Valhalla

This mashup was made by Uberjakd and was
 taken from David Rust's set at Hellfire in Manchester!

Anyways I hope you enjoy this mashup!

*Disclaimer I am only uploading this for entertainment purposes*


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I'm Feeling It x Lagoon (Uberjakd Mashup)

Billy Gillies - Better Off Alone

Sonny Fodera, MK, Clementine Douglas - Asking (Liam Melly & Daley Remix)

Free Download

hey everyone heres my remix of Tocas Miracle , merry xmas free download link Below 

https://www.dropbox.com/scl/fi/ge3qs9xmh66zln0atk4zq/Toca-s-Miracle-david-Nimmo-Remix-final-Master.wav?rlkey=xw502lnz7eajucik1o1bzeky4&dl=0

Enjoy

Fragma - Tocas Miracle (David Nimmo Remix) Free Download

Here's our New Era - Birds in The Sky Remix 💥

Released on all platforms 15/03/24 x

TURN IT UP 🔊

Birds In The Sky (Symmetrik Remix)

I made this edit to tribute the late Mallorca Lee for my set @ Rezerection The Homecoming on Saturday 6th April 2024.

I also performed a live remix of Ultra-Sonic - Check Your Head.

Watch the full set here: https://www.youtube.com/watch?v=QTrzRR-6-uQ

LOVE, LOVE, LOVE - Our One True Currency <3

Ultra Sonic - Obsession (VALHALLA's In Memory Of Mallorca Edit)

Right Here All Along (feat. Hannah Boleyn)

Save

No Come Down ft. Aya Anne (OUT NOW)

U BRING ME JOY

Chrystal - The Days (Calvin Logue Remix)

SPOTLIGHT (STE MAC & SIMON JAY)

Lets run it uppp 👀, Official release is OUT NOW  
STEAM HERE - https://symmetrikxbl3ss.lnk.to/clothesoff

Symmetrik x BL3SS - We Don’t Have To (Clothes Off) (feat. Grace Bridie) OUT NOW ON ALL PLATFORMS

Sirens in the Rain

N-Joi - Anthem

Happiness

JFunk003 Herd & Fitz Feat Abigail Bailey  I Just Can't Get Enough  Full Vox

To listen to Billy Gillies is to capture true joy, because every song he produces and DJ set he performs radiates pure passion and vibrant spirit.

 

The Northern Irishman’s blend of quirky Eurodance synths, uplifting trance grandeur and hard-hitting bass rhythms goes beyond catchy melodies and expert timing, as breakout hits “Lagoon” and “Youth” tap into the very essence of what makes a night spent on the dancefloor with your best mates such a special experience.

 

That’s why he’s earned more than 145 million views on TikTok, filled a Creamfields tent with thousands of ravers at 1 p.m. on a Sunday, and why he’s managed to get an official remix of Madison Avenue’s 1999 hit “Don’t Call Me Baby” after ripping the iconic vocal off the internet.

 

Crowds chant his name from Taiwan to Texas because Billy Gillies dares to do something different; something unique to himself. Now, Billy Gillies is the next superstar-DJ-in-the-making, poised to take over the world.

 

Billy’s musical obsession started in the 2000s when his older sister started buying Clubland compilation CDs and dating a local DJ. One night, the boyfriend came over and brought his decks, but when the couple left to go dancing, 11-year-old Billy snuck into his sister’s room and started playing with the turntables.

 

“I was like, ‘what is this music? I love this,’” he laughs. “On the Christmas list for that year was a set of decks.”

 

His mom delivered with his first set of Kam belt drives, and Billy’s been mad for mixing ever since. Each Saturday, he’d head out of the house with a five Pound note and spend it on a new record (Tiesto’s Traffic being particularly influential). In turn, he’d spend the next week learning to mix that record in and out of his steadily growing collection.

 

When he was 17, he got his first taste of true Clubland. A year underaged, he caught an hour-long bus from Belfast to Banbridge and talked his way into a club called Coach. Japanese DJ Yoji Biomehanika and the UK’s own Lisa Lashes dropped heavy hard-house records all night, and Billy started dreaming of his own chance to rock a crowd, proper.

 

He knew that if he wanted to be an in-demand DJ, he’d have to come up with some original songs. In 2011, he locked himself in his bedroom with a copy of Ableton Live and didn’t come out until he’d mastered the basic trance sound.

 

He fell in love with music production and started sending his tracks to BBC Radio 1 DJ Judge Jules, who played them on his show every Friday night. For 19-year-old Billy, there was nothing better.

 

After spending much of his 20s as a self-described “party animal,” 28-year-old Billy once again locked himself inside his bedroom and churned out a ton of original tunes. The result? A spot on the lineup of Luminosity 2019 alongside major trance legends Paul Van Dyk, Ferry Corsten, Gareth Emery and more. He played a set of all-original material, and when a recording was posted to Soundcloud, it earned more plays than any of the headliners.

 

“I’d brung a fresh sound into the trance scene,” Gillies says. “Everyone was making the same type of thing, where I just look back at my influences growing up and crammed it into the main trance style.”

 

International booking requests flooded in, sending him to Argentina to Australia—and then COVID struck. Many of his peers saw no point releasing music to a locked-down crowd, but Billy saw a chance to experiment.

 

“People need music in hard times, not just for clubs,” he says. “The music I was making around that time was proper emotional melodies, and it was resonating with everyone.”

 

He’d share each tune in a rough clip to Facebook or TikTok, and every post brought shares in the thousands. His fan base wasn’t just growing, it was ballooning, due in part not only to his masterful skills in the studio but also his effervescent personality that spills into each tune.

Right Here All Along (feat. Hannah Boleyn)

Billy Gillies

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