Name: Mending The Line End Credits Suite (unused alt version) by billbrownmusic
Duration: 7 min 58 s
Description: Mending The Line End Credits Suite (unused alt version) - Bill Brown - Composer

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Measures

Mending The Line End Credits Suite (unused alt version) - Bill Brown - Composer

Mending The Line End Credits Suite Alt

Mending The Line End Credits Suite (unused alt version)

In August of 2022, Irene, my wife and soulmate of so many wonderful years, passed away. The following years were the most difficult years of my life as I was devastated and overwhelmed by grief. Several years prior to Irene’s passing, I had started on a large orchestral work reflecting on our life together with our son, Peren, during his childhood years. This work is still in progress, but stylistically it has had a great impact on the composition of my Pieces of Love and Remembrance as it foreshadows much of what I expressed in Seeking Serenity, Part I. I started to write down ideas here and there during the more lucid moments of my grieving. Then in early 2024, I received an invitation from PARMA Recordings to write a short 5-minute piece for piano and orchestra. I immediately jumped at the opportunity, and Seeking Serenity, Part I is the work I composed for this occasion.

Although I do not generally, and did not with Seeking Serenity, attempt to tell a story or narrative of some kind, listeners of my music often reflect on how my music evokes in them certain feelings, images, or extra musical references. This was particularly true of Irene, and I so miss how she would relate to me about her feelings and impressions while listening to my music. Indeed, I am overjoyed to learn that listeners can get caught up in the emotions of my music as they follow their own unique journey guided by what they hear.

On a very personal level, I can identify with the piano solo which strives to find some point of repose or comfort, seeking this not in despair but in the hope of finding and rekindling love, belonging and the strength to continue on. The opening arpeggiated passages underscore the direction of this sentiment. The orchestra for its part is like, dare I say, Irene who is gently beckoning me on to find that place of repose and acceptance, full of color, bright sounds, and signposts pointing the way. By the end of Part I, the solo finds itself in a delicately balanced and restructured statement of motivic material alluded to previously, and in a high, bell-like register of the piano, echoed and enfolded finally by an orchestral texture not unlike wind chimes reverberating into infinity.

Journey to Serenity

Pieces of Love and Remembrance: Seeking Serenity, Part I

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"To everything there is a season,
and a time to every purpose under heaven." Ecclesiastes 3,1

Orion

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On the Inside

Bill Brown is an award-winning composer and creative force behind the musical scores of fan-favorite TV, film and video game thrillers, dramas and super-hero adventures. Widely recognized for his experimental approach to developing a unique sound and for creating dynamic orchestral landscapes, Bill is best known for composing the compelling musical backdrop for all nine seasons of the hit CBS series CSI: NY and also for creating cinematic game soundtracks for Wolfenstein, the Rainbow Six series, Lineage 2 and Captain America: Super Soldier. He also composed scores for feature films including The Devil's Tomb (Cuba Gooding Jr.), Brother's Keeper, Desiree, Negative, Layover, as well as the modern noir thriller Rushlights, and recently created an epic, multifaceted score for Season 2 of the Post Apocalyptic thriller "Dominion" for Universal (SyFy).

Bill's newest instrumental album "Dreamstate" released digitally in September 2018 and is a passion project that combines modular synths, piano and live orchestra in an emotional, hypnotic selection of tracks. check out Bill's social media for album updates and behind the scenes looks at the creation of the album (the limited edition vinyl album will be available October 2018)

Bill composed scores for a wealth of other popular titles in the gaming world including The Incredible Hulk: Ultimate Destruction from Vivendi Universal, the action-adventure shooter, Return to Castle Wolfenstein, the Ghost Recon series (RedStorm / Ubisoft), Command & Conquer: Generals and many more. Nominated for Best Original Music at the Canadian Video Game Awards, Captain America: Super Soldier (Marvel) exemplifies his creative talent for developing thrilling, complex orchestral music that combines heroic themes with eerie, pulsing cinematic atmospheres. Bill also received a Golden Reel Nomination for Best Music for Lineage 2: Gracia – The 2nd Throne, and has won awards from the ITVA, BMI, as well as the Music4Games Editor's Choice award. His scores have also received award nominations from the British Academy of Film and Television Arts, L.A. Weekly, and the Game Audio Network Guild. He is represented by Randy Gerston at Fortress Talent Management, Los Angeles.

Mending The Line End Credits Suite (unused alt version)

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