Name: Start Beaming And Get On The Gleam Clip by Bill Nelson in Albert !
Duration: 55 s
Description: Clip from the Bill Nelson album, Albion Dream Vortex. released Sept 2013.

Albert !

Clip from the Bill Nelson album, Albion Dream Vortex. released Sept 2013.

Start Beaming And Get On The Gleam Clip

Maxi 33T 'Let Me Down' - sortie fin novembre

Husbands - Let Me Down (Laurent Garnier remix)

Rude Customer

GARNIER " Drifting In Midwaters" from "Honey, I'm HOME" EP

The New Album ‘Momentary Masters’ Out Now.

iTunes: http://smarturl.it/MomentaryMasters
Store: http://smarturl.it/AHJStore
Amazon: http://smarturl.it/MomentaryMastersAmz
Spotify: http://smarturl.it/AHJSpotify
Apple Music: http://smarturl.it/AHJAppleMusic
Google Play: http://smarturl.it/AHJGooglePlay

Born Slippy

Get it on iTunes

Producer, sound designer and composer Jonathan Snipes joins William Stokes to explore his work with experimental hip-hop group Clipping, sharing an inside look at their unique production process, before showcasing five modules in an exclusive live performance.

Chapters
00:00 - Introduction
01:12 - Combining Hip Hop And Experimental Sounds
12:45 - Unconventional Sounds And Beats
16:52 - Annea Lockwood Piano Burning
20:59 - 5U Modular Selection
24:31 - Module 1: Q106 Oscillator
29:43 - Module 2: Modcan Digital Delay
38:51 - Module 3: Modcan Frequency Shifter 39b
43:04 - Module 4: Modcan Quad Envelope 60b
47:41 - Module 5: Tellun TLN-156 Neural Agoniser
52:04 - Live Performance

#Q106Oscillator #ModcanDigitalDelay #ModcanFrequencyShifter #ModcanQuadEnvelope #TellunTLN-156

Jonathan Snipes Biog
Jonathan Snipes is a producer, composer and sound designer based in Los Angeles, where he teaches sound design in the theatre and film departments at UCLA. As well as his work for film, television and theatre, he is known as a member of the experimental group clipping., along with fellow producer William Hutson and rapper Daveed Diggs. Having recently released their sixth studio album Dead Channel Sky on iconic label Sub Pop Records, clipping. are an outfit in the vanguard of hip-hop, sound design, beat making and strident experimentalism.

https://www.jonat8han.com/
https://www.instagram.com/jonat8han/

William Stokes Biog
William Stokes is a producer, writer and artist in three-piece avant-psych band Voka Gentle. As well as being a critic and columnist for Sound On Sound, conceiving the popular Talkback column and heading up the Modular column, he has also written on music and music technology for The Guardian, MOJO, The Financial Times, Electronic Sound and more. 

As an artist in Voka Gentle he has made records with producers from Gareth Jones (Depeche Mode, Grizzly Bear, Nick Cave) to Sam Petts-Davies (Radiohead, The Smile, Roger Waters), has had songs featured on franchises from FIFA Football to The Sims and has toured across the UK, Europe and the USA, playing festivals from Pitchfork Avant-Garde in Paris to SXSW in Austin, Texas. He has collaborated with artists including the Flaming Lips’ Wayne Coyne, Morcheeba, Panda Bear and Sonic Boom. 

Alongside being a guitarist and pianist, he is a synthesis enthusiast with a particular interest in sampling and explorative sound manipulation. As a producer and engineer, he has made albums with acclaimed avant-garde musicians from composer Tullis Rennie to Mute Records artist Louis Carnell. “I’m always seeking out the most ‘out-there’, experimental, risk-taking musicians I can find to work with,” he says, “to capture vibrant, detailed recordings and create three-dimensional mixes of music that might otherwise struggle to know where to begin in the studio environment.” 

Stokes currently lectures in Music Production at City, University of London.

https://www.vokagentle.com/

Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Electronic Music

Jonathan Snipes - My Life In Modules

Show Notes

Jonathan Snipes - My Life In Modules | Podcast

Dimitri Tikovoï - Producer, Songwriter | Podcast

Singular Sound BeatBuddy 2

Warm Audio Tube Squealer Examples

Paul White and Hugh Robjohns pick their software and hardware highlights from the gear they've reviewed in the last 12 months.

Chapters
00:00 - Introduction
00:14 - Cranborne Audio Brick Lane Compressor
03:56 - Soundtoys SpaceBlender
05:40 - Braingasm Ocula
08:18 - Sub51 And Soundtrax Drop Pad
09:16 - Red Panda Radius Ring Modulator
10:40 - Source Audio Encounter Delay+Reverb
11:45 - Electro-Harmonix Oceans Abyss
13:05 - Sound Devices Astral ARX16 Receiver
15:23 - Sound Devices Astral HH Transmitter
16:31 - Sound Devices Astral TX Transmitter
17:17 - RME ADI-2/4 Pro Converter
18:34 - Newfangled Audio Articulate Audio ADSR
19:54 - Overloud THU v2 Guitar Amp Simulator
20:37 - Grace Design m701 Audio Interface

Gear4Music (affiliate link UK/EU only)
Red Panda Radius
EHX Oceans Abyss

Sweetwater (affiliate link North America only)
Cranborne Brick Lane 500
Red Panda Radius
Source Audio Encounter
EHX Oceans Abyss
Sound Devices Astral ARX16
Sound Devices Astral HH
Sound Devices Astral TX
RME ADI-2-4 Pro SE
Grace Design m701

#cranborneaudio #soundtoys #braingasm #sub51 #soundtrax #redpanda #sourceaudio #electroharmonix #sounddevices #rme #newfangledaudio #overloud #gracedesign

Paul White Biog
Paul White initially trained in electronics at The Royal Radar Establishment in Malvern then went on to work with Malvern Instruments, a company specialising in laser analysis equipment, before moving into technical writing. 

He joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer’s Manual.

Having established his own multitrack home studio in the 1980s he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too!

http://www.cydoniacollective.co.uk/

Hugh Robjohns Biog
Hugh Robjohns has been Sound On Sound´s Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC´s technical training centre. He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!

Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Recording & Mixing

Gear Of The Year 2025

Gear Of The Year 2025 | Podcast

Vicky Clarke joins Caro C to explore her experimental approach to sound, from field recording and neural synthesis to AI technologies and spatial audio. She also discusses immersive installations, open-source tools and the unconventional inspirations that drive her work.

Chapters
00:00 - Introduction
02:06 - Field Recording, Musique Concrète and DIY Electronics
05:34 - Residency In Russia
06:27 - Neural Synthesis And Machine Learning
10:53 - Working On Aura Machine
14:16 - Working With AI Technologies
16:35 - Open Source Software
18:30 - Developing An Immersive Sound Installation
20:41 - Fear Around Technology
22:23 - Spatial Audio Using Spat
25:28 - Routing Ableton For Spatial Audio
27:53 - Sculptures As Sound Sources
30:32 - Adopting Emergent Technology
33:53 - Geology As A Source Of Inspiration

Vicky Clarke Biog
Vicky Clarke is a sound and electronic media artist from Manchester, whose work explores materiality, electrical phenomena and ritual. Working with sound sculpture, DIY electronics and human-machine systems, she explores our relationship to technology considering themes of human agency in autonomous systems, post-industrialisation and techno-emotional states. Her work takes the form of composition, installation and live AV performance. She produces music as SONAMB and her debut album, SLEEPSTATES, a ‘glitchy experimental techno jerker’ (Boomkat) was released in 2022, accompanied by net-art piece ‘SLEEPSTATES.NET'.

‘Latent Spaces’, her 2025 spatial sound installation, was created as a selected ‘In Motion’ composer with Sound & Music UK. Inviting audiences to step inside a computational model, the piece draws on her research into machine learning and musique concréte, working with early neural synthesis models and custom industrial datasets. This research practice developed through artistic residencies and commissions with NOVARS electroacoustic department at the University of Manchester, UK-Russia year of music, British Council, and Cyborg Soloists at the University of Holloway, resulting in her works ‘Aura Machine’ and ‘Neural Materials.’

Vicky won an Oram Award in 2020 from the New BBC Radiophonic Workshop & PRS Foundation. As a solo artist and previously with DIY electronics project Noise Orchestra, she has performed and exhibited at CTM, ICA, MUTEK, National Science & Media Museum, QO2 and STEIM amongst others. Her latest EP AURA MACHINE is out now on LOL Editions.

https://vickyclarke.org/
https://www.instagram.com/sonamb__/
https://linktr.ee/sonamb__
http://sleepstates.net/
https://loleditions.bandcamp.com/album/aura-machine

Caro C Biog
Caro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.
URL: http://carocsound.com/
Twitter: @carocsound
Inst: @carocsound
FB: https://www.facebook.com/carocsound/

Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Vicky Clarke - Neural Synthesis

Vicky Clarke - Neural Synthesis | Podcast

Oceans Abyss Test Files 01_26 with clean guitar

Cubase 14 Dynamics Processing On Acoustic Drums Audio Example JW 01

In this episode, Bernard Butler joins Kevin Paul to discuss his early steps into music production and how he approaches working with new artists and bands. He shares insights on touring, adding value as a producer and songwriting partner, collaborating with engineers and why staying creative, not formulaic, remains central to his work.

Chapters
00:00 - Introduction
00:30 - Butler, Blake & Grant
02:08 - Self-Organising A Touring Schedule
04:35 - Getting Started In Music Production
06:57 - Approach To Working With New Artists
13:39 - Persuading Bands To Try Fresh Ideas
15:03 - Adding Value As A Producer
17:02 - Working With Engineers Who Capture Performances
21:59 - Songwriting Process, Inspiration And Jamming
28:06 - BB & The King Radio Show
30:20 - Following Your Passion And Being Unique
34:49 - Current Studio Projects And Tours
36:39 - Keeping The Production Process Creative, Not Formulaic

Bernard Butler Biog
Bernard Butler is an acclaimed English musician, songwriter and producer, recognised as one of Britain’s most influential guitarists. A founding member of Suede, he co-wrote and played on the band’s early classics, including The Drowners, Metal Mickey and their Mercury Prize-winning debut, before his ambitious work on Dog Man Star cemented his reputation.

After leaving Suede, he formed the celebrated partnership McAlmont & Butler, releasing Yes, You Do and later the album Bring It Back. His two solo records for Creation were followed by a prolific production career, shaping releases for The Libertines, Duffy, Tricky, Sophie Ellis-Bextor, Paloma Faith, The Cribs and many others. His collaboration with Duffy on Rockferry earned a Grammy and multiple Brit Awards.

Butler has appeared as guitarist on projects for Aimee Mann, Neneh Cherry, Bryan Ferry and Bert Jansch, and continues to work across songwriting, scoring, teaching and radio. Recent highlights include his Mercury-shortlisted album with Jessie Buckley (For All Our Days That Tear The Heart) and his 2023 solo release Good Grief on 355 Recordings. He also continues to tour regularly.

https://bernardbutler.com/
https://instagram.com/bernardbutlerofficial
http://www.facebook.com/bernardbutlerofficial

Kevin Paul Biog
Kevin Paul is a London-based mixer, engineer and producer whose career began at Soho Studios in 1991 before moving to Konk Studios, working with producers such as Bob Clearmountain, Pascal Gabriel and Gil Norton. After engineering the Depeche Mode archive, he joined Mute Records as Head Engineer, mixing landmark projects including Goldfrapp’s Felt Mountain, David Bowie’s Hours, and Nick Cave & The Bad Seeds’ No More Shall We Part, as well as multiple 5.1 releases.

Going freelance in 2004, he remixed the entire Depeche Mode and Nick Cave catalogues for SACD/DVD and has since mixed over 100 artists for the iTunes Festivals, including Adele, Ed Sheeran, Alicia Keys, The xx, Foo Fighters, Jack White, Oasis, Calvin Harris and many more.

Kevin continues to work across music and film, teaches mixing and surround at the University of Westminster, and regularly records, mixes and produces projects for international artists.

http://www.kevin-paul.com/

Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

People & Music Industry

Bernard Butler - Musician and Producer

Bernard Butler - Musician and Producer | Podcast

<a href="http://www.strut-records.com/news/Rodion%20G.A.">http://www.strut-records.com/news/RodionG.A.</a>

Unheard and unreleased for more than 30 years, the music of Rodion G.A. is a treasure. Rodion Rosca composed and recorded much of the music on an cobbled-together set-up of early drum machines, Tesla reel to reels, and live instruments. After sharing the electronic and bombastic <a href="https://soundcloud.com/strut/rodion-g-a-cantec-fulger-the">"Cantec Fulger"</a>, we're showing another side to his music with the haunting album closer "In Linistea Noptii."

<i>The Lost Tapes</i>, the first ever commercially released album of Rodion G.A.'s music, is due May 28th on Strut Records in association with Future Nuggets and Ambassador’s Reception. 

<a href="http://www.youtube.com/watch?v=cuZ5_hYPUTM">Video interview w. Rodion from his home in Romania</a>
<a href="http://youtu.be/uhv4Ev3sg3Q" target="_blank">Rodion G.A. - <i>The Lost Tapes</i> album trailer</a>

More from Strut Records:
<a href="http://www.strut-records.com" target="_blank">Home page</a>
<a href="https://www.facebook.com/pages/Strut-Records/20359830443" target="_blank">Facebook</a>
<a href="http://www.youtube.com/user/strutrecords" target="_blank">YouTube</a>


More from Future Nuggets:
<a href="https://soundcloud.com/future-nuggets" target="_blank">Soundcloud</a>
<a href="https://www.facebook.com/futurenuggets" target="_blank">Facebook</a>
<a href="http://futurenuggets.tumblr.com/" target="_blank">Tumblr</a>

More from Ambassador's Reception:
<a href="http://www.ambassadorsreception.com/" target="_blank">Home page</a>

The Lost Tapes

In Linistea Noptil

Rodion G.A. - "In Linistea Noptii" [The Lost Tapes]

Founder of Be-Bop Deluxe in 1973, guitarist Bill Nelson wrote all of the bands material. Signed to EMI, the band released five studio albums and scored a top ten UK hit with the single "Ship In The Night." In 1979 Bill disbanded Be-Bop Deluxe and launched his next band Red Noise whose 'Sound-On-Sound' album is often cited as an inspiration by many younger bands. Bill then formed his own independent record label, Cocteau Records, and throughout the 80's and 90's he released many solo albums as well as collaborating with other musicians such as Yellow Magic Orchestra, David Sylvian, Harold Budd, The Associates, Cabaret Voltaire, Sandy And The Sunsets and Channel Light Vessel. As a producer he has worked on albums for Roger Eno, The Skids, Gary Numan, The Units, Channel Light Vessel, The Rhythm Sisters, Nash The Slash and many others. 

Bill has also composed and recorded music for film, television and theatrical productions.

Over the past five years he has released many albums under his current label Sonoluxe Records.
Bill Nelson can be contacted via the Forum on his web site. www.billnelson.com

Start Beaming And Get On The Gleam Clip

Bill Nelson

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