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Nebula EP by Petrified Entity released August 24, 2025

Life Flashed Before Your Eyes

Music inspired by the dystopian futures of Blade Runner, I Robot and all the wonderful Science Fiction of the Past and Future.

NEXUS: SOMEDAY SOON

A piece of music can become a portal leading to greater awareness of the love that is the foundation of our existence. 
Simplicity and allowance are keys for inner transformation. 
Relaxing into the emotions evoked, one can discover new rooms and hidden treasures inside. 
There is nothing to fix in any of us. 
Just a discovery of what is there at our core. 
Our true nature is eternally peaceful and loving. 
Being embraced by that. 
Being that embrace. 
Is what I wish for all of us. 

/ Ludvig Cimbrelius

∞

http://eternell.net/album/portals-meditation

Portals (Meditation)

Shrine (Samadhi) ~ clip

This track is made up of two resampled trumpet notes with then acoustic trumpet improvised over the top. 

Crystals In The Atmosphere

https://stereoscenic.bandcamp.com/album/asleep-in-amber

Photography/Album Art by Bryan Hilyard

https://hilyard.bandcamp.com

Add to Spotify!

Asleep In Amber

Release date: 03/02/17

If you would like to review this release, please email info@astralindustries.co.uk

Format: 180g vinyl only//re-mastered by Noel Summerville//original artwork by Theo Ellsworth.

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The material collated on this third release from Heavenly Music Corporation was composed specifically for St. Giga in Japan, a satellite broadcast radio station transmitting ethereal audio harmony 24 hours a day. What made this station otherworldly was its programming; motivated by tidal movements, the aquatic ebbs and flows of each day synchronised to the activity and intensity of the music broadcast.

Lunar Phase

Pre-order

B4. Cloudless Light

First track from the new album, entitled "II: Plains/Patterns", out on Azure Vista Records March 31!

CD/DL/LP (vinyl limited to 300 copies!). Preorder here: https://billowobservatory.bandcamp.com/

Billow Observatory – the trans-atlantic duo consisting of Detroit's Jason Kolb (Auburn Lull) and Danish producer Jonas Munk (Manual) – are back with a follow-up to the their debut album from 2012. 

”II: Plains/Patterns” departs from the first LP’s amorphous ambient haze with a more rigid, albeit subtle, underpinning of rhythm and pulse. The duo’s obsession with “place and space” comes clearly into focus with an album that draws deeply from Munk and Kolb’s individual proximity to the geographically distant, but oddly similar, sounds of Germany and Michigan, past and present. 

 Traces of shoegaze, modern minimal electronica, and kosmische appear on every track, but are mutated into something mysterious and new. ”Pulsus”, for example, opens the album with a driving teutonic stutter and washes of serene guitar loops that are punctuated by bursts of filtered synth patterns; a combination that seamlessly bridges the gaps between disparate genres and periods of time. 

 Centerpiece, ”Plains”, expands the ambient formula into an inspired epic in three parts, where swells of processed guitars, distant voices and faint echoes of Detroit techno are weaved together to form a kaleidoscopic whole. And tracks such as ”Vex” and ”Plum” seem to pay as much homage to Slowdive and Eno's Harold Budd collaborations as to the modern minimalism from Cologne or Berlin.

Plains

New record, "II: Plains/Patterns", out March 31! CD, download and vinyl (limited to 300 copies). Order here:

https://azurevistarecords.bandcamp.com/

Billow Observatory – the trans-atlantic duo consisting of Detroit's Jason Kolb (Auburn Lull) and Danish producer Jonas Munk (Manual) – are back with a follow-up to the their debut album from 2012.

”II: Plains/Patterns” departs from the first LP’s amorphous ambient haze with a more rigid, albeit subtle, underpinning of rhythm and pulse. The duo’s obsession with “place and space” comes clearly into focus with an album that draws deeply from Munk and Kolb’s individual proximity to the geographically distant, but oddly similar, sounds of Germany and Michigan, past and present.

Traces of shoegaze, modern minimal electronica, and kosmische appear on every track, but are mutated into something mysterious and new. ”Pulsus”, for example, opens the album with a driving teutonic stutter and washes of serene guitar loops that are punctuated by bursts of filtered synth patterns; a combination that seamlessly bridges the gaps between disparate genres and periods of time.

Centerpiece, ”Plains”, expands the ambient formula into an inspired epic in three parts, where swells of processed guitars, distant voices and faint echoes of Detroit techno are weaved together to form a kaleidoscopic whole. And tracks such as ”Vex” and ”Plum” seem to pay as much homage to Slowdive and Eno's Harold Budd collaborations as to the modern minimalism from Cologne or Berlin.

II: Plains/Patterns 

Pulsus

My contribution to Marco Lucchi’s project, “The concept of work was forgotten”

https://soundcloud.com/musichevirtuali/sets/the-concept-of-work-was
 A 50th anniversary tribute to Terry Riley’s “A Rainbow In Curved Air”

A Rainbow in Curved Air I

sparse, minimal, repetitive... chords, field recordings, sequences...

This is the final ambient tune to "Summer":

https://jacobnewman.bandcamp.com/album/summer

Four Times

Track taken from the upcoming album 'And His Many Seas' by Moss Covered Technology...

Audio: Moss Covered Technology
Mastering: James Plotkin
Design: Daniel Crossley
Label: Fluid Audio
Release date: 30.04.18

'Sea #4' - And His Many Seas - [Fluid Audio, 2018]

Pausal are Alex Smalley and Simon Bainton | pausal.net
Mastered by Lawrence English and Porya Hatami
Cover artwork by Susanne Seinmann  | www.susannesteinmann.de

Buy: https://hibernate.bandcamp.com/album/volume-flow
Edition: CD /150
HB66 | hibernate-recs.uk | We Like Ambient

Pausal / Volume Flow (Snippets)

Track taken from the upcoming album 'Hearts Must Change' released through Fluid Audio...

Audio: Kirill Mazhai
Mastering: Ian Hawgood
Design: Daniel Crossley

Mailing  list:

www.fluidaudio.bigcartel.com/mailing-list

Love Theme

Kirill Mazhai - Love Theme

Sven Laux and Daniela Orvin​ - 'The Writings' 
Label; Dronarivm 
Cat #.: DR-59
Format: CD (ltd. 150)/ DL
Release date: April 12th, 2019
Pre-orders start March 29th

Sven Laux is a Berlin-based artist and composer who returns to Dronarivm following ‘Paper Streets’, which was released in 2017. He has also previously released on labels such as Archives, Whitelabrecs and Archipel, producing anything from modern classical to experimental minimal music.

Daniela Orvin is also based in Berlin, a pianist, musician and composer who has to-date released her second album ‘Home’ on Sven’s ‘Seasides On Postcards’ label which to many, became a stand-out recording in 2018.
Around a similar time to the release and creation of ‘Home’, Sven had been creating some tracks for an album and felt that there was something missing. After casting his ears over Daniela’s work, he realised that piano was the missing piece of the jigsaw that he had been searching for in the album he had been culminating. He invited Daniela to his studio, they walked through what had been created up to that point and she became inspired to the point that they began to work together. The process was very intuitive as piece by piece their own styles collided effortlessly into what has become a completed album project.

‘The Writings’ plays out in the exact order in which the tracks had been worked on, providing an accurate account of the studio time in which these stories had been etched. During the process, Sven and Daniela became friends and the concept of the album itself has become about collaboration itself.
Typically when artists work together in tandem, particularly in modern classical or ambient music, the result tends to be loud and powerful, as the two voices compete for the sonic space. This is not so in ‘The Writings’, as the artists showed great restrain between one another, a respect for each other’s expertise. Piano isn’t everywhere on this album, nor are Sven’s ‘hollywood strings’. Both are present, along with many many more wonderful elements. But each is afforded its own time and space, in a truly patient but evocative and enthralling listen, best enjoyed from start to finish.'

Mastered by Tobias Lorsbach
Original photo by Daniela Orvin

Buy CD / DL

Sven Laux And Daniela Orvin - Friends (from 'The Writings')

Part of a TRIPCLUBBING concert (http://www.koelner-philharmonie.de/tripclubbing)

with the Mahler Chamber Orchestra (http://www.mahler-chamber.de)

Remixed by Georg Conrad (georgconrad@gmail.com)

Krzysztof Penderecki - String Quartets I&II (Remix)

Slow Walking

'Departure Process' - Slow Walking - [Polar Seas Recordings, 2019]

Danish/American/Ambient/Experimental

Boomkat's description (http://boomkat.com/vinyl/601376-billow-observatory-billow-observatory):

"Nearly a decade in the making, 'Observatory' features Jonas Munk (Manual) and Jason Kolb (Auburn Lull) striving for ambient guitar perfection as Billow. Arguably, they've come close to achieving their practically impossible mission, conducting themselves with divine patience and deliberation across 15 achingly blissful scenes at once evoking the humbling beauty of the natural world and the yearning sublimity of more soporific states thanks to near-surgical application of software and hardware effects. Unless you're au fait with the likes of Fennesz or Stars Of The Lid, you might never tell that the guitar is at the heart of this record, yet beneath its phosphorescing, crepuscular drones and plangent sonorities the simple six string generates all the source material. So the world it inhabits is essentially that one between states, simulating a quietly vibrant ecology of sub-aquatic bass rumbles, washed out expanses of mid-range swirl and keening top end whose elusive colours seem to fade and coruscate in the low light. Lovely."

U.S. Pre-orders:  http://felte.bandcamp.com/album/billow-observatory





Plains

Billow Observatory

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