Changes

Zeal EP

Balm

"We improvised this song at a live session. We liked it. We recorded it." - Okvsho

In other words: Okvsho venture even further into the universe on their latest Track "Astral Movements". A sonic odyssey of fast paced drums layered with all kinds of floating sounds.     "

Love, Always.

Astral Movements

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Okvsho - Astral Movements

Lush harmony, intricate percussion and interlocking melodies come together on this beautiful new tune titled "Blue Macaw" from Slowya.roll & Anatole Muster. Featuring Hadrien Feraud on bass, the track bobs and weaves through a mixture of Brazilian rhythms, jazz fusion and electronic music expertly crafted over a foundation of thumping bass and pulsing, danceable drums. It's the second single from Slowya.roll's upcoming full length record, so stay tuned for more music coming very soon!

Music produced by @slowya_roll

Artwork by Floating Bastard
Instagram » https://www.instagram.com/floating_bstrd/

Follow the artists:
slowya.roll » https://www.instagram.com/slowya.roll/
Anatole Muster » https://www.instagram.com/musteranatole/
Hadrien Feraud » https://www.instagram.com/hadrienferaud/

Radio Juicy © 2021

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slowya.roll & Anatole Muster - Blue Macaw (feat. Hadrien Feraud)

Two For Mistake

First Light

Emanation

LUCID DREAMER

Ringdans

Get The Message

Sweeter Than

Superb

Bully Ball

Taka

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Wednesday Changes


Alabaster DePlume 
“Peach”
Debt Records
28th Sept 2015

A peach is a sweet and soft and good thing with a stone in the middle, and this is an album about being a person. Smartphones, analogue tape, valve microphones, computers, group games and a grand banquet were used to create this collection of songs, tunes and monologues, that use a series of contradictions to talk about being alive. 

Long-term collaborators John Ellis (piano) and Paddy Steer (percussion, bass, lapsteel, synth) join Angus Fairbairn (vocal, tenor sax) along with eleven other musicians and nearly a hundred other voices in presenting sounds likened to Ethiopian jazz and Japanese folk music. Scripts and vocal delivery evoke Ivor Cutler, Emo Philips and Leonard Cohen, for this combination of theatre, live-captured music, songs, humour and philosophy.

It is a unique collection, made by unusual means designed around the artistry and conveyance of its many contributors. Created over three years in London and Manchester, it’ll be celebrated in those two towns on the dates below, following its vinyl and digital release on Manchester label Debt Records, on 28th September 2015.

A composer, musician and performer, Alabaster DePlume (Angus Fairbairn) has toured northern Europe, appeared on UK national radio and developed theatre for Bram Stoker Festival in Dublin. His many combined arts projects are based around music, and personal inclusion. In this, his third album, he has employed as many voices as he can, in conveying a method of survival he’s been taught, he says, by everyone he’s met.

Hope grows naturally, like a
dandelion between the bricks.
I feel good…

Manchester launch: 4th October at The Wonder Inn 
London launch: 31st October at The Total Refreshment Centre, Dalston

Personnel:
Will Calderbank – cello
Rioghnach Connolly – flute 
Ellis Davies – electric guitar
Lorien Edwards – bass guitar
John Ellis – pianette, clavinette, piano
Leonie Evans – backing
Angus Fairbairn – vocal, tenor sax, acoustic guitar, yanquin dulcimer, synths
Dominie Hooper – backing 
Philip Howley – drums, percussion
Mikey Kenney – violin 
Pascal Makonese – m’bira
Kirsty McGee – bass flute
Tim Vincent Smith – violin
Paddy Steer – drums, percussion, bass guitar, double bass, synths
Rick Weedon – drums, percussion 
With selected vocal delivery from – Rioghnagh Connolly, Ellis Davies, Julia Foster, Katarzina Jablonska, Sally Jenkinson, Kasia Wlaszczyk, Oliver Conway. 
And with a chorus of attendees of the ‘Excuse Me’ studio feast, 9th September 2014, Antwerp Mansion. Meal by Samuel Buckley.

Engineered by Paddy Steer, John Ellis and Karl Sveinsson. Recorded at Limefield Studios Middleton, Madwaltz Levenshulme, Antwerp Mansion Rusholme and the Total Refreshment Centre Dalston, with additional field recordings at various locations. 
Mastered by George Atkins at 80 Hertz.
All songs and scripts written by A. Fairbairn. 

07 – If You're Sure You Want To

across the universe

"It’s a personal exploration. I'm discovering my own voice, my own sound all the time", explains Bill Laurance. "I get a kick out of that journey.”

That journey has led Laurance, an English native currently living in London, across the globe and through a myriad of award-winning musical projects. A world-renowned multi-instrumentalist, producer and vocalist dubbed a “jazz maestro” by The Guardian, Laurance is probably best known as a founding member of Snarky Puppy, the Grammy-winning collective based out of Brooklyn.

On his own, Laurance--a professional musician since the age of 14--has performed with an array of musical talents, including Morcheeba, David Crosby, Salif Keita, Bobby McFerrin, Susana Baca, Laura Mvula, Musiq Soul Child, the Metropole Orchestra and Trinidadian priestess Ella Andel. He’s also worked with several world-famous dance companies, including Alvin Ailey, Ballet Rambert, Matthew Bourne's 
Adventures in Motion Pictures, Phoenix Dance, Northern Ballet Theatre and the English National Ballet.

And, in his limited free time (he also runs a music production company called Twenty Thousand and is a specialist lecturer at the Institute of Contemporary Music in London), Laurance has released two critically-acclaimed solo albums, 2014's Flint (a #1 album on the iTunes jazz charts) and 2015's Swift.

If Flint was an exercise in breaking down genre barriers and Swift was a larger piece that connected deep grooves with a classical sensibility, Laurance’s new album Aftersun is a project that places African percussion at its heart, mixed in with elements of jazz and dance.

For the recording, Laurance joined Snarky Puppy’s Michael League, Robert “Sput” Searight (Kendrick Lamar, Erykah Badu) and legendary percussionist Weedie Braimha at the beautiful Parlor Studios in New Orleans. Here, Laurance stripped back the sound of his previous records, “getting to the heart of my instinct 
as an instrumentalist” and focused on the drums. 

It’s a record built off the presence of Braimah, a dynamic drummer born in Ghana and who’s lived and played in New Orleans. "He’s the real deal,” says Laurance.
He adds: "A lot of what we recorded was improvised live. I was interested in capturing spontaneity in the recording, to have fewer prescribed ideas. I specifically left particular groove sections open so we could realise them organically in the studio." 

Besides that percussive groove, Aftersun also plays like a pictorial soundtrack. “The majority of my writing is visual or visually inspired,” says Laurance, crediting his work with dance companies and in film. "I begin with a visual stimulus, often whilst on the road. Aftersun was conceived as a soundtrack to the summer. I wanted to instill that with my experience of working with dance companies, allowing the drums and 
percussion to lead the way.". He laughs, "to be honest, I also happened to be watching Carl Sagan's Cosmos while I was writing the album. I was preoccupied and inspired by the countless unanswered questions of the universe. The title track Aftersun, directly speaks to that."

Coming up for Laurance: a live album DVD, recorded at London’s Union Chapel, a solo piano record, more work with Snarky Puppy, and--of course--a tour for Aftersun. “It’ll be pretty open on stage,” Laurance suggests, noting his penchant for improv. Plus, the musician is also working on a vocal album utilizing different guest singers. "As a kid I was a Michael Jackson fan before I was a John Coltrane fan. I want to revisit the pop genre and incorporate that into my sound. For me it's all about the continued exploration."

Balm

Bill Laurance

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