apple.com/jp/artist/big-papa-shonan/id516489801

Amazon.com
http://www.amazon.com/Everyday-have-Blues--Sing-you/dp/B007RAIIW8/ref=sr_1_2?ie=UTF8&qid=1333765302&sr=8-2
From Papa`s studio in my house(Yamaha Avitex)

Guitar Stratcaster (Fender 1956)
          J-200 (Gibson 1962)
         Dobro,National,  I love vintage guitar.
DTM:Logic pro,Ableton Live,Studio One,and many litlle gadgets

Good music for you.

Noiz@n Acid go : Pigment 4 acid bass 11 Awesome!

Keigo Bigpapa Sano

Related tracks