my212

Paul Van Dyk - Nothing But You (Billy Gillies Remix)

Out Of The Dust Ft. Plumb - Take That (Bryan Kearney Remix) from Rong 10th

Lost Without U

Rave Parties are another universe where you can be yourself and enjoy the night with your friends dancing to your favorite music all night long. Twinspin tried to capture that intense emotion you can live in a rave party into one song, hope you enjoy listening to it as much as I had pleasure to produce it!   Official release date is May 9th ...this is the radio edit, the extended mix for dj will be available on beatport!

Twinspin - RAVE (Radio edit)

Full length version is OUT NOW at iTunes & Amazon

iTunes

https://itunes.apple.com/us/album/need-you-now-how-many-times/id1001666771

Amazon 

http://www.amazon.co.uk/Need-Times-Bryan-Kearney-Remix/dp/B00YUBHWVU/

Plumb - Need You Now [How Many Times] (Bryan Kearney Remix)

Ripped from Manuel Le Saux Pres. Extrema 488

Extrema 488 (2017-03-08)

Reflekt - Need To Feel Loved (Chris Schweizer Bootleg)

Shine

Shine (Jorn van Deynhoven Remix)

London Grammar - Hell to the Liars (Billy Gillies Remix)ASOT 847

Everytime

Everytime (Sneijder Remix)

All Comes Back to You

All Comes Back to You (Club Mix)

All Comes Back to You (Solarstone Pure Mix Expanded)

http://www.facebook.com/soundcloudd [Join Us]

Ratty – Sunrise (Here I Am) [ASOT Radio Classic]

Key4050 ft. Plumb - ID (?I Love You) @ Transmission Prague 2019

Hello, Goodbye

Working with Neil Hunter and Zach Alwin was a true pleasure. Hope you guys enjoy our new single as much as we enjoyed making it for you!

You Should Know

You Should Know (feat. Zach Alwin)

In My Arms

In My Arms (Extended Mix)

To listen to Billy Gillies is to capture true joy, because every song he produces and DJ set he performs radiates pure passion and vibrant spirit.

 

The Northern Irishman’s blend of quirky Eurodance synths, uplifting trance grandeur and hard-hitting bass rhythms goes beyond catchy melodies and expert timing, as breakout hits “Lagoon” and “Youth” tap into the very essence of what makes a night spent on the dancefloor with your best mates such a special experience.

 

That’s why he’s earned more than 145 million views on TikTok, filled a Creamfields tent with thousands of ravers at 1 p.m. on a Sunday, and why he’s managed to get an official remix of Madison Avenue’s 1999 hit “Don’t Call Me Baby” after ripping the iconic vocal off the internet.

 

Crowds chant his name from Taiwan to Texas because Billy Gillies dares to do something different; something unique to himself. Now, Billy Gillies is the next superstar-DJ-in-the-making, poised to take over the world.

 

Billy’s musical obsession started in the 2000s when his older sister started buying Clubland compilation CDs and dating a local DJ. One night, the boyfriend came over and brought his decks, but when the couple left to go dancing, 11-year-old Billy snuck into his sister’s room and started playing with the turntables.

 

“I was like, ‘what is this music? I love this,’” he laughs. “On the Christmas list for that year was a set of decks.”

 

His mom delivered with his first set of Kam belt drives, and Billy’s been mad for mixing ever since. Each Saturday, he’d head out of the house with a five Pound note and spend it on a new record (Tiesto’s Traffic being particularly influential). In turn, he’d spend the next week learning to mix that record in and out of his steadily growing collection.

 

When he was 17, he got his first taste of true Clubland. A year underaged, he caught an hour-long bus from Belfast to Banbridge and talked his way into a club called Coach. Japanese DJ Yoji Biomehanika and the UK’s own Lisa Lashes dropped heavy hard-house records all night, and Billy started dreaming of his own chance to rock a crowd, proper.

 

He knew that if he wanted to be an in-demand DJ, he’d have to come up with some original songs. In 2011, he locked himself in his bedroom with a copy of Ableton Live and didn’t come out until he’d mastered the basic trance sound.

 

He fell in love with music production and started sending his tracks to BBC Radio 1 DJ Judge Jules, who played them on his show every Friday night. For 19-year-old Billy, there was nothing better.

 

After spending much of his 20s as a self-described “party animal,” 28-year-old Billy once again locked himself inside his bedroom and churned out a ton of original tunes. The result? A spot on the lineup of Luminosity 2019 alongside major trance legends Paul Van Dyk, Ferry Corsten, Gareth Emery and more. He played a set of all-original material, and when a recording was posted to Soundcloud, it earned more plays than any of the headliners.

 

“I’d brung a fresh sound into the trance scene,” Gillies says. “Everyone was making the same type of thing, where I just look back at my influences growing up and crammed it into the main trance style.”

 

International booking requests flooded in, sending him to Argentina to Australia—and then COVID struck. Many of his peers saw no point releasing music to a locked-down crowd, but Billy saw a chance to experiment.

 

“People need music in hard times, not just for clubs,” he says. “The music I was making around that time was proper emotional melodies, and it was resonating with everyone.”

 

He’d share each tune in a rough clip to Facebook or TikTok, and every post brought shares in the thousands. His fan base wasn’t just growing, it was ballooning, due in part not only to his masterful skills in the studio but also his effervescent personality that spills into each tune.

Paul Van Dyk - Nothing But You (Billy Gillies Remix)

Billy Gillies

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