Planet of the Grapes

Debut Self Titled EP.

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BASECAMP - "Emmanuel"

Ends & Begins

Power Couple

Covering

"Compass" available on Zella Day's upcoming debut EP releasing on 10" gatefold limited edition decorative swirl vinyl on October 21, 2014 via B3SCI Records. Pre-order here: b3scirecords.bandcamp.com/album/zella-day-ep

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Stream "Compass" on Spotify: http://spoti.fi/1tgdcyT

The sound of strumming guitars; the feel of soft, wet clay; the scent of fresh brewed coffee: this was Zella Day’s childhood. Secluded in the quaint mountain town of Pinetop, Arizona, Zella’s creativity flourished with the forest at her doorstep. High above Phoenix Valley, Pinetop holds a population of 7,000, and Zella's family-owned Mor Mor Coffee House was an only sanctuary for artists. Surrounding herself with local musicians, Zella was inspired to pick up the guitar at the young age of nine. Before long, the blossoming chanteuse started performing sets including Bob Dylan and Elvis songs - selections inspired by her coffee house family.

The native Arizonan found a calling in music and used it as a form of self-realization penning her experiences and discovering herself through the intricacies of song. She drew inspiration from the serene Arizona mountains and turned to Clint Eastwood, old Western films, and cowboy rebel culture to help shape the attitude behind her music. The result is a raw, organic sound unconfined by the boundaries of genre. It effortlessly floats between the tonalities of female frontier-maker Stevie Nicks and art pop songbird Lana Del Rey while invoking imagery painted by Old Arizona and a free-spirited perspective.

Her upcoming self-titled EP is the ideal introduction to Zella, both as an artist and as a woman. The four-track collection showcases her Western Bohemian persona, juxtaposing the crunching drum machines and menacing electronics of its single, “Sweet Ophelia,” with chiming keys and soaring melodies in its lead-off track, “East Of Eden.” Though sonically diverse, this debut is an eye into the future of a prospering young talent. Each song comes straight from the heart as she sings about her love of Arizona (“Compass”), the strength of women (“Hypnotic”), and what it’s like to grow up with a rebellious soul.

Consequently, it’s not surprising the cover artwork features Zella standing in front of a vibrant yellow backdrop. Like the songs themselves, the pop art-influenced cover illustrates the songstress’ perception of the world and femininity with what she calls “fully clothed sexuality.” Drawing from the examples of beauty in Zella’s life, the imagery is both sensual and proper (the only skin revealed is her face) and yet another testament to the importance of girl power that engulfs this album.

This October, B3SCI/Pinetop Records will release 'Zella Day'. The debut EP follows up the April release of a limited edition 7-inch vinyl of “Sweet Opelia”/“1965.” The tracks were brought to life at Los Angeles's WAX LTD. Studios with the production and mixing prowess of Xandy Barry and Wally Gagel. This debut EP showcases a young singer-songwriter’s visceral visions and liberated mentality, while foreshadowing the depth of a long career that's yet to come.

Recorded, Produced and Mixed in Los Angeles @ WAX LTD. Studios by Wally Gagel and Xandy Barry.

Kicker

Compass

Pre-Order EP

Written and produced by Oh Wonder
Debut album OUT NOW!

Available on iTunes: po.st/OWDebutAlbum 
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Painting by www.markchadwick.co.uk

LYRICS: 

Lay down your slow
Come settle down, settle down
Let loose your glow
Come settle down, settle down

And I feel life for the very first time
Love in my arms and the sun in my eyes
I feel safe in the 5am light
You carry my fears as the heavens set fire

Jump into the heat
Spinning on our feet
In a technicolour beat
You and me
Caught up in a dream
In a technicolour beat

Warm unalone
Come settle down, settle down
Swing me your bones
Come settle down, settle down

And I feel life for the very first time
Love in my arms and the sun in my eyes
I feel safe in the 5am light
You carry my fears as the heavens set fire

Jump into the heat
Spinning on our feet
In a technicolour beat
You and me
Caught up in a dream
In a technicolour beat

Give me one drop
I can feel you
Make me lose control
We be walking
On the water 
We're moving in a technicolour beat
Moving in a technicolour beat

Jump into the heat
(Falling off the ceiling)
Spinning on our feet
We're moving in a technicolour beat
You and me
(Found another feeling)
Caught up in a dream
We're moving in a technicolour beat

Live Dates: http://po.st/OhWonderWebsite
Website: http://po.st/OhWonderWebsite 
Facebook: http://po.st/OhWonderFacebook 
Twitter: http://po.st/OhWonderTwitter
Spotify: http://po.st/OhWonderonSpotify
Soundcloud: http://po.st/OhWonderSoundCloud 
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Technicolour Beat

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Summary

The song explores how different people perceive the world, shaping their expectations, love, and hope through private histories and daily choices. Intimate verses present individual vignettes while pre-choruses and a soaring chorus contrast personal truth with shared streets and collective longing. A spoken-word bridge reflects on the impossibility of a single language for pain and joy, followed by an additional verse that deepens the human portrait. Dense backing vocals and layered harmonies emphasize unity amid difference, delivering a cinematic, hopeful yet urgent mood.

Lyrics

[Intro]  
(ahh ahh)  
Soft dawn hums under the city, a slow metronome of chance  
(oooh oooh)  
Footsteps split like rivers, everyone keeps their own stance  
(mmm mmm)

[Verse 1]  
She reads the map of futures in folded tea-stained hands  
(la la la; ooh ooh)  
He counts the cracks in ceilings, builds empires of plans  
(na na na; ah)  
Some keep prayers in pockets, others trade them for light  
(ooo-ooo; yeah)  
All of them orbit meaning, every view a private sight  
(ahh ahh)

[Pre-Chorus]  
We line our expectations up like faces at a gate  
(we wait; we wait)  
Each one wearing promises, some heavy, some too late  
(hold on; hold on)

[Chorus]  
Many windows, many views, same street, a different truth  
(we sing; we sing; we sing)  
Hands that reach for comfort, hands that reach for proof  
(reach out; reach out)  
Love comes as a whisper, hope arrives a roar  
(mm-hmm; aaah)  
We learn to carry riddles we can’t carry anymore  
(we carry; we carry; we carry)

[Verse 2]  
She pins a list of kindness to the corner of her day  
(la la la; hum)  
He trades that same compassion for a carefully kept way  
(na na na; ooh)  
Children draw up meanings with chalk and silver glue  
(oooh ooh; mm)  
Older voices gather fragments, sift the false from true  
(ahh ahh)

[Pre-Chorus]  
Expectations like weather, shifting on a whim  
(shift shift; hold on)  
We fold ourselves to fit them, or hang on to the brim  
(stay true; stay true)

[Chorus]  
Many windows, many views, same street, a different truth  
(we sing; we sing; we sing)  
Hands that reach for comfort, hands that reach for proof  
(reach out; reach out)  
Love comes as a whisper, hope arrives a roar  
(aaah; aaah)  
We learn to carry riddles we can’t carry anymore  
(we carry; we carry; we carry)

[Bridge]  
Listen — some believe the world is folded into frames  
(quiet now; hush)  
Others feel the tremor and assign it other names  
(softly; softly)  
There is no single language for the wounds and for the gold  
(translate; translate)  
We barter with our silences, we trade what we withhold  
(hold on; hold on)

[Additional Verse]  
A woman folds the morning into pockets of design  
(la la; hum)  
A man unwinds his childhood into lessons he can sign  
(na na; ooh)  
Neighbors pass like pages, inked with different points of view  
(mm-hmm; ah)  
We keep our private lanterns lit, each one a different hue  
(we glow; we glow)

[Interlude]  
(ahhhhh — la la — ooh)  
Instrumental breath where the city trades its sighs  
(ahh ahh)  
A thousand private sunrises reflected in passing eyes  
(we see; we see)

[Chorus]  
Many windows, many views, same street, a different truth  
(we sing together; we sing together)  
Hands that reach for comfort, hands that reach for proof  
(reach out; reach out)  
Love comes as a whisper, hope arrives a roar  
(hope, hope, hope)  
We learn to carry riddles we can’t carry anymore  
(we carry; we carry; we carry)

[Outro]  
When lights go down we tally what we gave and what we stole  
(la la; mm-hmm)  
Walking home with borrowed faith, trying to make it whole  
(ooh ooh; ahh)  
(we keep; we keep; we keep)

© 2025 Martin Oliver Beinersdorf. All rights reserved.  
Lyrics and concept by Martin Oliver Beinersdorf. Do not reproduce, distribute, or adapt without explicit permission.

Many Windows

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Be mine without you I might
get so miserable
And I can’t tell
What’s wrong and right
Being on my side
Life aint easy right
You feel so underestimated
But you’re all my pride
You…uuu
My way
Causes you to wait
guess I’m young and depretiated
About to run away
If I had you name
They’ve got nothing to claim
But our love aint that celebrated
Though I know it wont stray
You…uuu
Knowing there’s no better man
You take me cause you undersand
When i cant breath when the cuts deep
Dont you know we’re ment to be

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